Yellow Music 在线电子书 图书标签: 音乐 海外中国研究 文化研究 流行音乐 流行文化 历史 媒介 城市
发表于2024-11-21
Yellow Music 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024
写的比较精练的一本书。挑战了左派音乐与大众流行音乐的两级对立的分类方法。
评分这本比Barlow好读好多(并不是因为标题的关系!),不过其实也是一个分支而已。很喜欢Jones引用的references,还有critical analysis,很有趣。
评分tired of reading books that aim at "complicating our understanding of xx." Are historians good for only complicating things?
评分总结:黎锦晖被批是因为:不左就不积极,不洋就不先进。所以我国到现在为止唯一的音乐"正典类型"还是交响红歌么?
评分Skimming
"Yellow Music" is the first history of the emergence of Chinese popular music and the larger urban media culture with which it was closely associated in early twentieth-century China. Centring his study around an account of the affinities between the genre derisively referred to by critics of the time as 'yellow' or 'pornographic' music - a 'decadent' fusion of American jazz, Hollywood film music, and Chinese folk forms - and the anti-colonial mass music that challenged yellow music's commercial and ideological dominance, Andrew F. Jones radically revises previous understandings of race, politics, popular culture, and technology in the making of modern Chinese culture.The personal and professional histories of three musicians in particular are the focus of Jones' discussions of shifting gender roles, class inequality, the politics of national salvation, and emerging media technologies: the American jazz musician Buck Clayton; Li Jinhui, the creator of 'yellow music'; and, leftist Nie Er, a former student of Li's whose musical idiom grew out of virulent opposition to this sinified jazz. In contemplating the emergence of global media cultures in the postcolonial world, Jones aims to undermine the parochialism of media studies in the West. He teaches us to hear not only the American influence in Chinese popular music but also the Chinese influence on American music and, in so doing, illuminates the ways in which both cultures were implicated in the unfolding of colonial modernity in the twentieth century. Students and scholars of modern China, twentieth-century history, media studies, and jazz history will be informed and engaged by "Yellow Music".'"Yellow Music" is a fantastic, one-of-a-kind read: a beautifully written, theoretically rich, and empirically grounded story about the relationship between American jazz music and the politics of colonialism and modernity in China during the interwar years. Andrew F. Jones puts the question of music at the center of debates about the role of the popular in the making of modern China' - Ralph Litzinger, author of "Other Chinas: The Yao and the Politics of National Belonging".
文—李如一 原文标题“靡靡之音”(YellowMu-sic)被改头换面变成了这个不痛不痒的“留声中国”,不知是何道理。而原文副题“中国爵士时代的传媒文化与殖民现代性”也被换成了“摩登音乐文化的形成”。自然,这书原本是加州大学柏克莱分校东亚语言文化系副教授安德...
评分文—李如一 原文标题“靡靡之音”(YellowMu-sic)被改头换面变成了这个不痛不痒的“留声中国”,不知是何道理。而原文副题“中国爵士时代的传媒文化与殖民现代性”也被换成了“摩登音乐文化的形成”。自然,这书原本是加州大学柏克莱分校东亚语言文化系副教授安德...
评分對中國現代“聽覺文化”研究具有開拓性的一本書。 書中對於留聲機進入中國的歷史脈絡以及黑人爵士與上海流行歌曲的關係敘述十分有趣,主要論點即左翼音樂和上海以黎錦暉代表的靡靡之音之間關係彼此互涉而不是傳統認為的涇渭分明。 其中對黎靡靡之音的翻案有一定道理,但簡單將...
评分文—李如一 原文标题“靡靡之音”(YellowMu-sic)被改头换面变成了这个不痛不痒的“留声中国”,不知是何道理。而原文副题“中国爵士时代的传媒文化与殖民现代性”也被换成了“摩登音乐文化的形成”。自然,这书原本是加州大学柏克莱分校东亚语言文化系副教授安德...
评分文—李如一 原文标题“靡靡之音”(YellowMu-sic)被改头换面变成了这个不痛不痒的“留声中国”,不知是何道理。而原文副题“中国爵士时代的传媒文化与殖民现代性”也被换成了“摩登音乐文化的形成”。自然,这书原本是加州大学柏克莱分校东亚语言文化系副教授安德...
Yellow Music 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024