Orhan Pamuk's Museum of Innocence in Istanbul is the culmination of decades of omnivorous collecting that seeks to capture the city of Pamuk's youth through everyday objects: The ephemera, bric-a-brac, and clutter that adheres to every life. These particular objects are intimately tied to The Museum of Innocence, Pamuk's novel of lost love, which lends its narrative structure to their arrangement in the museum. Eighty beautifully designed vitrines, or boxes, carry the visitor along the arc of the story, on a journey through time and space as well as into the mind of the collector himself, ambiguously identified with both Pamuk and his novel's lovelorn narrator. The Innocence of Objects, Pamuk's catalogue of his museum, explores the many meanings of this remarkable project. While it offers a rich visual guide to the exhibitions, it also allows Pamuk to write about things that matter deeply to him, including the psychology of the collector, the proper role of the museum, the uses of photography in modernising societies (illustrated with Pamuk's superb collection of haunting photographs and movie stills of old Istanbul) and of course the customs and traditions of his beloved Istanbul. The book's imagery is equally evocative, ranging from the pop ephemera that has become "collectible" throughout the chronically nostalgic developed world to the superb photographs of Turkish photographer Ara Guler. Combining compelling art and writing, The Innocence of Objects is an original work that will appeal to readers with a wide range of interests.
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本以为是本一扫而过的咖啡桌画册，没想到帕慕克还是投入了那么多文字，字图相得益彰，醉到不行
评分惊讶Pamuk竟然有如此强烈的亚洲人认同/ 博物馆display也太太太太可爱了 (can't feel the necessity of the novel
评分帕慕克写了一部小说《纯真博物馆》，在伊斯坦布尔建了一座backstreet museum，命名为纯真博物馆，而这本是帕慕克为博物馆写的Catalog，当然不是普通的catalog，文字虽然浅白（帕慕克的作品多如此），但内容不时唤起共同经验的共鸣。这不仅是一个收藏土耳其日常历史的博物馆，每个展柜亦无不像一幅视觉艺术的作品，想必帕慕克将他曾经习画的经验也应用在其中了。
评分不算喜歡帕慕克，更不喜歡《純真博物館》的小說本身，但無疑，這個博物館計劃和其宣言的確是這個年代其中一個最舉足輕重的事。
评分本以为是本一扫而过的咖啡桌画册，没想到帕慕克还是投入了那么多文字，字图相得益彰，醉到不行
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