Along with the plays of William Shakespeare and the works of Charles Dickens, Jane Austen’s novels are among the most beloved books of Western literature. Pride and Prejudice (1813) was in Austen’s lifetime her most popular novel, and it was the author’s personal favorite. Adapted many times to the screen and stage, and the inspiration for numerous imitations, it remains today her most widely read book. Now, in this beautifully illustrated and annotated edition, distinguished scholar Patricia Meyer Spacks instructs the reader in a larger appreciation of the novel’s enduring pleasures and provides analysis of Darcy, Elizabeth Bennet, Lady Catherine, and all the characters who inhabit the world of Pride and Prejudice.
This edition will be treasured by specialists and first-time readers, and especially by devoted Austen fans who think of themselves as Friends of Jane. In her Introduction, Spacks considers Austen’s life and career, the continuing appeal of Pride and Prejudice, and its power as a stimulus for fantasy (Maureen Dowd, writing in The New York Times, can hold forth at length on Obama as a Darcy-figure, knowing full well her readers will “understand that she wished to suggest glamour and sexiness”). Her Introduction also explores the value and art of literary annotation. In her running commentary on the novel, she provides notes on literary and historical contexts, allusions, and language likely to cause difficulty to modern readers. She offers interpretation and analysis, always with the wisdom, humor, and light touch of an experienced and sensitive teacher.
Jane Austen
Jane Austen (16 December 1775 – 18 July 1817) was an English novelist whose works of romantic fiction, set among the landed gentry, earned her a place as one of the most widely read writers in English literature, her realism and biting social commentary cementing her historical importance among scholars and critics.
Austen lived her entire life as part of a close-knit family located on the lower fringes of the English landed gentry. She was educated primarily by her father and older brothers as well as through her own reading. The steadfast support of her family was critical to her development as a professional writer. Her artistic apprenticeship lasted from her teenage years until she was about 35 years old. During this period, she experimented with various literary forms, including the epistolary novel which she tried then abandoned, and wrote and extensively revised three major novels and began a fourth. From 1811 until 1816, with the release of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1816), she achieved success as a published writer. She wrote two additional novels, Northanger Abbey and Persuasion, both published posthumously in 1818, and began a third, which was eventually titled Sanditon, but died before completing it.
Austen's works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century realism. Her plots, though fundamentally comic, highlight the dependence of women on marriage to secure social standing and economic security. Her work brought her little personal fame and only a few positive reviews during her lifetime, but the publication in 1869 of her nephew's A Memoir of Jane Austen introduced her to a wider public, and by the 1940s she had become widely accepted in academia as a great English writer. The second half of the 20th century saw a proliferation of Austen scholarship and the emergence of a Janeite fan culture.
Patricia Meyer Spacks is Edgar F. Shannon Professor of English, Emerita, at the University of Virginia.
In 1801, George Austen retired from the clergy, and Jane, Cassandra, and their parents took up residence in Bath, a fashionable town Jane liked far less than her native village. Jane seems to have written little during this period. When Mr. Austen died in 1805, the three women, Mrs. Austen and her daughters, moved first to Southampton and then, partly subsidized by Jane's brothers, occupied a house in Chawton, a village not unlike Jane's first home. There she began to work on writing and pursued publishing once more, leading to the anonymous publication of Sense and Sensibility in 1811 and Pride and Prejudice in 1813, to modestly good reviews.
Known for her cheerful, modest, and witty character, Jane Austen had a busy family and social life, but as far as we know very little direct romantic experience. There were early flirtations, a quickly retracted agreement to marry the wealthy brother of a friend, and a rumored short-lived attachment -- while she was traveling -- that has not been verified. Her last years were quiet and devoted to family, friends, and writing her final novels. In 1817 she had to interrupt work on her last and unfinished novel, Sanditon, because she fell ill. She died on July 18, 1817, in Winchester, where she had been taken for medical treatment. After her death, her novels Northanger Abbey and Persuasion were published, together with a biographical notice, due to the efforts of her brother Henry. Austen is buried in Winchester Cathedral.
