Mute Poetry, Speaking Pictures 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Mute Poetry, Speaking Pictures

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Leonard Barkan 作者
Princeton University Press
譯者
2012-11-25 出版日期
208 頁數
USD 22.95 價格
Hardcover
叢書系列
9780691141831 圖書編碼

Mute Poetry, Speaking Pictures 在線電子書 圖書標籤: 西方藝術史  art  英文版  圖像   


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Mute Poetry, Speaking Pictures 在線電子書 著者簡介


Mute Poetry, Speaking Pictures 在線電子書 著者簡介


Mute Poetry, Speaking Pictures 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Mute Poetry, Speaking Pictures 在線電子書 圖書描述

Why do painters sometimes wish they were poets - and why do poets sometimes wish they were painters? What happens when Rembrandt spells out Hebrew in the sky or Poussin spells out Latin on a tombstone? What happens when Virgil, Ovid, or Shakespeare suspend their plots to describe a fictitious painting? In "Mute Poetry, Speaking Pictures", Leonard Barkan explores such questions as he examines the deliciously ambiguous history of the relationship between words and pictures, focusing on the period from antiquity to the Renaissance but offering insights that also have much to say about modern art and literature. The idea that a poem is like a picture has been a commonplace since at least ancient Greece, and writers and artists have frequently discussed poetry by discussing painting, and vice versa, but their efforts raise more questions than they answer. From Plutarch ("painting is mute poetry, poetry a speaking picture") to Horace ("as a picture, so a poem"), apparent clarity quickly leads to confusion about, for example, what qualities of pictures are being urged upon poets or how pictorial properties can be converted into poetical ones. The history of comparing and contrasting painting and poetry turns out to be partly a story of attempts to promote one medium at the expense of the other. At the same time, analogies between word and image have enabled writers and painters to think about and practice their craft. Ultimately, Barkan argues, this dialogue is an expression of desire: the painter longs for the rich signification of language while the poet yearns for the direct sensuousness of painting.

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