Hitchcock pdf epub mobi txt 电子书 下载 2025
François Roland Truffaut was an award-winning and influential filmmaker, critically acclaimed worldwide. He was also a talented and sought-after film critic in France (most notably, his work for Cahiers du Cinema), and one of the founders of the French New Wave and the auteur theory; he remains an icon of the French film industry. In a film career lasting over a quarter of a century, he was also a screenwriter, producer or occasional actor in over twenty-five films.
- 电影
- Truffaut
- 艺术
- 希区柯克
- 電影
- 法国
- 影视
- 人物
Any book-length interview with Alfred Hitchcock is valuable, but considering that this volume's interlocutor is François Truffaut, the conversation is remarkable indeed. Here is a rare opportunity to eavesdrop on two cinematic masters from very different backgrounds as they cover each of Hitch's films in succession. Though this book was initially published in 1967 when Hitchcock was still active, Truffaut later prepared a revised edition that covered the final stages of his career. It's difficult to think of a more informative or entertaining introduction to Hitchcock's art, interests, and peculiar sense of humor. The book is a storehouse of insight and witticism, including the master's impressions of a classic like Rear Window ("I was feeling very creative at the time, the batteries were well charged"), his technical insight into Psycho's shower scene ("the knife never touched the body; it was all done in the [editing]"), and his ruminations on flops such as Under Capricorn ("If I were to make another picture in Australia today, I'd have a policeman hop into the pocket of a kangaroo and yell 'Follow that car!'"). This is one of the most delightful film books in print. --Raphael Shargel
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读后感
1、希区柯克二十三岁时（即1922年）首次参与创作由格雷厄姆-卡茨执导的影片《女人对女人》，故事由希区柯克的一位女同事创作（该名女同事曾与卓别林共事，当时英国人以为凡与卓别林合作过的人一准儿都是天才）。希区柯克担任改编者、对话作者、副导演和布景师（原来的布景师临...
评分大一下的时候，参加电影协会每周末的电影放映。在那之前，并不知道这个世界上有“希区柯克”。 依然清晰记得海报上面用黑白拼贴出来的字样： 电影大师希区柯克《惊魂记》《蝴蝶梦》 全寝室一起坐在教室的后面观看。 小小的放映室，秋天的风吹...
评分当“新浪潮”遭遇希区柯克 ——评《希区柯克与特吕弗对话录》 1962年4月8日，已经被世界电影载入史册。这一天，法国新浪潮电影的主将特吕弗来到了纽约。特吕弗这次前行的目的除了把他导演的新片《夏日之恋》介绍给纽约的制片商外，就是与一向负责新浪潮电影在美国的推广工作的...
评分大一下的时候，参加电影协会每周末的电影放映。在那之前，并不知道这个世界上有“希区柯克”。 依然清晰记得海报上面用黑白拼贴出来的字样： 电影大师希区柯克《惊魂记》《蝴蝶梦》 全寝室一起坐在教室的后面观看。 小小的放映室，秋天的风吹...
评分用户评价
经典的对话录，每一页都叫人获益良多。Hitch强调电影语言的重要性，一定要以镜头讲故事。他看似是个商业惊悚片导演，实则对人性洞察颇深。诚如introduction里面就提到的，Hitch这样的导演，并不是教我们如何生活，而是传达他们的焦虑，以使我们更好地理解自己，而这“正是任何艺术形式的基本目的。”
评分终于啃完原版，特吕弗还真是很推崇希区柯克…要发奋图强学习做一个visualized的剪辑
评分终于啃完原版，特吕弗还真是很推崇希区柯克…要发奋图强学习做一个visualized的剪辑
评分啃完。希胖讲戏好清楚，类比多多
评分无意中找到这书的时候是一个踉跄摔过去的 而里面夹了一张我以为的04年枪火的电影票根 what else can i say
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