Yellow Music

Yellow Music pdf epub mobi txt 電子書 下載2025

出版者:Duke University Press Books
作者:Andrew F. Jones
出品人:
頁數:224
译者:
出版時間:2001-6-19
價格:USD 22.95
裝幀:Paperback
isbn號碼:9780822326946
叢書系列:
圖書標籤:
  • 音樂 
  • 海外中國研究 
  • 文化研究 
  • 流行音樂 
  • 流行文化 
  • 曆史 
  • 媒介 
  • 城市 
  •  
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"Yellow Music" is the first history of the emergence of Chinese popular music and the larger urban media culture with which it was closely associated in early twentieth-century China. Centring his study around an account of the affinities between the genre derisively referred to by critics of the time as 'yellow' or 'pornographic' music - a 'decadent' fusion of American jazz, Hollywood film music, and Chinese folk forms - and the anti-colonial mass music that challenged yellow music's commercial and ideological dominance, Andrew F. Jones radically revises previous understandings of race, politics, popular culture, and technology in the making of modern Chinese culture.The personal and professional histories of three musicians in particular are the focus of Jones' discussions of shifting gender roles, class inequality, the politics of national salvation, and emerging media technologies: the American jazz musician Buck Clayton; Li Jinhui, the creator of 'yellow music'; and, leftist Nie Er, a former student of Li's whose musical idiom grew out of virulent opposition to this sinified jazz. In contemplating the emergence of global media cultures in the postcolonial world, Jones aims to undermine the parochialism of media studies in the West. He teaches us to hear not only the American influence in Chinese popular music but also the Chinese influence on American music and, in so doing, illuminates the ways in which both cultures were implicated in the unfolding of colonial modernity in the twentieth century. Students and scholars of modern China, twentieth-century history, media studies, and jazz history will be informed and engaged by "Yellow Music".'"Yellow Music" is a fantastic, one-of-a-kind read: a beautifully written, theoretically rich, and empirically grounded story about the relationship between American jazz music and the politics of colonialism and modernity in China during the interwar years. Andrew F. Jones puts the question of music at the center of debates about the role of the popular in the making of modern China' - Ralph Litzinger, author of "Other Chinas: The Yao and the Politics of National Belonging".

具體描述

讀後感

評分

對中國現代“聽覺文化”研究具有開拓性的一本書。 書中對於留聲機進入中國的歷史脈絡以及黑人爵士與上海流行歌曲的關係敘述十分有趣,主要論點即左翼音樂和上海以黎錦暉代表的靡靡之音之間關係彼此互涉而不是傳統認為的涇渭分明。 其中對黎靡靡之音的翻案有一定道理,但簡單將...

評分

對中國現代“聽覺文化”研究具有開拓性的一本書。 書中對於留聲機進入中國的歷史脈絡以及黑人爵士與上海流行歌曲的關係敘述十分有趣,主要論點即左翼音樂和上海以黎錦暉代表的靡靡之音之間關係彼此互涉而不是傳統認為的涇渭分明。 其中對黎靡靡之音的翻案有一定道理,但簡單將...

評分

對中國現代“聽覺文化”研究具有開拓性的一本書。 書中對於留聲機進入中國的歷史脈絡以及黑人爵士與上海流行歌曲的關係敘述十分有趣,主要論點即左翼音樂和上海以黎錦暉代表的靡靡之音之間關係彼此互涉而不是傳統認為的涇渭分明。 其中對黎靡靡之音的翻案有一定道理,但簡單將...

評分

對中國現代“聽覺文化”研究具有開拓性的一本書。 書中對於留聲機進入中國的歷史脈絡以及黑人爵士與上海流行歌曲的關係敘述十分有趣,主要論點即左翼音樂和上海以黎錦暉代表的靡靡之音之間關係彼此互涉而不是傳統認為的涇渭分明。 其中對黎靡靡之音的翻案有一定道理,但簡單將...

評分

對中國現代“聽覺文化”研究具有開拓性的一本書。 書中對於留聲機進入中國的歷史脈絡以及黑人爵士與上海流行歌曲的關係敘述十分有趣,主要論點即左翼音樂和上海以黎錦暉代表的靡靡之音之間關係彼此互涉而不是傳統認為的涇渭分明。 其中對黎靡靡之音的翻案有一定道理,但簡單將...

用戶評價

评分

很精巧的一本小書,從媒介技術/機構和國族意識形態的角度考察瞭2、30年代的流行音樂(集中在上海)。挑戰瞭一些傳統觀念,比如殖民地對於西方技術接受的“延後性”,Jones以上海錄音産業發展為例,力證西方媒介技術的跨國/全球影響近乎同步,且這種跨國交流性是産業發展的重要因素。此外,在考察蕭友梅、黎錦暉、聶耳等中國早期流行音樂的關鍵人物時,Jones也充分關注瞭被其分裂的政治立場以及左翼批評建立的典範印象(比如黎的音樂被斥為“黃色音樂”)遮蔽的內在聯係和復雜性。Jones指齣黎的“靡靡之音”在上海的商業文化中延續瞭五四以來的國族建構計劃,而聶耳等左翼音樂人的現實主義創作也和他們批判的半殖民上海的商業媒介文化間具有深刻關聯(這部分結閤瞭左翼電影一起談)。

评分

總結:黎錦暉被批是因為:不左就不積極,不洋就不先進。所以我國到現在為止唯一的音樂"正典類型"還是交響紅歌麼?

评分

tired of reading books that aim at "complicating our understanding of xx." Are historians good for only complicating things?

评分

Despite his adherence to a postcolonial framework, Jones' very readable and succinct book is a solid blend of cultural history and criticism that gives modern popular media culture and its inherent transnational nature the serious attention it deserves.

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