Words for Pictures 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Words for Pictures

简体网页||繁体网页
Michael Baxandall 作者
Yale University Press
译者
2003-08-01 出版日期
184 页数
USD 37.00 价格
Hardcover
丛书系列
9780300097498 图书编码

Words for Pictures 在线电子书 图书标签: 艺术史  巴克森德尔  Renaissance  艺术理论  文艺复兴  思想史  视觉转向  西方艺术史   


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发表于2024-12-23


Words for Pictures 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Words for Pictures 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Words for Pictures 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



Words for Pictures 在线电子书 用户评价

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several papers are warburgian philology at its most conscientious, with "English Disegno" and the Piero paper being the more inspiring. the disegno piece presents a kind of "linguistic probing" that is still generally lacking in current research, whereas the Piero piece is such an exemplary lesson in looking and interpretation.

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several papers are warburgian philology at its most conscientious, with "English Disegno" and the Piero paper being the more inspiring. the disegno piece presents a kind of "linguistic probing" that is still generally lacking in current research, whereas the Piero piece is such an exemplary lesson in looking and interpretation.

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Piero della Francesca’s Resurrection of Christ.

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Piero della Francesca’s Resurrection of Christ.

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exemplary writing.

Words for Pictures 在线电子书 著者简介


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Words for Pictures 在线电子书 图书描述

The Italian Renaissance was a creative period for art criticism as well as for art itself. The early efforts to give verbal accounts of visual representations and their quality throw light not only on the art of the period but also on art criticism at any time. This collection of papers by art historian and critic Michael Baxandall represents his thinking over the past forty years on the relation between language and art. He offers seven thought-provoking pieces, three of which are new and written specifically for this book. Focusing on works of the fifteenth century, Baxandall shows with fresh insight how words match the experience of looking at paintings and sculptures. The author introduces the basic Renaissance framework for art criticism and proceeds to explore various humanist critical writings of the fifteenth and early sixteenth centuries. He concludes with a major new essay on Piero della Francesca's Resurrection of Christ in which he probes the visual experience of a painting that criticism seeks to verbalize.

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