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这本书带给我的最大感受是,有时候,最美好的东西,恰恰隐藏在最朴实无华的日常之中。作者并没有刻意制造戏剧性的冲突,而是通过对生活中点滴细节的捕捉,展现了人物的善良、智慧和坚韧。这种对生活的热爱和对美好的追求,是贯穿始终的主题,也深深地感染了我。
评分这本书的篇幅虽然不算短,但每一个字、每一个词的运用都显得如此精炼,仿佛经过了千万次的打磨。作者的语言风格有一种古典的美,用词考究,句式优美,读起来有一种音乐般的韵律感。尤其是一些对话的描写,字里行间充满了智慧和风趣,人物的性格跃然纸上。我常常会因为某一句精彩的描写而停下来,反复品味,甚至在脑海中勾勒出当时的场景,感受人物的情感起伏。这种文字的魅力,是现代快节奏的生活中很难再见到的。
评分我尤其欣赏作者对人物内心世界的细腻刻画。她并没有像某些作家那样,直接告诉读者人物在想什么,而是通过人物的言谈举止,通过他们与他人的互动,不动声色地将人物的性格、思想、情感一层层剥开,展现在读者面前。你会在某个不经意的瞬间,突然理解了这个人物的无奈,或者是感受到了他内心的挣扎。这种“留白”式的描写,反而更加引人入胜,让读者能够主动地参与到对人物的理解中来,而不是被动地接受。
评分第一眼看到这本厚实的精装书,就有一种沉甸甸的历史感扑面而来,仿佛穿越了时空的阻隔,直接捧在了19世纪英国贵族小姐的手中。它的封面设计并非那种张扬夺目的风格,而是带着一种内敛而精致的美感,深沉的色彩搭配着恰到好处的烫金字体,传递出一种低调的奢华。翻开扉页,那纸张的质感也是极好的,带着一丝淡淡的油墨香,让人不自觉地放慢了翻阅的节奏,细细品味文字之外的触感。我喜欢在这样一本实体书中投入时间,而不是在电子屏幕上匆匆滑过,那种沉浸感是电子书难以替代的。
评分这本书不仅仅是关于爱情故事,它更像是一面镜子,照出了那个时代社会风貌,以及其中隐藏的人性百态。作者对于社会阶层、婚姻制度、女性地位等议题的探讨,都非常深刻,并且在故事中自然而然地融入,没有丝毫说教的意味。你可以看到在看似平静的表面下,涌动着多少现实的考量和情感的纠葛。这种社会洞察力,让这本书超越了一个简单的浪漫故事,成为了一部具有史料价值的文学作品。
评分书中对于情感的描写,既含蓄又充满张力。作者没有直接描绘轰轰烈烈的爱情,而是通过 subtle 的眼神,暧昧的对话,以及人物之间微妙的互动,将情感的萌芽和发展描绘得淋漓尽致。你能够感受到那种含蓄的爱恋,那种欲说还休的纠结,以及那种在误会和猜忌中逐渐加深的羁绊。这种细腻而真实的情感描绘,才是真正打动人心的。
评分我非常喜欢书中对家庭关系的描写。无论是其乐融融的姐妹情深,还是父母之间微妙的相处模式,亦或是大家庭中不同成员之间的互动,都刻画得生动而真实。这些家庭关系,不仅仅是故事的背景,更是影响人物性格和命运的重要因素。通过对这些关系的描写,我们可以更深入地理解人物的行为动机,以及他们所处的社会环境。
评分这本书的叙事节奏把握得非常到位。虽然故事发生在相对悠闲的年代,但情节推进却丝毫不显得拖沓。作者善于设置悬念,利用巧妙的转折,让故事充满了吸引力。你很难预料下一刻会发生什么,这种“意料之外,情理之中”的惊喜,让阅读过程充满了乐趣。我常常会因为迫不及待想知道故事的走向而熬夜阅读,完全沉浸在了作者构建的世界之中。
评分总而言之,这是一本值得反复阅读的经典之作。每一次重读,都能有新的发现和感悟。它不仅仅是一个故事,更是一种人生智慧的传递,一种对美好情感的歌颂。它让我相信,即使在最复杂的社会环境中,真诚和善良最终也能战胜一切。这本书的魅力,在于它能够穿越时空,触动每一个读者的内心深处,并留下长久而深刻的印记。
评分我最喜欢的是书中角色的成长和蜕变。很多角色并非一开始就完美无瑕,他们有自己的缺点,有自己的迷茫,但他们都在经历了一系列事件后,学会了反思,学会了成长。看着他们从懵懂无知到逐渐成熟,从固执己见到懂得变通,这种过程本身就充满了力量。这种真实感,让读者能够从他们身上找到共鸣,并从中汲取力量,相信自己也能够克服困难,成为更好的自己。
评分才知奥氏文笔,一字一句,皆有机关。此书分析之精,考辨之细,注释之详,令人叹未曾有,但恨相见之晚。
评分才知奥氏文笔,一字一句,皆有机关。此书分析之精,考辨之细,注释之详,令人叹未曾有,但恨相见之晚。
评分才知奥氏文笔,一字一句,皆有机关。此书分析之精,考辨之细,注释之详,令人叹未曾有,但恨相见之晚。
评分才知奥氏文笔,一字一句,皆有机关。此书分析之精,考辨之细,注释之详,令人叹未曾有,但恨相见之晚。
评分才知奥氏文笔,一字一句,皆有机关。此书分析之精,考辨之细,注释之详,令人叹未曾有,但恨相见之晚。
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