Nostromo

Nostromo pdf epub mobi txt 电子书 下载 2026

出版者:Wordsworth Editions Ltd
作者:Joseph Conrad
出品人:
页数:416
译者:
出版时间:1996-12-01
价格:GBP 1.99
装帧:Paperback
isbn号码:9781853261749
丛书系列:Wordsworth Classics
图书标签:
  • 康拉德
  • 英文原版
  • 英国
  • 英语文学
  • 外国文学
  • Conrad
  • 英文版
  • 英國
  • 冒险
  • 航海
  • 殖民
  • 阴谋
  • 权力
  • 孤独
  • 海洋
  • 命运
  • 探索
  • 人性
想要找书就要到 图书目录大全
立刻按 ctrl+D收藏本页
你会得到大惊喜!!

具体描述

Book Description

The Wordsworth Classics covers a huge list of beloved works of literature in English and translations. This growing series is rigorously updated, with scholarly introductions and notes added to new titles.

Set in the imaginary South American republic of Costaguana, this work is an illustration of the impact of foreign exploitation on a developing nation. As Sulaco, site of an English/American controlled silver mine establishes its independence, its ideals are inevitably compromised.

From Library Journal

This involved, philosophical novel is not for the casual listener, especially one who is supposed to be concentrating on the road ahead. Writing in 1904, Conrad invented a complex South American country with a turbulent history and a potentially explosive population, ranging from the wealthy gringo running the Sulaco silver mine to the poorest worker loading cargo on the docks. Although the story teems with lively characters, the dazzling figure of Nostromo eclipses them all. A natural leader?brave, handsome, and incorruptible?he naturally becomes the epicenter of the revolution that soon devastates Sulaco. With characteristic eloquence, Conrad has focused on the dramatic action of the revolution to explore challenging themes: capitalism, imperialism, revolution, and social justice. Unfortunately, this audio program, read by Frederick Davidson, is disappointing. Despite fine dramatic characterizations, the narrator's posh British accent is so pronounced that it often detracts from the text. Since Nostromo has also been narrated by Frank Muller (Recorded Books) and Wolfram Kandinsky (Books on TapeR), perhaps this version may not be the best choice.

                        Jo Carr, Sarasota, Fla.

From AudioFile

This abridgment of Joseph Conrad's classic keeps in mind that the story is as much about the fictional province of Sulaco and the San Tome silver mine as it is about Nostromo, the "incorruptible" sailor who ends up concealing a fortune in silver. Although Nostromo is a presence throughout the novel, his tale actually begins on Side six. It preserves much of Conrad's fine detail, background history of Sulaco, and prose style, making the listener almost forget that this is an abridgment. Joss Ackland speaks Conrad's descriptive passages with a clear, refined voice that brings an authoritative air to this fictional history, while giving its main characters rougher voices. J.A.S.

About Author

Joseph Conrad was born Józef Teodor Konrad Korzeniowski in Russian-occupied Poland on December 3, 1857. His parents were aristocrats and intensely nationalistic political activists who were exiled to Vologda, northeast of Moscow, for their opposition to tsarist rule. Józef's mother, Ewa, died in 1865 of tuberculosis, and his father, Apollo, succumbed to the same disease four years later. Józef was cared for by his uncle Tadeusz Bobrowski until the young man acted on a long-expressed desire to go to sea. In 1874 he left for Marseilles, where he began sailing for the French merchant service.

In 1878, in money difficulties and no longer able to sail on French vessels because he had not secured an exemption from military service in Russia, Conrad attempted suicide. After his recovery, he left Marseilles on a British ship and went to England, where he worked the route between Lowestoft and Newcastle. He arrived in England virtually without qualifications and with very little English, but he was able in a few years to earn his master's certificate in the British merchant marine and became a British national. Conrad traveled to Mauritius and Constantinople, worked on wool clippers from London to Australia, and sailed the waters of the Far East. These voyages were punctuated by long periods when he could not find suitable positions because of the decline in sail-powered transport in the age of the steamship.

