Susan Bright is a curator and writer. She has taught extensively and has convened major international conferences and seminars on many aspects of art and photography. She was formerly Assistant Curator of Photographs at the National Portrait Gallery, Curator at the Association of Photographers and Acting Director for the MA Photography (Historic and Contemporary) at Sotheby’s Institute of Art. Exhibitions and catalogues include Something Out of Nothing (Fotogalleriet, Oslo), How We Are: Photographing Britain (Tate Britain, London) and Face of Fashion (National Portrait Gallery, London).
Lavishly illustrated and accessible, this dazzling array of photographs by seventy-five of the world’s foremost contemporary photographers focusses on self-portraiture.
From intimate images of introspection and those that challenge notions of ethnicity and sexuality, to dramatic, stylized photographs of dream-like scenarios, Auto Focus shows how one of the longest-established artistic genres continues to fascinate artists today.
Susan Bright provides a clear guide for readers through this significant and dynamic genre, showing how issues of identity – whether national, sexual, racial, personal or artistic – are key to understanding the work of many of today’s leading photographers.
当我们站在镜头下,我们即拥有了和过去沟通的一种渠道。镜头下的我们,无论是故作愉快或是真的愉快,都无法隐藏心中的真实情怀。当时光久远,我似乎无法分清回荡在脑海中的记忆是当时的想象还是真的存在,用镜头记录,我们也找到了真实的自己。@姜维私想 ...
评分当我们站在镜头下,我们即拥有了和过去沟通的一种渠道。镜头下的我们,无论是故作愉快或是真的愉快,都无法隐藏心中的真实情怀。当时光久远,我似乎无法分清回荡在脑海中的记忆是当时的想象还是真的存在,用镜头记录,我们也找到了真实的自己。@姜维私想 ...
评分当我们站在镜头下,我们即拥有了和过去沟通的一种渠道。镜头下的我们,无论是故作愉快或是真的愉快,都无法隐藏心中的真实情怀。当时光久远,我似乎无法分清回荡在脑海中的记忆是当时的想象还是真的存在,用镜头记录,我们也找到了真实的自己。@姜维私想 ...
评分当我们站在镜头下,我们即拥有了和过去沟通的一种渠道。镜头下的我们,无论是故作愉快或是真的愉快,都无法隐藏心中的真实情怀。当时光久远,我似乎无法分清回荡在脑海中的记忆是当时的想象还是真的存在,用镜头记录,我们也找到了真实的自己。@姜维私想 ...
评分当我们站在镜头下,我们即拥有了和过去沟通的一种渠道。镜头下的我们,无论是故作愉快或是真的愉快,都无法隐藏心中的真实情怀。当时光久远,我似乎无法分清回荡在脑海中的记忆是当时的想象还是真的存在,用镜头记录,我们也找到了真实的自己。@姜维私想 ...
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评分fun
评分好玩!现当代呢!
评分好玩!现当代呢!
评分Teleologists. 有几个作品还是有趣有意味
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