劳伦斯﹒格罗斯伯格 美国具有巨大影响力的文化研究、大众文化研究、传媒研究学者，出生于纽约布鲁克林。1968年在美国罗切斯特大学随海登?怀特学习，获哲学与历史学位，后进入英国伯明翰大学当代文化研究中心（CCCS），师从理查德?霍加特以及斯图亚特?霍尔。回到美国后，在伊利诺伊大学学习，师从詹姆斯?凯瑞教授，1976年获得博士学位。毕业后在伊利诺伊大学开始了执教生涯，1990年获评传媒学教授。1994年来到美国北卡罗来纳大学教堂山分校任传媒研究教授，现为传媒研究杰出教授，文化研究中心主任。他在国际文化研究界影响广泛，从1990年开始就负责主编文化研究界的知名学术刊物《文化研究》（Cultural Studies）及另一份学术刊物《大众文化》(Public Culture)。他著作颇丰，如《文化研究导论》（1992 )等书已成为文化研究必不可少的工具书。从某种意义上说，格罗斯伯格把文化研究带到了美国，又利用自身的影响力把美国文化研究带到了世界。

Lawrence Grossberg is one of the leading figures in cultural studies internationally. In Cultural Studies in the Future Tense, he offers a powerful critique of the present state of cultural studies and, more broadly, of the intellectual left, especially in the Anglo-American academy. He develops a vision for the future of cultural studies as conjunctural analysis, a radically contingent and contextual study of the articulations of lived, discursive, and material contexts. Proposing a compelling analysis of the contemporary political problem-space as a struggle over modernity, he suggests the possibility of multiple ways of being modern as an analytic and imaginative frame. He develops an ontology of the modern as the potentialities of multiple configurations of temporalities and spatialities, differences, territorialities, and powers, and argues that euro-modernity is a specific geohistorical realization of this complex diagram. Challenging the euro-modern fragmentation of the social formation, he discusses the rigorous conceptual and empirical work that cultural studies must dooincluding rethinking fundamental concepts such as economy, culture, and politics as well as modernityoto reinvent itself as an effective political-intellectual project. This book offers a vision of a contemporary cultural studies that embraces complexity, rigorous interdisciplinary practice and experimental collaborations in an effort to better explain the present in the service of the imagination of other futures and the struggles for social transformation.