Hitchcock 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2025

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Francois Truffaut 作者

Simon & Schuster

译者

1985-10-2 出版日期

368 页数

USD 25.00 价格

Paperback

丛书系列

9780671604295 图书编码

Hitchcock 在线电子书图书标签: 电影 Truffaut 艺术希区柯克電影法国影视人物

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发表于2025-01-22

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Hitchcock 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2025

Hitchcock 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2025

Hitchcock 在线电子书用户评价

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啃完。希胖讲戏好清楚，类比多多

评分☆☆☆☆☆

啃完。希胖讲戏好清楚，类比多多

评分☆☆☆☆☆

终于啃完原版，特吕弗还真是很推崇希区柯克…要发奋图强学习做一个visualized的剪辑

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经典的对话录，每一页都叫人获益良多。Hitch强调电影语言的重要性，一定要以镜头讲故事。他看似是个商业惊悚片导演，实则对人性洞察颇深。诚如introduction里面就提到的，Hitch这样的导演，并不是教我们如何生活，而是传达他们的焦虑，以使我们更好地理解自己，而这“正是任何艺术形式的基本目的。”

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Hitchcock 在线电子书著者简介

François Roland Truffaut was an award-winning and influential filmmaker, critically acclaimed worldwide. He was also a talented and sought-after film critic in France (most notably, his work for Cahiers du Cinema), and one of the founders of the French New Wave and the auteur theory; he remains an icon of the French film industry. In a film career lasting over a quarter of a century, he was also a screenwriter, producer or occasional actor in over twenty-five films.

Hitchcock 在线电子书图书目录

Hitchcock 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Hitchcock 在线电子书图书描述

Any book-length interview with Alfred Hitchcock is valuable, but considering that this volume's interlocutor is François Truffaut, the conversation is remarkable indeed. Here is a rare opportunity to eavesdrop on two cinematic masters from very different backgrounds as they cover each of Hitch's films in succession. Though this book was initially published in 1967 when Hitchcock was still active, Truffaut later prepared a revised edition that covered the final stages of his career. It's difficult to think of a more informative or entertaining introduction to Hitchcock's art, interests, and peculiar sense of humor. The book is a storehouse of insight and witticism, including the master's impressions of a classic like Rear Window ("I was feeling very creative at the time, the batteries were well charged"), his technical insight into Psycho's shower scene ("the knife never touched the body; it was all done in the [editing]"), and his ruminations on flops such as Under Capricorn ("If I were to make another picture in Australia today, I'd have a policeman hop into the pocket of a kangaroo and yell 'Follow that car!'"). This is one of the most delightful film books in print. --Raphael Shargel

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