Artists, Patrons, and the Public 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Artists, Patrons, and the Public

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Lord, Barry; Lord, Gail Dexter; 作者
译者
2010-5 出版日期
226 页数
$ 56.44 价格
丛书系列
9780759118485 图书编码

Artists, Patrons, and the Public 在线电子书 图书标签: 艺术  文化咨询  大众文化  博物馆   


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发表于2024-12-25


Artists, Patrons, and the Public 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

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Artists, Patrons, and the Public 在线电子书 用户评价

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还行吧,适合不是很专业的读者。

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还行吧,适合不是很专业的读者。

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还行吧,适合不是很专业的读者。

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虽然缺乏学术深度,观点和论证多基于经验案例而非扎实的理论和逻辑推理,但作者从跨界和学科交叉合作出发,提出了很多让人觉得耳目一新的问题,像能源与文化代系的观点,怎么看都很有趣。咨询业少写些大而空的普遍真理,多给些活生生的案例和案例的社会历史文化context,就真是造福学者和业界了。

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作者试图通过揭示物质,身体,社会政治,审美文化之间的动态关系来分析文化变化的原因。可惜作者的讨论过于宽泛,把各种社会性,政治性,历史话题都牵扯进文化艺术的讨论中,显得非常牵强和缺乏中心。

Artists, Patrons, and the Public 在线电子书 著者简介

Barry Lord and Gail Dexter Lord are the founders and co-presidents of Lord Cultural Resources.


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Artists, Patrons, and the Public 在线电子书 图书描述

In this book, Barry and Gail Lord focus their two lifetimes of international experience working in the cultural sector on the challenging questions of why and how culture changes. They situate their discourse on aesthetic culture within a broad and inclusive definition of culture in relation to material, physical and socio-political cultures. Here at last is a dynamic understanding of the work of art, in all aspects, media and disciplines, illuminating both the primary role of the artist in initiating cultural change, and the crucial role of patronage in sustaining the artist. Drawing on their worldwide experience, they demonstrate the interdependence of artistic production, patronage, and audience and the remarkable transformations that we have witnessed through the millennia of the history of the arts, from our ancient past to the knowledge economy of the twenty-first century. Questions of cultural identity, migration, and our growing environmental consciousness are just a few examples of the contexts in which the Lords show how and why our cultural values are formed and transformed. This book is intended for artists, students, and teachers of art history, museum studies, cultural studies, and philosophy, and for cultural workers in all media and disciplines. It is above all intended for those who think of themselves first as audience because we are all participants in cultural change.

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