Following Italy's unification in 1861, architects, artists, politicians, and literati engaged in volatile debates over the pursuit of national and regional identity. Growing industrialization and urbanization across the country contrasted with the rediscovery of traditionally built forms and objects created by the agrarian peasantry. Pride in Modesty argues that these ordinary, often anonymous, everyday things inspired and transformed Italian art and architecture from the 1920s through the 1970s.Through in-depth examinations of texts, drawings, and buildings, Michelangelo Sabatino finds that the folk traditions of the pre-industrial countryside have provided formal, practical, and poetic inspiration directly affecting both design and construction practices over a period of sixty years and a number of different political regimes. This surprising continuity allows Sabatino to reject the division of Italian history into sharply delimited periods such as Fascist Interwar and Democratic Postwar and to instead emphasize the long, continuous process that transformed pastoral and urban ideals into a new, modernist Italy.
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讀後感
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來得早不如來得巧，走馬觀花一下。
评分挺有啓發性的一本書，尤其是對我的論文寫作，可以說是相似題材可以拿來直接參考的。一本200頁的書注釋有100多頁=。=。。。所謂好書以及意大利建築史是怎麼做的，跪瞭。。。每隔三行必有一個注釋的節奏，雖然說是從統一到戰後70年代，不過寫到戰後的部分力道略感不夠啊，比如寫羅西，說羅西藉鑒瞭波河流域的鄉土建築，timeless是沒錯，不過羅西說過一句話，所有鄉土建築的研究都會被轉化為建築師的建築。
评分私以為立場較defensive，梳理史實為主，結論過簡，但bibliography豐富，指齣可繼續探尋的方嚮無數。
评分私以為立場較defensive，梳理史實為主，結論過簡，但bibliography豐富，指齣可繼續探尋的方嚮無數。
评分私以為立場較defensive，梳理史實為主，結論過簡，但bibliography豐富，指齣可繼續探尋的方嚮無數。
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