Conceptual Art

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What is art? Must it be a unique, saleable luxury item? Can it be a concept that never takes material form? Or an idea for a work that can be repeated endlessly? Conceptual art favours an engagement with such questions. It can take many forms: photographs, videos, posters, billboards, charts, plans and, especially, language itself. Tony Godfrey has written the first clear and informative account of this fascinating phenomenon.

Featuring the work of American and European artists, this book traces the history of conceptual art from its origins in the Dada movement through to its current practitioners. It offers an accessible explanation of the phenomenon rooted in a social context. Aimed at A level and undergraduate students, as well as the general reader.

出版者:PHAIDON PRESS
作者:GODFREY,TONY
出品人:
頁數:447
译者:
出版時間:November 6, 1998
價格:NT$ 875
裝幀:Paperback
isbn號碼:9780714833880
叢書系列:
圖書標籤:
  • 藝術 
  • conceptual 
  • FineArt 
  • 西方藝術史 
  • 藝術。裝置 
  • 概念藝術 
  • 當代藝術 
  • Fine.Art 
  •  
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Covering the entire 20th century, this text traces the roots of conceptual art to movements such as Dada, explaining its importance in the 1960s and 1970s and showing that it is still alive today. In 1917 Marcel Duchamp signed the name R. Mutt on a urinal and placed it in a gallery. Even the most strident modernists refused to accept this object as a work of art, however, Duchamp stuck to his guns, claiming that he had chosen the urinal as an art object so it must be art. Such arguments over the nature of art still continue today. Tony Godfrey sees the archetypal work of Conceptual Art as a question and a proposition joined together: "What is Art? This could be Art." This text seeks to demystify the subject by placing the art in its social and political context.

具體描述

讀後感

評分

124. Eight slides from it is... Inconsistent, 1971; Robert Barry Slide projection installation. 130. Sound of Ice Melting, 1970; Paul Kos Installation with ice and microphones. 165. Semiotics of the kitchen, 1975; Overleaf Martha Rosler ...

評分

124. Eight slides from it is... Inconsistent, 1971; Robert Barry Slide projection installation. 130. Sound of Ice Melting, 1970; Paul Kos Installation with ice and microphones. 165. Semiotics of the kitchen, 1975; Overleaf Martha Rosler ...

評分

124. Eight slides from it is... Inconsistent, 1971; Robert Barry Slide projection installation. 130. Sound of Ice Melting, 1970; Paul Kos Installation with ice and microphones. 165. Semiotics of the kitchen, 1975; Overleaf Martha Rosler ...

評分

124. Eight slides from it is... Inconsistent, 1971; Robert Barry Slide projection installation. 130. Sound of Ice Melting, 1970; Paul Kos Installation with ice and microphones. 165. Semiotics of the kitchen, 1975; Overleaf Martha Rosler ...

評分

124. Eight slides from it is... Inconsistent, 1971; Robert Barry Slide projection installation. 130. Sound of Ice Melting, 1970; Paul Kos Installation with ice and microphones. 165. Semiotics of the kitchen, 1975; Overleaf Martha Rosler ...

用戶評價

评分

杜尚的小便池永遠都是概念藝術的標誌啊。。

评分

杜尚的小便池永遠都是概念藝術的標誌啊。。

评分

杜尚的小便池永遠都是概念藝術的標誌啊。。

评分

杜尚的小便池永遠都是概念藝術的標誌啊。。

评分

杜尚的小便池永遠都是概念藝術的標誌啊。。

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