About the Author
Kevin J. Donnelly is Reader in Film at the University of Southampton
For something we often barely notice music in films is usually highly effective. It creates tension, elicits emotion and is undoubtedly one of the most important aspects of the cinematic experience. Upon closer inspection, it can be seen that film music is highly complex and artful, not only having immediate emotional impact but also comprising some of the most outstanding music produced in the twentieth century. Bringing together some of the most influential international scholars on the subject, this anthology provides a detailed, diverse and accessible perspective on music in the cinema. As well as chapters on the techniques and views of film music and on film music scholarship, the book embraces topics as diverse as Bernard Herrmann's music for Welles's Citizen Kane, the use of discs to accompany silent films and gender and the cinematic soundscape. Key Features *An original collection of essays on film music in the twentieth century *The Introduction provides a historical perspective on the art of film music *Brings together a wide range of approaches to film music
評分
評分
評分
評分
Analytical and interpretive approaches to film—music chapter 1 & 2,音樂專有名詞樂理知識部分太多,書到用時方恨少。
评分Analytical and interpretive approaches to film—music chapter 1 & 2,音樂專有名詞樂理知識部分太多,書到用時方恨少。
评分The last two chapters are most relevant to my own project.
评分Analytical and interpretive approaches to film—music chapter 1 & 2,音樂專有名詞樂理知識部分太多,書到用時方恨少。
评分Analytical and interpretive approaches to film—music chapter 1 & 2,音樂專有名詞樂理知識部分太多,書到用時方恨少。
本站所有內容均為互聯網搜索引擎提供的公開搜索信息,本站不存儲任何數據與內容,任何內容與數據均與本站無關,如有需要請聯繫相關搜索引擎包括但不限於百度,google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈圖書下載中心 版权所有