田纳西·威廉斯(Tennessee Williams,1911-1983)是美国20世纪最伟大的三大戏剧家之一(另外两位是尤金·奥尼尔和阿瑟·米勒),同时也是全世界范围内最重要的剧作家之一。1948年和1955年分别以其《欲望号街车》及《热铁皮屋顶上的猫》两度赢得普利策奖和戏剧评论奖;《玻璃动物园》和《鬣蜥之夜》也分别于1945年和1961年拿下纽约戏剧评论奖;1952年的玫瑰黥纹》获得托尼奖最佳戏剧奖殊荣。
The definitive text of this American classic—reissued with an introduction by Edward Albee ( Who's Afraid of Virginia Woolf? and A Delicate Balance ) and Williams' essay "Person-to-Person." Cat on a Hot Tin Roof first heated up Broadway in 1955 with its gothic American story of brothers vying for their dying father's inheritance amid a whirlwind of sexuality, untethered in the person of Maggie the Cat. The play also daringly showcased the burden of sexuality repressed in the agony of her husband, Brick Pollitt. In spite of the public controversy Cat stirred up, it was awarded the Pulitzer Prize and the Drama Critics Circle Award for that year. Williams, as he so often did with his plays, rewrote Cat on a Hot Tin Roof for many years—the present version was originally produced at the American Shakespeare Festival in 1974 with all the changes that made Williams finally declare the text to be definitive, and was most recently produced on Broadway in the 2003-04 season. This definitive edition also includes Williams' essay "Person-to-Person," Williams' notes on the various endings, and a short chronology of the author's life. One of America's greatest living playwrights, as well as a friend and colleague of Williams, Edward Albee has written a concise introduction to the play from a playwright's perspective, examining the candor, sensuality, power, and impact of Cat on a Hot Tin Roof then and now.
(玛格丽特)呆在热铁皮屋顶上的猫的胜利到底是什么?我真想知道……我琢磨,大概是一个劲儿地呆在屋顶上,能呆多久就呆多久吧…… (大爹)哼,我去的地方比这还远呢,我刚从月球背面回来,刚从阴曹地府回来,儿子啊,再有天大的事都吓不到我。总而言之,我住的地方一向很宽...
评分 评分老田颇负盛名的短剧,据说也是他个人最喜欢的作品。作为在全球卖腐的风潮中成长起来的新一代,我不大能理解此剧的成功。诚然,我不否认戏剧中充满了精神和物质的多重矛盾,甚至每个人都能从cat on a hot tin roof这个比喻中看到自己的影子;但是从本质来说,这是身为同性恋的老...
评分老田颇负盛名的短剧,据说也是他个人最喜欢的作品。作为在全球卖腐的风潮中成长起来的新一代,我不大能理解此剧的成功。诚然,我不否认戏剧中充满了精神和物质的多重矛盾,甚至每个人都能从cat on a hot tin roof这个比喻中看到自己的影子;但是从本质来说,这是身为同性恋的老...
评分后记其实很有意思,可以看到剧作家的自我坚持:事件的发生只不过反映了人物的本质。与之相比导演追求的事件改变人物是多么俗套。(不过第三幕里大老爹完全没出场我也是没想到的。)
评分Drama Night 英文08文傳劇組劇目!
评分这一版有第三幕的前后改动,剧作家说是从了导演,让maggie更明显地惹人怜,让父亲回来,让brick的转变更可信。比起电影,大爸更贪心自私(lesshearty),brick更aloof和无药可救——电影最后光明了。
评分Skipper and I made love, love if you could call it, because it made both of us feel a little bit closer to you.
评分美国南部庄园豪门之struggle,总有个遗世独立特立独行不在乎老子能分多少钱的孽子。
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