This highly original study explores how different, but connected ways of seeing infuse relationships between place and belonging. Its argument is that all memories, whether fleeting glimpses or elaborated narratives, necessarily invoke imagined pasts - tenement life, island cultures, vanished moralities, even the origins of social science. But do these multiple recollections share a common frame of reference? Are perceptions conditioned by a collective social imaginary? Visions of nation and community, from Adam Ferguson's ideas on the development of civil society through John Grierson's pioneering of documentary film to the structures of feeling in popular fiction, reflect the impact of modernity on Scottish culture since the late eighteenth century. While landscape as the symbolic 'face of Scotland' and its attendant mental contours have been produced and debated in many genres, including travel literature, social commentary, novels and magazines, changes in the means of capturing and presenting images, particularly the emergent possibilities of the photograph, have affected the ways we identify and remember. The analysis adopts a broadly sociological approach, but its range lends equal appeal to social historians, cultural geographers, and particularly those pursuing visual or memory studies.
具体描述
读后感
评分
评分
评分
评分
用户评价
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有