Hitchcock 在线电子书 图书标签: 电影 Truffaut 艺术 希区柯克 電影 法国 影视 人物
发表于2024-04-29
Hitchcock 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024
12年 图书馆
评分经典的对话录,每一页都叫人获益良多。Hitch强调电影语言的重要性,一定要以镜头讲故事。他看似是个商业惊悚片导演,实则对人性洞察颇深。诚如introduction里面就提到的,Hitch这样的导演,并不是教我们如何生活,而是传达他们的焦虑,以使我们更好地理解自己,而这“正是任何艺术形式的基本目的。”
评分啃完。希胖讲戏好清楚,类比多多
评分终于啃完原版,特吕弗还真是很推崇希区柯克…要发奋图强学习做一个visualized的剪辑
评分终于啃完原版,特吕弗还真是很推崇希区柯克…要发奋图强学习做一个visualized的剪辑
François Roland Truffaut was an award-winning and influential filmmaker, critically acclaimed worldwide. He was also a talented and sought-after film critic in France (most notably, his work for Cahiers du Cinema), and one of the founders of the French New Wave and the auteur theory; he remains an icon of the French film industry. In a film career lasting over a quarter of a century, he was also a screenwriter, producer or occasional actor in over twenty-five films.
Any book-length interview with Alfred Hitchcock is valuable, but considering that this volume's interlocutor is François Truffaut, the conversation is remarkable indeed. Here is a rare opportunity to eavesdrop on two cinematic masters from very different backgrounds as they cover each of Hitch's films in succession. Though this book was initially published in 1967 when Hitchcock was still active, Truffaut later prepared a revised edition that covered the final stages of his career. It's difficult to think of a more informative or entertaining introduction to Hitchcock's art, interests, and peculiar sense of humor. The book is a storehouse of insight and witticism, including the master's impressions of a classic like Rear Window ("I was feeling very creative at the time, the batteries were well charged"), his technical insight into Psycho's shower scene ("the knife never touched the body; it was all done in the [editing]"), and his ruminations on flops such as Under Capricorn ("If I were to make another picture in Australia today, I'd have a policeman hop into the pocket of a kangaroo and yell 'Follow that car!'"). This is one of the most delightful film books in print. --Raphael Shargel
我越来越欣赏我喜欢读书的习惯了,就如同此书,是导演弗朗索瓦·特吕弗与世界级悬念大师阿尔弗雷德·希区柯克的对话录,要是一般人最多听过希区柯克,而非电影爱好者的话根本不会知道特吕弗是谁。这正如同我一样,哪怕是我没看过一部希区柯克的电影,但也知道这个鼎鼎大名的人...
评分这在某种意义上来说是希区柯克的自传,当然仅仅是电影方面的自传。不过对于一个电影导演来说,或者对于艺术家来说,他的艺术作品不就是他的自传吗?应该不会有太多的人对真正的日常生活感兴趣的。 作品以谈话的形式,特吕弗问希区柯克回忆,但对于一般读者来说就存在两个问题,...
评分 评分希区柯克先生在哪里 ——《希区柯克与特吕弗对话录》读后感 “希区柯克属于另一个家族,也即卓别林(Charles Chaplin)、斯特劳亨(Erich von Stroheim)、刘别谦(Ernst Lubitsch)的家族,他像他们一样,不满足于实施一种艺术,而是殚精竭虑地深化它,从中抽取出比...
评分大一下的时候,参加电影协会每周末的电影放映。在那之前,并不知道这个世界上有“希区柯克”。 依然清晰记得海报上面用黑白拼贴出来的字样: 电影大师希区柯克《惊魂记》《蝴蝶梦》 全寝室一起坐在教室的后面观看。 小小的放映室,秋天的风吹...
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