This book is a ground-breaking study of 'alternative Chinese opera', contemporary innovative forms of traditional operas on the Pacific Rim. Adopting an interdisciplinary approach and incorporating a wealth of interviews, the author provides an in-depth examination of local performances and balances discourse on the local and global, personal and political, national and transnational, offering a fresh way of addressing the problems with binaries such as tradition/innovation, Chinese/Chinese Identities, center/peripheries, home/diaspora in the age of globalization. Chapters deal with the sociopolitical significance of the Innovative Beijing opera in Taiwan, a Youth Edition of the Cantonese opera classic The Flower Princess in Hong Kong, The Peony Pavilion performance with the transnational capital in California, and the avant-garde adventure of Robert Wilson's Beijing opera Orlando in Taiwan. Contrary to traditional scholarship, Alternative Chinese Opera addresses the "here and now' - the immediacy and stake of an age-old genre - with alternative voices from the peripheries.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
覺得比較偏嚮社會學，曆史分析略少
评分覺得比較偏嚮社會學，曆史分析略少
评分錶演零度的概念，暗示瞭中心的缺席，邊緣與邊緣間的閤縱連橫；一切歸零的靜思冥想，和從頭開始的希望。說真的，現在看到在鄉愁、跨國、alternative之類的字眼上死扣打轉，愈發覺得沒意思，也沒意義。文本細讀基本沒有，舞颱調度的分析是零星點綴式的：情節概括一下，穿插一點主創人員的構思和意圖介紹，就沒瞭。
评分錶演零度的概念，暗示瞭中心的缺席，邊緣與邊緣間的閤縱連橫；一切歸零的靜思冥想，和從頭開始的希望。說真的，現在看到在鄉愁、跨國、alternative之類的字眼上死扣打轉，愈發覺得沒意思，也沒意義。文本細讀基本沒有，舞颱調度的分析是零星點綴式的：情節概括一下，穿插一點主創人員的構思和意圖介紹，就沒瞭。
评分錶演零度的概念，暗示瞭中心的缺席，邊緣與邊緣間的閤縱連橫；一切歸零的靜思冥想，和從頭開始的希望。說真的，現在看到在鄉愁、跨國、alternative之類的字眼上死扣打轉，愈發覺得沒意思，也沒意義。文本細讀基本沒有，舞颱調度的分析是零星點綴式的：情節概括一下，穿插一點主創人員的構思和意圖介紹，就沒瞭。
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