Antonius Otto Hermannus (Toon) Tellegen (born in Brielle, November 18, 1941) is a Dutch writer, poet, and physician, known for his children's works, especially those involving anthropomorphised ants and squirrels. His writings are also enjoyed by adults, due to the amusing, bizarre situations that Tellegen creates, as well as their dealings with philosophical subjects.
Tellegen studied medicine at the University of Utrecht, and worked as a general practitioner in Amsterdam. After writing for many years mainly for adults, Tellegen switched to children's stories. His first children's book, written in 1984, was called Er ging geen dag voorbij: negenenveertig verhalen over de eekhoorn en de andere dieren. (Not A Day Went By: forty-nine tales of the squirrel and other animals). In these stories, the ant and the squirrel often play the lead role, and many of his stories touch on philosophical concepts.
Tellegen still writes today.
Prizes
1969 - ANV-Visser Neerlandia-prijs for Als moeder ergens ziek van wordt (When Mother Gets Sick of Something)
1988 - Gouden Griffel for Toen niemand iets te doen had (When nobody had anything to do)
1990 - Zilveren Griffel for Langzaam, zo snel zij konden (Slowly, as fast as they could)"
1992 - Woutertje Pieterse Prijs for Juffrouw Kachel (Ms. Heater)
1993 - Jan Campertprijs for Een dansschool (A Dance School)
1994 - Woutertje Pieterse Prijs for Bijna iedereen kon omvallen (Almost Everyone Can Fall Over)
1994 - Gouden Griffel for Bijna iedereen kon omvallen (Almost Everyone Can Fall Over)
1994 - Zilveren Griffel for Jannes
1997 - Theo Thijssenprijs for his complete works
1997 - Zilveren Griffel for Teunis (Evening)
1999 - Zilveren Griffel for De verjaardag van alle anderen (Everyone Elses Birthday)
2000 - Gouden Uil for De Genezing van de Krekel (The Healing of the Cricket)
2007 - Constantijn Huygensprijs for his complete works
Bibliography
[edit]Children's Books
1984 - There was no day passes. Forty-nine stories about the squirrels and other animals (Not A Day Goes By: Forty-nine squirrel and Other Tales of the animals) '
1985 - "I'm going on a trip," said the squirrel ("I'm Going On A Trip" said the squirrel). Amstelveen edition, Sunday Printers, at 45 exx.
1987 - When no one had anything to do (When nobody had anything to do Any)
1990 - The party on the moon (The Party on the Moon)
1991 - Maybe they were nowhere (nowhere Maybe They Were)
1991 - Miss heater (Ms. Heater)
1993 - Almost everyone was falling over (Almost Everyone Can Fall Over)
1993 - Jannes
1994 - My Dad (My Dad)
1995 - The anniversary of the squirrel (The Squirrel's Birthday)
1995 - Maybe they knew everything. 214 stories about the squirrels and other animals (Maybe They knew everything: 214 Tales of the squirrel and Other Animals) (Tellegen includes a CD where clause reads a number of stories)
1996 - Letters to anybody else (Letters to No-One Else)
1996 - The discovery of honey (The Honey Discovery)
1996 - The atrophy of the elephant (The Shrinking Elephant)
1996 - Evening (Evening)
1997 - Doctor Deter (Soap Doctor)
1998 - My adventures V. Swchwrm (My Adventures Through Swchwrm V) (first published as Children 's gift)
1998 - The birthday of everyone else (Everyone elses Birthday)
1999 - The healing of the cricket (The Healing of the Cricket)
2000 - They were still asleep (They're Still Sleeping)
2001 - Cake Book (Cake Book)
2002 - Is not anyone angry? (Nobody Has Mad?)
