The Role of Japan in Modern Chinese Art

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Joshua A. Fogel is professor of history at York University, Toronto, and a specialist in the history of cultural and political ties between China and Japan in the modern era.

出版者:Global, Area, and International Archive
作者:Joshua A. Fogel
出品人:
页数:504
译者:
出版时间:2013-1-1
价格:USD 54.95
装帧:Paperback
isbn号码:9780984590971
丛书系列:
图书标签:
  • 艺术史 
  • 日本 
  • 海外中国艺术研究 
  • 日本对中国艺术的影响 
  • 艺术 
  • 历史 
  • 中国 
  • 藝術史 
  •  
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The modern histories of China and Japan are inexorably intertwined. Their relationship is perhaps most obvious in the fields of political, economic, and military history, but it is no less true in cultural and art history. Yet the traffic in artistic practices and practitioners between China and Japan remains an understudied field. In this volume, an international group of scholars investigates Japan's impact on Chinese art from the mid-nineteenth century through the 1930s. Individual essays address a range of perspectives, including the work of individual Chinese and Japanese painters, calligraphers, and sculptors, as well as artistic associations, international exhibitions, the collotype production or artwork, and the emergence of a modern canon.

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“(Re)-Canonizing Literati Painting: The Kyoto Circle”, The Role of Japan in Modern Chinese Art (Berkley: University of California Press, 2012), pp. 215-227, 353-358. 如同20世紀初的民國重新定義其國畫,舊時文人畫也在此時亟需重構,前田環認為日本在此過程中起...

评分

“(Re)-Canonizing Literati Painting: The Kyoto Circle”, The Role of Japan in Modern Chinese Art (Berkley: University of California Press, 2012), pp. 215-227, 353-358. 如同20世紀初的民國重新定義其國畫,舊時文人畫也在此時亟需重構,前田環認為日本在此過程中起...

评分

“(Re)-Canonizing Literati Painting: The Kyoto Circle”, The Role of Japan in Modern Chinese Art (Berkley: University of California Press, 2012), pp. 215-227, 353-358. 如同20世紀初的民國重新定義其國畫,舊時文人畫也在此時亟需重構,前田環認為日本在此過程中起...

评分

“(Re)-Canonizing Literati Painting: The Kyoto Circle”, The Role of Japan in Modern Chinese Art (Berkley: University of California Press, 2012), pp. 215-227, 353-358. 如同20世紀初的民國重新定義其國畫,舊時文人畫也在此時亟需重構,前田環認為日本在此過程中起...

评分

“(Re)-Canonizing Literati Painting: The Kyoto Circle”, The Role of Japan in Modern Chinese Art (Berkley: University of California Press, 2012), pp. 215-227, 353-358. 如同20世紀初的民國重新定義其國畫,舊時文人畫也在此時亟需重構,前田環認為日本在此過程中起...

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其实细读的只有讲王一亭和1929美展的两篇,收获非常大,也印证自己之前的一些推断。剩下的篇目都快速翻了一遍,感觉蛛丝马迹里也藏着很多可以再挖掘的方向

评分

其实细读的只有讲王一亭和1929美展的两篇,收获非常大,也印证自己之前的一些推断。剩下的篇目都快速翻了一遍,感觉蛛丝马迹里也藏着很多可以再挖掘的方向

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