Cat on a Hot Tin Roof

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田纳西·威廉斯(Tennessee Williams,1911-1983)是美国20世纪最伟大的三大戏剧家之一(另外两位是尤金·奥尼尔和阿瑟·米勒),同时也是全世界范围内最重要的剧作家之一。1948年和1955年分别以其《欲望号街车》及《热铁皮屋顶上的猫》两度赢得普利策奖和戏剧评论奖;《玻璃动物园》和《鬣蜥之夜》也分别于1945年和1961年拿下纽约戏剧评论奖;1952年的玫瑰黥纹》获得托尼奖最佳戏剧奖殊荣。

出版者:New Directions
作者:Tennessee Williams
出品人:
页数:208
译者:
出版时间:2004-09-30
价格:USD 10.95
装帧:Paperback
isbn号码:9780811216012
丛书系列:
图书标签:
  • 戏剧 
  • 美国 
  • 剧本 
  • English 
  • TennesseeWilliams 
  • 外国文学 
  • script 
  • play 
  •  
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The definitive text of this American classic—reissued with an introduction by Edward Albee ( Who's Afraid of Virginia Woolf? and A Delicate Balance ) and Williams' essay "Person-to-Person." Cat on a Hot Tin Roof first heated up Broadway in 1955 with its gothic American story of brothers vying for their dying father's inheritance amid a whirlwind of sexuality, untethered in the person of Maggie the Cat. The play also daringly showcased the burden of sexuality repressed in the agony of her husband, Brick Pollitt. In spite of the public controversy Cat stirred up, it was awarded the Pulitzer Prize and the Drama Critics Circle Award for that year. Williams, as he so often did with his plays, rewrote Cat on a Hot Tin Roof for many years—the present version was originally produced at the American Shakespeare Festival in 1974 with all the changes that made Williams finally declare the text to be definitive, and was most recently produced on Broadway in the 2003-04 season. This definitive edition also includes Williams' essay "Person-to-Person," Williams' notes on the various endings, and a short chronology of the author's life. One of America's greatest living playwrights, as well as a friend and colleague of Williams, Edward Albee has written a concise introduction to the play from a playwright's perspective, examining the candor, sensuality, power, and impact of Cat on a Hot Tin Roof then and now.

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很多年以前在一本法国作家的文集上看到过,家庭的实质是一群互相仇视的男人、女人、孩子,居住在同一个屋檐下。 无处不是谎言与欺骗。很难说得清楚,究竟是生活欺骗了人们,还是人们欺骗了生活。仿佛唯有欺骗,才是人与生活唯一相处的形式。我们假装融洽,假装相爱,唯有这样才...  

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updated Act 3的Brick都不像Brick了

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原版剧本

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看完有种“咦怎么就完了”的感觉。剧本的成功跟时代背景还是有关系吧,现在同妻现象在我国如此普遍,天涯到处都是惊心动魄的帖子,再看50年代的柜中人确实没多大感觉了。这家里每个人都还蛮可怜,就没有哪两个人是相爱的。

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看完有种“咦怎么就完了”的感觉。剧本的成功跟时代背景还是有关系吧,现在同妻现象在我国如此普遍,天涯到处都是惊心动魄的帖子,再看50年代的柜中人确实没多大感觉了。这家里每个人都还蛮可怜,就没有哪两个人是相爱的。

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原版剧本

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