2004 - Suddenly the elephant (The Elephant Suddenly Turned On)
2006 - The loneliness of the hedgehog (The Loneliness of the Hedgehog)
2007 - Post for all (Mail for Everyone) (illustrations by Mance Post)
2007 - Animal Stories by Toon Tellegen & the changing tone quintet (Animal Tales by Toon Tellegen & the Variable Tone Quintet) (Audio CD)
2007 - I will never forget you (I'll Never Forget You)
2008 - Tomorrow was the party (Tomorrow Was the Festival). With illustrations by Ingrid Godon.
2009 - The departure of the ant (The Ant's Departure)
2009 - Everyone was there (Everyone Was There)
2009 - But not from the heart. Animal Stories farewell. (But Not From The Heart: Animal Tales about Fare Wells)
2009 - With heart and soul. Animal Stories for each party. (With Heart and Soul: Stories For Every Animal Festival)
2009 - A cheer. Pet Stories full of comfort. (Heart Ning Animal Stories)
2009 - After the heart. Animal Tales of friendship.
2009 - Get well soon. Animal Stories about illness and health.
2009 - Good night. Animal Stories about sleep and sleep.
2009 - Good trip. Animal Stories about departure and arrival.
2009 - Take heart. Animal Stories of sadness and loneliness.
[edit]Prose
1989 – Langzaam, zo snel als zij konden
1994 – Twee oude vrouwtjes (illustrations by André Sollie)
1998 – Dora. Een liefdesgeschiedenis.
2000 – De trein naar Pavlovsk en Oostvoorne
2000 – Enkele onwaarschijnlijke aantekeningen van Dante Alighieri bij het schrijven van zijn goddelijke komedie
2002 – Brieven aan Doornroosje
2008 – Een nieuwe tijd – Grafisch Nederland 2008, novelette
[edit]Poetry
1980 – De zin van een liguster
1981 – De aanzet tot een web
1982 – Beroemde scherven
1984 – De andere ridders
1985 – Ik en ik
1987 – Mijn winter
1989 – In N. en andere gedichten
1991 – Een langzame val
1992 – Een dansschool
1994 – Tijger onder de slakken
1998 – Gewone gedichten
1996 – Als we vlammen waren
1997 – Over liefde en over niets anders
1999 – Er ligt een appel op een schaal. Anthology
2000 – Gedichten 1977-1999. Collected poems.
2000 – Kruis en munt
2001 – De een en de ander
2001 – Een man en een engel. Uitg. Landgraaf, Herik; circulation of 399 copies.
2002 – Alleen liefde
2002 – Wie A zegt. Gedichten
2004 – Minuscule oorlogen (niet met het blote oog zichtbaar)
2004 – Daar zijn woorden voor. Anthology. Edition by Rainbow pockets.
2005 – ...m n o p q...
2006 – Raafvogels
2008 – Hemels en vergeefs
[edit]Drama
1966 – Jimmy Walker. Debut.
1980 – Wespen
2007 – Leven met een onbekende.
2009 - Twee oude vrouwtjes.
