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The Norton Critical Edition of Tennyson's Poetry, Second Edition, represents a significant revision of its predecessor and assimilates the Tennyson scholarship of the last twenty-five years. The texts of the poems are based on the Eversley edition of Tennyson's Works (published in nine volumes, 1907-09). Under earlier interdiction, the significant Trinity College, Cambridge, manuscripts have been incorporated here. The poems are organized chronologically, from "Unpublished Early Poems" and "The Devil and the Lady" through "Poems" (1872-92). "The Princess" appears in its entirety. Each poem is accompanied by ample explanatory annotation. 'Contexts" includes early assessments of Tennyson and his poetry by Arthur Henry Hallam, John Wilson, John Wilson Croker, John Stuart Mill, John Sterling, James Spedding, and James Knowles. "Criticism" collects seven seminal essays-six of them new to the Second Edition-on both Tennyson and the major poems. Eve Kosofsky Sedgwick, I S. Eliot, Isobel Armstrong, Herbert F. Tucker, Christopher Ricks, Gertrude Himmelfarb, and Robert W Hill, Jr., present their varied perspectives. A Chronology, Selected Bibliography, and Index are also included.
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从人大国学馆门口的书市收的。我只能看懂丁尼生的诗歌，我是渣渣……当然金斯堡的诗歌也能看懂，看完一首都会憋闷的不行
评分我最爱的诗人
评分我最爱的诗人
评分Break, Break, Break, Summer Night, Ulysses, "written under the sense of loss and that all had gone by, but that still life must be fought out to the end....
评分最爱的诗人，读过的这些几乎首首入心，乐在找诗中的遥远互文，对着诗歌认其手稿也一样令人欢欣。不再紧张而惶惑了，还好诗歌的余音还在，还要再继续读之前匆忙略过的篇目呀。
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