Stanley Eugene Fish (born April 19, 1938) is an American literary theorist and legal scholar. He was born and raised in Providence, Rhode Island. He is often associated with postmodernism, at times to his irritation, as he describes himself as an anti-foundationalist.[1] He is the Davidson-Kahn Distinguished University Professor of Humanities and a professor of law at Florida International University, in Miami, as well as Dean Emeritus of the College of Liberal Arts and Sciences at the University of Illinois at Chicago, and the author of 12 books. Fish has also taught at the Cardozo School of Law, University of California, Berkeley, Johns Hopkins University, Columbia University, and Duke University.

Among academics, Fish has endured vigorous criticism. The conservative R. V. Young writes,“Because his general understanding of human nature and of the human condition is false, Fish fails in the specific task of a university scholar, which requires that learning be placed in the service of truth. And this, finally, is the critical issue in the contemporary university of which Stanley Fish is a typical representative: sophistry renders truth itself equivocal and deprives scholarly learning of its reason for being. . . . His brash disdain of principle and his embrace of sophistry reveal the hollowness hidden at the heart of the current academic enterprise.

Some appreciate fine art; others appreciate fine wines. Stanley Fish appreciates fine sentences. The New York Times columnist and world-class professor has long been an aficionado of language: “I am always on the lookout for sentences that take your breath away, for sentences that make you say, ‘Isn’t that something?’ or ‘What a sentence!’” Like a seasoned sportscaster, Fish marvels at the adeptness of finely crafted sentences and breaks them down into digestible morsels, giving readers an instant play-by-play.

In this entertaining and erudite gem, Fish offers both sentence craft and sentence pleasure, skills invaluable to any writer (or reader). His vibrant analysis takes us on a literary tour of great writers throughout history—from William Shakespeare, Jane Austen, and Henry James to Martin Luther King Jr., Antonin Scalia, and Elmore Leonard. Indeed, How to Write a Sentence is both a spirited love letter to the written word and a key to understanding how great writing works; it is a book that will stand the test of time.

From Publishers Weekly

A whole book on the lowly sentence? Stanley Fish, America's English Professor, confides that he belongs "to the tribe of sentence watchers," and shares his passion and learning through an array of examples from sentence-making masters, among them Milton, James, Dr. King, Sterne, Swift, Salinger, Elmore Leonard, Conrad, and Gertrude Stein. For Fish, language is logic. He stresses how the sentence, regardless of length-whether declarative or embroidered with qualifiers-is a structure of logical relationships. He discusses the all-important opening sentence and closing sentence, especially as the latter can be isolated from its dramatic context to convey full rhetorical effect. The reader is advised to begin with form; with practice, writers can develop three basics of style (subordinating, additive, satiric) that will allow them to make an emotional impact with their words. In the end, the craft of sentence writing is elevated to the very center of our inner lives. Fish plays the opinion card well, though a piling on of example after example, particularly of long sentences drawn from literature or theology, might leave more experienced sentence-makers to cry, "Enough already!"

From Booklist

New York Times columnist and college professor Fish appreciates fine sentences the way some people appreciate fine wine. In 10 short chapters, Fish takes readers through a cogent analysis of how to craft a sentence. He talks about form, content, and style, always taking care to illustrate his points with an ample selection of judicously chosen quotations from virtuoso writers, from Milton and Shakepeare to Anton Scalia and Elmore Leonard. He then proceeds to drill down into the quotations, zeroing in on the tense, parts of speech, or precise phrasing that make the sentences sing. He also discusses famous first and last lines, always keeping in the forefront the extraordinary power of language to shape reality. And, befitting his subject matter, he does all this in the most luminous prose. He fluidly conveys the nitty-gritty details of crafting sentences, but, even more impressive, he communicates and instills in readers a deep appreciation for beautiful sentences that “do things the language you use every day would not have seemed capable of doing.” Language lovers will flock to this homage to great writing. --Joanne Wilkinson