Conrad began writing in English, which became his language of choice after his native Polish and French, although he complained of difficulties with English grammar and syntax. His voyages provided the background for much of his fiction. 'Youth' and 'Typhoon' draw on Conrad's personal experience with disasters at sea. In 1881, he became second mate on the Palestine, a ship that was rammed, caught in tempestuous gales in the English Channel, had its cargo of coal catch fire, and sank off Sumatra. His captaincy of the Otago from Bangkok in 1888 informs The Shadow-Line (1917) and the stories 'Falk' and 'The Secret Sharer.' Heart of Darkness (1899) is drawn from an expedition to the Belgian Congo in 1890. He was already working on a novel when he traveled to the Congo, where he expected to take command of a river steamer. The assignment failed to materialize, and Conrad fell dangerously ill. On his return to England, he was forced to find work as a ship's mate. He was able during this period of intermittent employment to devote more time to his writing, and in 1894 he submitted the novel Almayer's Folly to the publisher Fisher Unwin. Unwin published it in 1895 under the anglicized version of Conrad's Polish name.

Conrad was encouraged to continue to write by Unwin's reader Edward Garnett, although he went on applying for posts as a ship's captain. He finished The Outcast of the Islands in 1895 and in 1896 married Jessie George. They had two sons, Borys and John, born in 1898 and 1906. Constantly in need of more money, Conrad produced short stories and serialized his novels. Although plagued by physical illness and psychological problems, he established one of the most formidable bodies of work in the English language. His longer works include The Nigger of the 'Narcissus (1897), Lord Jim (1900), Nostromo (1904), The Secret Agent (1907), Under Western Eyes (1911), and Victory (1915). Nostromo, set in the imaginary South American republic of Costaguana, is considered by many critics to be Conrad's best work and by some to be the finest novel of the twentieth century.

From early in his career Conrad had the admiration of fellow writers--Stephen Crane, John Galsworthy, Henry James, and Ford Madox Ford, with whom Conrad collaborated on The Inheritors (1901) and Romance (1903). It was only after the success of Chance (1913), however, that his writing afforded him widespread recognition and relative financial security. He spent his declining years in Kent, often in ill health, and died on August 3, 1924, at his home near Canterbury.

Book Dimension :

