Discarding Images 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Discarding Images

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Christopher Page 作者
Oxford University Press
譯者
1997-11-13 出版日期
256 頁數
USD 79.00 價格
Paperback
叢書系列
9780198166795 圖書編碼

Discarding Images 在線電子書 圖書標籤: 曆史  中世紀  Postmodernism  Musicology  Medieval  Historiography   


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Discarding Images 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Discarding Images 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Discarding Images 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



Discarding Images 在線電子書 用戶評價

評分

Critical music historiography, Page's scholarship is clearly less famed than his vocal ensemble Gothic Voices. http://www.douban.com/doulist/109918/;http://www.douban.com/doulist/1592852/

評分

Critical music historiography, Page's scholarship is clearly less famed than his vocal ensemble Gothic Voices. http://www.douban.com/doulist/109918/;http://www.douban.com/doulist/1592852/

評分

Critical music historiography, Page's scholarship is clearly less famed than his vocal ensemble Gothic Voices. http://www.douban.com/doulist/109918/;http://www.douban.com/doulist/1592852/

評分

Critical music historiography, Page's scholarship is clearly less famed than his vocal ensemble Gothic Voices. http://www.douban.com/doulist/109918/;http://www.douban.com/doulist/1592852/

評分

Critical music historiography, Page's scholarship is clearly less famed than his vocal ensemble Gothic Voices. http://www.douban.com/doulist/109918/;http://www.douban.com/doulist/1592852/

Discarding Images 在線電子書 著者簡介


Discarding Images 在線電子書 著者簡介


Discarding Images 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Discarding Images 在線電子書 圖書描述

For many centuries, the Western imagination has picture the medieval period as a kind of odyssey: a journey that took Mankind to a strange country and ended in the Renaissance with his homecoming and the restoration of his inheritance. In this stimulating and provocative book, Christopher Page explores the kinds of generalization that we habitually make about 'the Middle Ages' and which, whether we know it or not, sustain the false image of medieval odyssey. In chapters that proceed chronologically from the thirteenth century to the fifteenth, he examines what we suppose to be the serenity of medieval reflection on such matters as the 'numerical' explanation of musical beauty, and he questions the modern tendency to regard Ars antiqua motets as music for 'an intellectual elite'. Turning to the Ars nova and beyond, he discusses the relation between fourteenth-century innovations and contemporary science. A final chapter explores the powerful influence on Joan Juizinga's classic The Waning of the Middle Ages, upon musicology. Page's lively prose if full of ideas, is based upon first-hand learning, and is enriched by an uncommonly deep experience of medieval music.

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