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这本小说的开篇着实引人入胜,作者的笔触细腻得像是能捕捉到微风拂过树叶的沙沙声。那种对于环境的描摹,简直让人身临其境,仿佛能闻到泥土和青草混合在一起的清新气息。我尤其喜欢作者对主角内心世界的刻画,那种细腻的情感波动,那种在日常琐事中潜藏的深层思考,都处理得恰到好处,不张扬,却直击人心。故事的节奏把握得非常老道,起初缓慢铺陈,像是老式唱片机悠扬的开场曲,每一个场景、每一个人物的出现都带着一种精心设计的意图,让你不自觉地想要探究这看似平静水面下究竟酝酿着怎样的暗流。阅读过程中,我发现自己常常停下来,回味那些看似不经意的对话,因为字里行间都暗藏着哲理的火花,关于时间,关于记忆,关于人与自然之间微妙的联系。整体而言,这种文学性的沉淀感,让阅读变成了一种享受,一种对生活本真的重新审视,而不是单纯地追逐情节的跌宕起伏。它给予读者的,更多的是一种缓慢渗透的审美体验。
评分从主题的深度来看,作者触及了几个非常宏大且难以把握的议题,但处理得异常克制和含蓄。它没有采用说教的口吻去批判或赞颂,而是通过一系列象征性的事件和人物的困境,不动声色地引导读者去思考个体在宏大历史背景下的渺小与挣扎。我感受到的那种忧郁和无奈,并非是作者强加于读者的情绪负担,而更像是通过场景的设置和人物命运的交织,自然而然地渗透出来的一种时代情绪。这种对“在场感”的营造非常成功,你会觉得书中的世界是真实存在的,那里的阳光、那里的阴影、那里的犹豫和抉择,都与我们息息相关。它成功地避开了所有俗套的桥段,转而深入挖掘人性深处那些难以言喻的灰色地带,探讨了“存在”本身的悖论,让读者在合上书本后,仍旧久久地陷在对自身处境的沉思之中。
评分这本书的语言风格简直是一场视觉盛宴,充满了古典主义的韵味,但又巧妙地融入了现代的讽刺和疏离感。作者似乎对词汇有着近乎偏执的挑选,每一个形容词和动词的选择都精准到位,仿佛他手中握着的不是文字,而是雕刻刀,一丝不苟地塑造着每一个意象。我特别欣赏其中一些长句的构建,它们层层递进,逻辑严密,带着一种巴洛克式的华丽感,却又丝毫没有累赘之嫌,反而像是一段复杂而和谐的交响乐。这种语言的密度,使得这本书的重读价值极高,因为初读时可能只关注了故事的骨架,而细读时才能真正领略到语言的血肉和肌理。它不是那种快餐式的阅读材料,更像是一瓶需要时间醒酒的陈年佳酿,初尝可能略显浓烈,但回味无穷,后劲十足。这种对文字本身美学的极致追求,绝对是这本书最引人注目的亮点之一。
评分我对这本书的叙事结构感到非常惊奇,它跳脱了传统小说的线性叙事模式,采用了大量的闪回和片段式的记录,这种手法在处理复杂人物关系时显得尤为有力。每一次时间线的切换,都像是在拼凑一块被打碎的精美马赛克,读者必须主动参与到意义的构建过程中去,这极大地增强了阅读的互动性和智力上的挑战。作者似乎并不急于给出一个明确的答案,而是留下了大量的解读空间,让不同的读者可以带着各自的经验和情感投射进去,从而构建出属于自己的理解版本。我必须承认,在阅读的前半段,我有些跟不上这种跳跃的节奏,需要反复阅读才能理清人物的来龙去脉,但这最终带来的回报是巨大的——当那些看似零散的线索最终在脑海中交汇时,那种豁然开朗的震撼感是无与伦比的。这种叙事上的大胆尝试,无疑为当代文学注入了一股新鲜的活力,它要求读者付出专注,但也回馈以深刻的洞察。
评分这本书最让我惊喜的,是它对氛围和“非事件”的精彩捕捉。很多章节并没有发生传统意义上的重大情节冲突,主角们的生活更像是处于一种永恒的“等待”状态,等待着什么,却又似乎永远等不到。然而,正是这种看似停滞的状态,充满了张力。作者对于环境光线、天气变化以及人物间细微的肢体语言的描摹,构建出一种令人窒息的、高度情绪化的氛围。比如描述某一个下午,光线如何斜射进房间,尘埃如何在光束中缓慢浮动,这种细微的动态,被赋予了超越其本身的象征意义。它讲述的与其说是“发生了什么”,不如说是“感觉如何”。这是一种高度依赖于读者的想象力和共情能力的文本,它挑战了那些习惯于强情节驱动的读者,要求他们去品味“间隙”中的无限可能,去关注那些被主流叙事所忽略的、真正构成生命底色的瞬间。这是一种高级的、内敛的艺术表达。
评分非常可爱的一本童话绘本
评分非常可爱的一本童话绘本
评分非常可爱的一本童话绘本
评分非常可爱的一本童话绘本
评分非常可爱的一本童话绘本
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