length: (cm)19.8                 width:(cm)12.6

《群星的低语》 一艘迷航的货运飞船,一场横跨星际的道德困境 作者:艾丽西亚·凡恩(Alicia Vane) 出版信息:银河纪元 478 年,欧米伽星区 9 级授权出版社 页数:688 页 故事梗概:在秩序与混乱的边缘 《群星的低语》讲述了“赫尔墨斯号”(The Hermes)——一艘老旧的、但性能可靠的长途货运飞船,在穿越银河系边缘“虚空之环”时所遭遇的惊心动魄的经历。这艘船的船长,卡莱布·瑞安(Caleb Ryan),一位因故被前星际联盟(The Stellar Concord)解职的资深航海家,正试图用这次高风险的航行来洗刷过去的污点,并为他的船员——一群来自不同星系的边缘人物——提供一个体面的未来。 故事开始于一个平淡无奇的星际贸易航线,赫尔墨斯号的任务是运送一批珍贵的生物制剂前往偏远的殖民地“新巴别塔”(New Babel)。然而,一次突如其来的伽马射线暴打乱了一切。飞船的导航系统受损,通讯中断,他们被抛入了一片未被任何星图标记的、被本地人称为“沉默之地”(The Quiet Expanse)的星域。 在资源日益枯竭、精神压力不断增大的环境下,船员们开始发现他们运送的货物并非普通的医疗用品。这批货物被一个强大的跨星系企业——“奥德赛集团”(Odyssey Conglomerate)——严密保护,内部藏有关于一种被认为已经灭绝的古代智慧种族留下的技术蓝图。 随着飞船的生存受到威胁,船员们内部的裂痕开始加深。技术专家莉娜·索尔(Lina Sol)坚信这些技术可以拯救新巴别塔正在恶化的生态环境;而安保主管泽维尔·科尔(Xavier Khol)则认为,任何超出当前技术水平的知识都可能引发比战争更可怕的后果。 核心主题与人物群像 1. 技术伦理与人类的局限性: 《群星的低语》深刻探讨了当人类接触到远超自身理解能力的科技时所面临的哲学困境。飞船上幸存的古老数据核心,能够预知未来短期的可能性,但这种“全知”的能力开始侵蚀船员们的自由意志。他们必须决定,是利用这种力量来保证生存,还是拒绝这种诱惑,维护人性的自主性?卡莱布船长与飞船的人工智能“缪斯”(Muse)之间关于“最优解”与“道德选择”的辩论,构成了全书智力上的核心冲突。 2. 信任的脆弱性与“群体动力学”: 赫尔墨斯号上的船员构成了一个微缩的社会结构。他们中有: 阿克塞尔(Axel):沉默寡言的机械师,他似乎与飞船的能源核心有着一种不自然的联系。 伊拉拉(Elara):来自一个排斥科技的文化背景的领航员,她对星图的直觉往往比电子设备更准确。 “幽灵”(Ghost):一位身份不明的奥德赛集团卧底,他的任务是确保货物的“纯净性”,但他逐渐对船员产生了情感依恋。 当饥饿、恐惧和对未知力量的敬畏交织在一起时,忠诚开始瓦解。故事细致地描绘了信任如何在压力下变异成偏执,以及群体如何迅速形成排他性的“我们”与“他们”。 3. 边缘与中心的拉锯战: 飞船被困的“沉默之地”,实际上是星际联盟刻意遗忘和隔离的区域。这片空间不仅是地理上的荒芜,也是政治上的象征——代表着那些被主流文明抛弃的个体和思想。卡莱布和他的船员们必须决定,他们是努力回到被排斥的联盟的怀抱,还是接受边缘的身份,利用这片虚空的力量开辟新的生存之道。 文学风格与叙事技巧 艾丽西亚·凡恩以其冷峻、精确的硬科幻笔触著称,她擅长将宏大的宇宙背景与细腻的心理描写相结合。 叙事结构上,《群星的低语》采用了多视角的交错叙事。读者将体验到船长在驾驶舱内的重压决策,莉娜在实验室中对古代代码的痴迷,以及船员们在狭窄生活区内因生存压力引发的低语和冲突。 氛围营造上,小说极力营造出一种幽闭恐惧感和技术失控的压抑感。飞船内部的机械故障声、能源系统低沉的嗡鸣声,以及舱外恒久的黑暗和寂静,共同构筑了一个令人窒息的舞台。作者的语言风格注重细节,对飞船的机械构造、生命维持系统的运作,以及在零重力环境下人类生理反应的描写都极为真实可信,为读者提供了强烈的沉浸感。 读者反响与评价(节选) “凡恩再次证明了她是最擅长描绘‘人在绝境中’的作家。这不仅仅是一个关于太空冒险的故事,它是一面映照我们自身道德底线的镜子。”——《星际评论》 “本书的节奏控制堪称大师级。每一次危机都建立在上一层积累的心理张力之上,让你无法停下来,直到最后揭示真相的那一刻。”——《银河文学观察》 《群星的低语》是一部关于生存、选择以及当我们面对可能颠覆自身认知的技术时,我们选择相信谁——是数据,还是人性——的史诗级科幻小说。它提醒我们,在广袤的宇宙中,最危险的未知,往往就潜伏在我们自己设定的规则之外。

作者简介

目录信息

读后感

评分

虞建华 作 许多批评家都认为,《诺斯托罗莫》是康拉德最杰出的作品,也是最伟大的英语小说之一。也有人将它与小 说中最博大的名著《战争与和平》进行比较。的确,《诺斯托罗莫》具有一种史诗的品质:事件重大,场面恢弘,人物众多,尽管康拉德的小说本质上不是史诗。作家在其...

