田纳西·威廉斯(Tennessee Williams,1911-1983)是美国20世纪最伟大的三大戏剧家之一(另外两位是尤金·奥尼尔和阿瑟·米勒),同时也是全世界范围内最重要的剧作家之一。1948年和1955年分别以其《欲望号街车》及《热铁皮屋顶上的猫》两度赢得普利策奖和戏剧评论奖;《玻璃动物园》和《鬣蜥之夜》也分别于1945年和1961年拿下纽约戏剧评论奖;1952年的玫瑰黥纹》获得托尼奖最佳戏剧奖殊荣。
The definitive text of this American classic—reissued with an introduction by Edward Albee ( Who's Afraid of Virginia Woolf? and A Delicate Balance ) and Williams' essay "Person-to-Person." Cat on a Hot Tin Roof first heated up Broadway in 1955 with its gothic American story of brothers vying for their dying father's inheritance amid a whirlwind of sexuality, untethered in the person of Maggie the Cat. The play also daringly showcased the burden of sexuality repressed in the agony of her husband, Brick Pollitt. In spite of the public controversy Cat stirred up, it was awarded the Pulitzer Prize and the Drama Critics Circle Award for that year. Williams, as he so often did with his plays, rewrote Cat on a Hot Tin Roof for many years—the present version was originally produced at the American Shakespeare Festival in 1974 with all the changes that made Williams finally declare the text to be definitive, and was most recently produced on Broadway in the 2003-04 season. This definitive edition also includes Williams' essay "Person-to-Person," Williams' notes on the various endings, and a short chronology of the author's life. One of America's greatest living playwrights, as well as a friend and colleague of Williams, Edward Albee has written a concise introduction to the play from a playwright's perspective, examining the candor, sensuality, power, and impact of Cat on a Hot Tin Roof then and now.
很多年以前在一本法国作家的文集上看到过,家庭的实质是一群互相仇视的男人、女人、孩子,居住在同一个屋檐下。 无处不是谎言与欺骗。很难说得清楚,究竟是生活欺骗了人们,还是人们欺骗了生活。仿佛唯有欺骗,才是人与生活唯一相处的形式。我们假装融洽,假装相爱,唯有这样才...
评分(玛格丽特)呆在热铁皮屋顶上的猫的胜利到底是什么?我真想知道……我琢磨,大概是一个劲儿地呆在屋顶上,能呆多久就呆多久吧…… (大爹)哼,我去的地方比这还远呢,我刚从月球背面回来,刚从阴曹地府回来,儿子啊,再有天大的事都吓不到我。总而言之,我住的地方一向很宽...
评分 评分老田颇负盛名的短剧,据说也是他个人最喜欢的作品。作为在全球卖腐的风潮中成长起来的新一代,我不大能理解此剧的成功。诚然,我不否认戏剧中充满了精神和物质的多重矛盾,甚至每个人都能从cat on a hot tin roof这个比喻中看到自己的影子;但是从本质来说,这是身为同性恋的老...
评分很多年以前在一本法国作家的文集上看到过,家庭的实质是一群互相仇视的男人、女人、孩子,居住在同一个屋檐下。 无处不是谎言与欺骗。很难说得清楚,究竟是生活欺骗了人们,还是人们欺骗了生活。仿佛唯有欺骗,才是人与生活唯一相处的形式。我们假装融洽,假装相爱,唯有这样才...
Skipper and I made love, love if you could call it, because it made both of us feel a little bit closer to you.
评分Big Daddy和Brick有关Mendacity的争论很有意思,生活中充满了不实和谎言,Brick的冷漠是对自我的厌弃,清醒意识到又力量不够的人就选择逃避,Mae和Gooper能和它们共存得很好,而Maggie the cat介于其中,对于一只在热铁皮屋顶上的猫来说,胜利只是多在上面呆一秒钟。TW的第三幕更合理,Brick对Maggie突如其来表达的爱慕与他之前表现的冷漠格格不入,我也怀疑一席谈话,不管多么深刻,会带来立竿见影的改变。
评分原版剧本
评分Skipper and I made love, love if you could call it, because it made both of us feel a little bit closer to you.
评分打印的,几个版本的戏本,都对最后的群戏进行了改动,其实目的很简单,让读者对结局和作者的意图产生不一样的理解
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