Sharply observed and expertly crafted, D.H. Lawrence’s The Fox is a captivating work exploring the dual themes of power and supremacy in the aftermath of the First World War. With a Foreword by Doris Lessing.
Banford and March live and work together on their meager farm, surviving hardship only by sheer determination and dedicated labor. The farm is their world, a place of safety—that is, until a young soldier walks in and upsets the women’s delicate status quo. None could have predicted the effect his presence would have on their lives.
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Lawrence的描寫真的絕瞭
评分M和B之間...泛讀是毀掉一切文學美好的元凶...但沒有泛讀又怎麼會遇到
评分不喜歡這種風格，一個男人啊是神經兮兮囉裏吧嗦，明明兩百個單詞就能講明白的事件，硬是寫瞭這麼長，其中無外乎就是焦慮、冷漠、心不在焉這三個形容係交替著以相同意思的不同單詞循環使用，邏輯上沒有任何地方能說得通，抽象描寫上的想象力還真是豐富，勞倫斯，你名聲在外啊！還自己發明單詞的變形格式，看得我幾近崩潰叫娘。
评分Lawrence的描寫真的絕瞭
评分muteness envy; wartime homosociality vs. biological reproduction; jouissance beyond the pleasure principle... 常見的returning soldier的題材，勞倫斯寫得一波三摺；原本戰爭纔是例外狀態，男性的迴歸卻指涉戰時如March和Banford一般的女性間關係的abnormality，March和Henry主奴辯證法般的關係在最後的爆發後反而變得撲朔迷離：“The awful mistake of happiness.”
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