评分

虞建华 作 许多批评家都认为,《诺斯托罗莫》是康拉德最杰出的作品,也是最伟大的英语小说之一。也有人将它与小 说中最博大的名著《战争与和平》进行比较。的确,《诺斯托罗莫》具有一种史诗的品质:事件重大,场面恢弘,人物众多,尽管康拉德的小说本质上不是史诗。作家在其...

评分

虞建华 作 许多批评家都认为,《诺斯托罗莫》是康拉德最杰出的作品,也是最伟大的英语小说之一。也有人将它与小 说中最博大的名著《战争与和平》进行比较。的确,《诺斯托罗莫》具有一种史诗的品质:事件重大,场面恢弘,人物众多,尽管康拉德的小说本质上不是史诗。作家在其...

评分

虞建华 作 许多批评家都认为,《诺斯托罗莫》是康拉德最杰出的作品,也是最伟大的英语小说之一。也有人将它与小 说中最博大的名著《战争与和平》进行比较。的确,《诺斯托罗莫》具有一种史诗的品质:事件重大,场面恢弘,人物众多,尽管康拉德的小说本质上不是史诗。作家在其...

评分

虞建华 作 许多批评家都认为,《诺斯托罗莫》是康拉德最杰出的作品,也是最伟大的英语小说之一。也有人将它与小 说中最博大的名著《战争与和平》进行比较。的确,《诺斯托罗莫》具有一种史诗的品质:事件重大,场面恢弘,人物众多,尽管康拉德的小说本质上不是史诗。作家在其...

用户评价

评分

这部作品,简直是一场对人性深渊的探戈,它毫不留情地撕开了科幻外衣下那些最原始的恐惧和贪婪。我读到那些角色为了生存,为了那份虚无缥缈的“机会”,如何一步步将自己的道德罗盘抛弃,那种挣扎和扭曲,读起来让人心惊肉跳。作者对那种幽闭恐惧症般的压抑气氛营造得极其出色,你仿佛能闻到船舱里弥漫的金属锈味和汗水味,每一次呼吸都变得沉重而艰难。更妙的是,叙事视角在不同人物间游走,让你得以窥见每个人内心深处那些不为人知的算计与脆弱。特别是在面对未知的巨大威胁时,组织内部的裂痕是如何迅速扩大,信任是如何像脆弱的玻璃一样应声碎裂,那种社会学层面的观察,比那些奇特的生物本身更令人不寒而栗。我尤其欣赏作者对于权力结构瓦解过程的细致描摹,当外部压力达到临界点时,内部的等级制度和既得利益是如何迅速崩塌,而那些平日里被压制的声音又如何以一种近乎野蛮的方式爆发出来。这本书不仅仅是一个太空冒险故事,它更像是一面残酷的镜子,映照出我们自身在极端环境下最不堪的一面。

评分

从文学性的角度来看,这部小说在处理“异化”主题上达到了一个很高的境界。它不仅仅是人与外星力量的对抗,更是人与“系统”之间的无声战争。那些代表着无情效率和利润最大化的企业力量,它们比任何实体怪兽都更可怕,因为它们渗透在每一个合同条款、每一次指令下达之中,将船员异化为可消耗的资源。我看到那些为公司卖命的人,他们的个人意志和生命价值是如何被量化、被折旧的。这种对现代资本主义逻辑的深刻讽刺,通过科幻的载体被放大和扭曲,达到了惊人的效果。特别是那些普通船员,他们本可以拥有自己的人生,却被卷入这场巨大的、冷酷的商业机器中,最终成为祭品。他们的抗争,与其说是为了生存,不如说是在绝望中试图夺回一点点“自我”的权利。这种对生存尊严的探讨,让这部作品超越了简单的类型文学范畴,拥有了持久的思考价值。

