Robert Bresson 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Robert Bresson

简体网页||繁体网页
Tony Pipolo 作者
Oxford University Press, USA
译者
2010-01-19 出版日期
420 页数
USD 29.95 价格
Paperback
丛书系列
9780195319798 图书编码

Robert Bresson 在线电子书 图书标签: 电影研究  电影学  法国  原文  RobertBresson  Robert  Cinematography  Bresson   


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Robert Bresson 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Robert Bresson 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Robert Bresson 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



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求国内良心译者和出版社合力出版此书的中文译本,全程谷歌翻译,我太难了????。

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求国内良心译者和出版社合力出版此书的中文译本,全程谷歌翻译,我太难了????。

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求国内良心译者和出版社合力出版此书的中文译本,全程谷歌翻译,我太难了????。

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求国内良心译者和出版社合力出版此书的中文译本,全程谷歌翻译,我太难了????。

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求国内良心译者和出版社合力出版此书的中文译本,全程谷歌翻译,我太难了????。

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Robert Bresson 在线电子书 图书描述

The films of the late French filmmaker Robert Bresson, once thought formidable both because of the somberness of their subject matter and the austerity of the filmmaker's style, have in the last decade found a new audience. In part, this is owing to the rarely acknowledged but profound influence his style has had on later filmmakers-from Chantal Akerman to Michael Haeneke. This book looks at Bresson's body of work not only by coming to terms with its thematic preoccupations and the development of its unique authorial style, but also in terms of the ouvre's seminal place in the history of film. The filmic rhetoric that Bresson pursued was nothing less than an effort to create an exemplary form of film narrative, throwing off the conventions of the theater and acting that still dominate mainstream filmmaking. In this respect, Bresson's films are no less ground-breaking than those of D.W. Griffith and Sergei Eisenstein. In addition, while few who have written about Bresson would deny the highly personal and idiosyncratic nature of his work, its autobiographical dimension has never been fully explored. This constitutes a rich vein for investigation and the films-in both their subject matter and style-mirror and trace the aesthetic and psychological dispositions of the filmmaker. What one discovers in these explorations is a deeper relationship between the filmmaker and his literary models-especially the novelists Georges Bernanos and Fyodor Dostoevsky. With both, he also shares convictions about the "fallen..nature of humanity, an attitude of mourning for the loss of childhood innocence, a strong preoccupation with Christian theology, and the role evil and sexuality play in our lives. In this book Bresson's sources, style, and biography are explored via a chronological investigation of his films, yielding a dense analysis worthy of this master filmmaker.

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