With this stunning new novel, cast in the form of a postmodern nightmare, Ishiguro tells a powerful story in which he once again exploits a narrator's utter lack of self-knowledge to create a devastating deadpan irony. A celebrated concert pianist identified only as Mr Ryder arrives at an unnamed European (seemingly Germanic) city not only to give a concert but also, it seems, to address the townspeople and help them surmount a communal sense of crisis that stems from the city's inability to nurture a musical artist of outstanding creative talent. Strangely, the economic, social and psychic health of the community depends on its regaining its self-image in the wake of a dreadful past mistake, when the city fathers lionized a musician with the "wrong" artistic values. Ryder intuits this situation gradually, for he is curiously disoriented; he can't really remember what he's supposed to be doing there. In fact, through Ryder's confused perceptions, the reader is immediately plunged into a surrealistic landscape that has the eerie unpredictability, claustrophobic atmosphere and strange time sequences of a dream. Everyone in this town presents a false image to the world. Each person Ryder meets addresses him with fawning obsequiousness and asks him for a small favor which turns out to be an egregious intrusion into his time. Yet Ryder, infused with an inflated sense of mission, feels a need to console them: "People need me. I arrive in a place and find terrible problems, and people are so grateful I've come." Although he initially thinks he's a stranger in the city, it slowly becomes obvious that he's been here before. In fact, he has been the lover of a woman called Sophie whose little boy, Boris, in many ways replays the pivotal events of Ryder's own life. With dream logic, many of Ryder's childhood friends from England turn up in this inhospitable place, and it becomes obvious that most events are replicas of ones that have occurred before or that fulfill Ryder's fears about the future. As in Ishiguro's previous books (The Remains of the Day, etc.), almost every turn of the plot concerns a failure of communication and a stifling of emotional responses. Children are profoundly wounded by their self-absorbed and insensitive parents; lovers alienate each other across an emotional abyss. The culture-obsessed inhabitants of the city don't recognize true talent when it appears; they disapprove of creativity when it doesn't fit their expectations. Sustaining the nightmarish atmosphere of this tale?its tone alternately sinister and farcical?for more than 500 pages is a tricky business, especially since all the characters express themselves in long, dense monologues. Yet, so adroit is Ishiguro in maintaining suspense that one is as ensnared in the nightmare as is Ryder. The story seems to be a journey through life: its purpose never entirely clear, its events capricious and inexplicable, its destination undoubtedly "the vast, dark, empty space" of the soul's extinction. 75,000 first printing; BOMC and QPB selections.
婚姻劝退指南与远方的诱惑 虽然说ryder好像有遗忘症,拖延症和躁狂症,但是这些事情全部都指向现实偏离预定计划滑向不受控的未知方向导致的压力。全文中空间和时间的错乱,一整章内容的叙述结束不过只过去几分钟,穿过一扇门就能回到来时驾车许久的旅馆,使之具有梦境的体感。...
評分婚姻劝退指南与远方的诱惑 虽然说ryder好像有遗忘症,拖延症和躁狂症,但是这些事情全部都指向现实偏离预定计划滑向不受控的未知方向导致的压力。全文中空间和时间的错乱,一整章内容的叙述结束不过只过去几分钟,穿过一扇门就能回到来时驾车许久的旅馆,使之具有梦境的体感。...
評分婚姻劝退指南与远方的诱惑 虽然说ryder好像有遗忘症,拖延症和躁狂症,但是这些事情全部都指向现实偏离预定计划滑向不受控的未知方向导致的压力。全文中空间和时间的错乱,一整章内容的叙述结束不过只过去几分钟,穿过一扇门就能回到来时驾车许久的旅馆,使之具有梦境的体感。...
評分婚姻劝退指南与远方的诱惑 虽然说ryder好像有遗忘症,拖延症和躁狂症,但是这些事情全部都指向现实偏离预定计划滑向不受控的未知方向导致的压力。全文中空间和时间的错乱,一整章内容的叙述结束不过只过去几分钟,穿过一扇门就能回到来时驾车许久的旅馆,使之具有梦境的体感。...
評分婚姻劝退指南与远方的诱惑 虽然说ryder好像有遗忘症,拖延症和躁狂症,但是这些事情全部都指向现实偏离预定计划滑向不受控的未知方向导致的压力。全文中空间和时间的错乱,一整章内容的叙述结束不过只过去几分钟,穿过一扇门就能回到来时驾车许久的旅馆,使之具有梦境的体感。...
immensely intense yet unrepeatable reading experience...
评分This novel felt twice as long as it needed to be. Still not sure what to make of it
评分could sb please kindly tell me what the fuck this is all about?
评分could sb please kindly tell me what the fuck this is all about?
评分書中所有人都對生活有虛無的期待,然而到瞭最後卻又沒人能如願以償,大傢都看似忙碌,心裏都有一個重大人生問題,卻又把希望都寄托在彆人身上,自己仿佛隻是旁觀者。而且發生在三個音樂傢身上的故事仿佛是就是同一個人的故事,是因為人的睏境不盡相同,還是主角的視角讓他們看上去相似?
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