Discarding Images 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Discarding Images

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Christopher Page 作者
Oxford University Press
译者
1997-11-13 出版日期
256 页数
USD 79.00 价格
Paperback
丛书系列
9780198166795 图书编码

Discarding Images 在线电子书 图书标签: 历史  中世纪  Postmodernism  Musicology  Medieval  Historiography   


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发表于2024-11-14


Discarding Images 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Discarding Images 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Discarding Images 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



Discarding Images 在线电子书 用户评价

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Critical music historiography, Page's scholarship is clearly less famed than his vocal ensemble Gothic Voices. http://www.douban.com/doulist/109918/;http://www.douban.com/doulist/1592852/

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Critical music historiography, Page's scholarship is clearly less famed than his vocal ensemble Gothic Voices. http://www.douban.com/doulist/109918/;http://www.douban.com/doulist/1592852/

评分

Critical music historiography, Page's scholarship is clearly less famed than his vocal ensemble Gothic Voices. http://www.douban.com/doulist/109918/;http://www.douban.com/doulist/1592852/

评分

Critical music historiography, Page's scholarship is clearly less famed than his vocal ensemble Gothic Voices. http://www.douban.com/doulist/109918/;http://www.douban.com/doulist/1592852/

评分

Critical music historiography, Page's scholarship is clearly less famed than his vocal ensemble Gothic Voices. http://www.douban.com/doulist/109918/;http://www.douban.com/doulist/1592852/

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Discarding Images 在线电子书 图书描述

For many centuries, the Western imagination has picture the medieval period as a kind of odyssey: a journey that took Mankind to a strange country and ended in the Renaissance with his homecoming and the restoration of his inheritance. In this stimulating and provocative book, Christopher Page explores the kinds of generalization that we habitually make about 'the Middle Ages' and which, whether we know it or not, sustain the false image of medieval odyssey. In chapters that proceed chronologically from the thirteenth century to the fifteenth, he examines what we suppose to be the serenity of medieval reflection on such matters as the 'numerical' explanation of musical beauty, and he questions the modern tendency to regard Ars antiqua motets as music for 'an intellectual elite'. Turning to the Ars nova and beyond, he discusses the relation between fourteenth-century innovations and contemporary science. A final chapter explores the powerful influence on Joan Juizinga's classic The Waning of the Middle Ages, upon musicology. Page's lively prose if full of ideas, is based upon first-hand learning, and is enriched by an uncommonly deep experience of medieval music.

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