Words for Pictures 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Michael Baxandall 作者

Yale University Press

譯者

2003-08-01 出版日期

184 頁數

USD 37.00 價格

Hardcover

叢書系列

9780300097498 圖書編碼

Words for Pictures 在線電子書圖書標籤: 藝術史巴剋森德爾 Renaissance 藝術理論文藝復興思想史視覺轉嚮西方藝術史

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發表於2024-06-28

Words for Pictures 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Words for Pictures 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Words for Pictures 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

Words for Pictures 在線電子書用戶評價

評分☆☆☆☆☆

Piero della Francesca’s Resurrection of Christ.

評分☆☆☆☆☆

exemplary writing.

評分☆☆☆☆☆

several papers are warburgian philology at its most conscientious, with "English Disegno" and the Piero paper being the more inspiring. the disegno piece presents a kind of "linguistic probing" that is still generally lacking in current research, whereas the Piero piece is such an exemplary lesson in looking and interpretation.

評分☆☆☆☆☆

Piero della Francesca’s Resurrection of Christ.

Words for Pictures 在線電子書著者簡介

Words for Pictures 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Words for Pictures 在線電子書圖書描述

The Italian Renaissance was a creative period for art criticism as well as for art itself. The early efforts to give verbal accounts of visual representations and their quality throw light not only on the art of the period but also on art criticism at any time. This collection of papers by art historian and critic Michael Baxandall represents his thinking over the past forty years on the relation between language and art. He offers seven thought-provoking pieces, three of which are new and written specifically for this book. Focusing on works of the fifteenth century, Baxandall shows with fresh insight how words match the experience of looking at paintings and sculptures. The author introduces the basic Renaissance framework for art criticism and proceeds to explore various humanist critical writings of the fifteenth and early sixteenth centuries. He concludes with a major new essay on Piero della Francesca's Resurrection of Christ in which he probes the visual experience of a painting that criticism seeks to verbalize.

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