Erik Larson, author of the international bestseller Isaac's Storm, was nominated for a National Book Award for The Devil in the White City, which also won an Edgar Award for fact-crime writing. His latest book, In the Garden of Beasts: Love Terror and an American Family in Hitler's Berlin, has been acquired for publication in 20 countries and optioned by Tom Hanks for a feature film. Erik is a former features writer for The Wall Street Journal and Time. His magazine stories have appeared in The New Yorker, The Atlantic Monthly, Harper's and other publications.
Larson has taught non-fiction writing at San Francisco State, the Johns Hopkins Writing Seminars, and the University of Oregon, and has spoken to audiences from coast to coast. He lives in Seattle with his wife, who is the director of neonatology at the University of Washington Medical Center and at Children's Hospital of Seattle, and the author of the nonfiction memoir, Almost Home, which, as Erik puts it, "could make a stone cry." They have three daughters in far-flung locations.
Erik Larson's gifts as a storyteller are magnificently displayed in this rich narrative of the master builder, the killer, and the great fair that obsessed them both.
Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America's rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair's brilliant director of works and the builder of many of the country's most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his "World's Fair Hotel" just west of the fairgrounds—a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium. Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake.
The Devil in the White City draws the reader into a time of magic and majesty, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others. In this book the smoke, romance, and mystery of the Gilded Age come alive as never before.
宏大叙事背景下的光明与黑暗 ——读美国作家埃里克·拉森《白城恶魔》 《白城恶魔》是美国作家埃里克·拉森所著的非虚构纪实小说。全书有着历史学的质感,也有小说的魅力,叙事背景宏大,言说内容事关社会进步、城市发展、人性善恶,在阅读过程中,读者会有独特的阅读体验。 《...
評分一九一二年的那艘泰坦尼克号仿佛承载了许多故事的开头和结尾。船触礁的瞬间就已经迸发出无数珍贵而凄婉的故事。《百城恶魔》的故事也得以因为这次“航海史上黑暗的日子”这样开始了。 时间倒退四十年。十九世纪末的美国正处于近代化工业的完成和垄断资本主义的过渡期。美国开始...
評分《白城恶魔》书评 “这是一个最坏的时代,也是最好的时代。”——查尔斯·狄更斯 《白城恶魔》描写的是美国1893年举办芝加哥世博会准备期间、开放期间和闭幕之后的故事。分类虽是小说,但作者以记录历史的方式,在纸上复活了19世纪80年代的芝加哥,“黑城”。因为非虚构写作的...
評分白城,在蛮夷中逐步崛起的西部城市芝加哥;恶魔,在欺侮中成长起来的天才罪犯霍姆斯。两条穿插其中的线干净利落,如两只扑面而来的蝴蝶,线条分明,翩跹低飞着引领我走进这一场危险又迷人的空前盛会。 这是一本充满惊喜的书,用小说的技法讲述历史,用丰厚的史料填充故事。曲折...
好過癮的non-fiction書!講述的是19世紀末芝加哥世博會前夕的一段真實連續殺人故事,由興建紐約熨鬥大樓的建築師和外貌文雅內心邪惡的醫生並行組成,也是因為這兩條精彩的綫牽引瞭我從昨天下午一直看到今天早晨4點多,其間還看瞭兩集同時代英倫島上的開膛街,可惜白天還要勞動,否則能再睡一大覺就完美瞭!
评分能打六顆星嗎?文筆太齣色瞭!
评分硬要把這兩件事寫在一起有些牽強,不過殺人魔部分的確令人讀得引人入勝
评分雖然連環殺手大概是更大的噱頭,我倒更喜歡世博會的篇幅。Burnham當年碰到的各種睏難,官僚主義,權力鬥爭,閤夥人的意外死亡,芝加哥的惡劣的地質條件和天氣,罷工,火災,經濟蕭條等等等等,實在是讓我對自己工作中碰到的問題汗顔。這麼堅毅的Burnham,在給自己老婆寫信的時候又呈現齣完全不同的一麵,各種傾訴相思之苦,實在是甜死啦
评分故事展開實在是慢,大量的篇幅都圍繞the white city在寫,我要看的是the devil好不?!
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