This is the second and final work of Bruno Schulz, the acclaimed Polish writer killed by the Nazis during World War II. In the words of Isaac Bashevis Singer, "What he did in his short life was enough to make him one of the most remarkable writers who ever lived." Weaving myth, fantasy, and reality, Sanatorium Under the Sign of the Hourglass, is, to quote Schulz, "an attempt at eliciting the history of a certain family . . . by a search for the mythical sense, the essential core of that history."
Bruno Schulz (July 12, 1892 – November 19, 1942) was a Polish schoolteacher, writer, literary critic and graphic artist, who is widely considered to be one of the great Polish-language prose stylists of the 20th century. Schulz was born in Drohobycz, Austro-Hungarian Empire, in the province of Galicia, to assimiliated Jewish parents.
读《鳄鱼街》就像是在沿一段陡坡行进,旅途不长,但走起来费劲——你得时不时停下来瞪大眼睛去欣赏那些稍不留神就可能被错过的细节之处的美景——正如杨向荣老师所说,“有些作家喜欢挥舞着斧头把形容词的乱须悉数砍掉,但是舒尔茨却小心翼翼地把能够细腻传达幻想的形...
评分我在看完《用沙漏做招牌的疗养院》这篇后,便没有再看下去。 一是剩下的已经不多,二是精华都在前面,从《春天》以后的几篇都有些逊色乏味。我希望布鲁诺在我脑海中的味道可以长存,所以自动忽略他的一些矫情与不良嗜好。 我有很多话想说,这本书带给我的印象是别的读物所难以...
评分 评分一本小说短篇集竟充满诗歌的力量,那字里行间色彩感强烈、绚丽至极的语言、那随处可见夸张而奇崛的隐喻,都时时在我心里燃起强烈的写诗冲动。读的时间越久,越有一种难以抑制的情绪在胸中横冲直撞,满脑子都是斑斓色彩、星象罗盘、被用刀子切割的空间以及支离破碎的词语...
评分有次闲聊,谈到本县的地理位置。 一名远亲,连话带人,一下子从宾馆的床上弹了起来。“我们那个县城,简直就是个阑尾,四面不着要道,可有可无,从地图上割去了,也不可惜。” 乖乖的,忒贴切了点。我的眼睛,被她精确的譬喻点亮了。我以欣赏的眼光、仰慕之头颈,往上打量这...
终于理解老师执意不让我看原版的苦心,就算我一生死啃波兰语也许到头来也只能窥见舒尔茨古怪精灵的一隅吧(但也是值得的)
评分终于理解老师执意不让我看原版的苦心,就算我一生死啃波兰语也许到头来也只能窥见舒尔茨古怪精灵的一隅吧(但也是值得的)
评分太可惜了,给纳粹枪毙了.
评分终于理解老师执意不让我看原版的苦心,就算我一生死啃波兰语也许到头来也只能窥见舒尔茨古怪精灵的一隅吧(但也是值得的)
评分终于理解老师执意不让我看原版的苦心,就算我一生死啃波兰语也许到头来也只能窥见舒尔茨古怪精灵的一隅吧(但也是值得的)
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