评分

这部作品的魅力,很大程度上归功于其对环境细节的雕琢,它塑造了一个活生生的、呼吸着的空间。那艘船——噢,那艘船!它本身就是一个角色,一个巨大的、充满缺陷和秘密的有机体。我能清晰地想象出那些狭窄的维护通道,冰冷的金属墙壁,以及那些偶尔闪烁不定的应急灯光,它们共同构成了一个令人窒息的迷宫。作者没有将科技描写得光鲜亮丽,相反,一切都显得陈旧、磨损,充满了某种功能至上的粗粝感,这让故事的基调一下子就沉淀了下来,脱离了那种廉价的太空歌剧的范畴。而且,那种对“异质性”的描绘,也处理得非常高明。那个被发现的生物或现象,它不是那种可以轻易被分类和理解的“怪物”,它更像是一种对既有认知体系的彻底颠覆,一种纯粹的、无法用人类逻辑去框定的存在。这种未知带来的压迫感,远超任何具体的物理攻击,因为它挑战的是我们赖以生存的确定性。读这本书,就像是走进一个巨大而黑暗的地下室,你不知道墙角里藏着什么,但你知道,你迟早要面对它。

评分

我必须承认,这本书的阅读体验是极具挑战性的,它要求读者投入相当大的心力去消化那些密集的细节和压抑的情绪。它很少提供廉价的慰藉或明确的英雄主义。相反,它更倾向于展示在极端压力下,人性的各种侧面如何以一种近乎病态的方式展现出来——有英勇的牺牲,也有卑劣的背叛,而后者往往更令人心寒。作者的笔触冷静得像一台记录仪,不带太多煽情,却能让读者在冷静的叙述中感受到情绪的巨大海啸。每一次角色做出选择,我都忍不住在心里快速推演其后果,这种代入感是罕见的。而且,那些关于“责任”和“后果”的讨论,在故事结束后依然在我脑海中盘旋。当一切尘埃落定,留下的不是胜利的欢呼,而是一种深刻的、关于人类局限性的疲惫感。它不是一本读完后能让人心情愉悦的书,但它绝对是一部值得被反复品味和深刻反思的杰作。

评分

说实话,这本书的节奏控制简直是教科书级别的。起初,那种缓慢的铺垫,像一张巨大的网,不动声色地收紧,让你觉得一切都沉浸在一种令人不安的平静之中。那些关于公司政治、船员之间的微妙张力,以及对遥远、被遗忘的行星的零星描述,都在为后来的灾难积蓄能量。然后,随着“货物”的出现,整个故事的燃料箱瞬间被点燃,那种从慢炖到猛火爆炒的转换,处理得干净利落,毫不拖泥带水。我常常被那种突如其来的暴力和混乱所震撼,但这种震撼不是廉价的感官刺激,而是建立在之前所有细微铺垫之上的必然爆发。最让我佩服的是,即使在最血腥、最绝望的时刻,作者依然能捕捉到一些极度细微的心理活动,比如在生死关头,一个角色对旧日温暖的回忆,或者对某个微小物件的执着。这种对比,使得残酷的现实更具有穿透力。读完后,你不会觉得是作者强行塞给你一个结局,而更像是亲眼见证了一场无可避免的坍塌,那种宿命感,让人久久无法释怀。

评分

太难读了

评分

这真是我看的比较难的一本书了,费了很大的力气。前面我并不是很喜欢,但结尾确实喜欢上了这本书。

评分

这真是我看的比较难的一本书了,费了很大的力气。前面我并不是很喜欢,但结尾确实喜欢上了这本书。

评分

太难读了

评分

太难读了

本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度google,bing,sogou

© 2026 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有