Zadie Smith is the author of the novels White Teeth, The Autograph Man, On Beauty, NW, and Swing Time, as well as two collections of essays, Changing My Mind and Feel Free. Zadie was elected a fellow of the Royal Society of Literature in 2002, and was listed as one of Granta's 20 Best Young British Novelists in 2003 and again in 2013. White Teeth won multiple literary awards including the James Tait Black Memorial Prize, the Whitbread First Novel Award and the Guardian First Book Award. On Beauty was shortlisted for the Man Booker Prize and won the Orange Prize for Fiction, and NW was shortlisted for the Baileys Women's Prize for Fiction. Zadie Smith is currently a tenured professor of fiction at New York University and a Member of the American Academy of Arts and Letters.
Epic in scale and intimate in approach, White Teeth is an ambitious novel. Genetics, eugenics, gender, race, class and history are the book's themes but Zadie Smith is gifted with the wit and inventiveness to make these weighty ideas seem effortlessly light.
The story travels through Jamaica, Turkey, Bangladesh and India but ends up in a scrubby North London borough, home of the book's two unlikely heroes: prevaricating Archie Jones and intemperate Samad Iqbal. They met in the Second World War, as part of a "Buggered Battalion" and have been best friends ever since. Archie marries beautiful, buck-toothed Clara, who's on the run from her Jehovah's Witness mother, and they have a daughter, Irie. Samad marries stroppy Alsana and they have twin sons: "Children with first and last names on a direct collision course. Names that secrete within them mass exodus, cramped boats and planes, cold arrivals, medical checks."
Big questions demand boldly drawn characters. Zadie Smith's aren't heroic, just real: warm, funny, misguided and entirely familiar; reading their conversations is like eavesdropping. A simple scene, Alsana and Clara chatting about their pregnancies in the park: "A woman has to have the private things--a husband needn't be involved in body business, in a lady's ... parts."
Samad's rant about his sons--"They have both lost their way. Strayed so far from what I had intended for them. No doubt they will both marry white women called Sheila and put me in an early grave--acutely displays "the immigrant fears--dissolution, disappearance" but it also gets to the very heart of Samad.
White Teeth is a joy to read. It teems with life and exuberence and has enough cleverness and irreverent seriousness to give it bite. --Eithne Farry --This text refers to an out of print or unavailable edition of this title.
到底该怎么走,到底该不该融入我们所在的这个社会?离经判道还是中规中矩?其实最终大家都归于平凡而普通罢了.
评分 评分先不要觉得我的题目很奇怪,可能我也开始用夏尔芬式的思维在思考问题了吧。一直以来,少数族裔的作家们都在试图描写他们在异乡的生存困境和思维困境,以及一种恐惧却又不得不被同化的进程。但是没有一部作品,像这部大开本的三百多页的巨制一样,表现的巨细靡遗,以至于读来心...
评分先不要觉得我的题目很奇怪,可能我也开始用夏尔芬式的思维在思考问题了吧。一直以来,少数族裔的作家们都在试图描写他们在异乡的生存困境和思维困境,以及一种恐惧却又不得不被同化的进程。但是没有一部作品,像这部大开本的三百多页的巨制一样,表现的巨细靡遗,以至于读来心...
传说中的“歇斯底里现实主义”。的确,过分庞杂、枝蔓横生的叙述语言,掩盖不了作品本质上的单薄。为什么不写成短篇小说?
评分三星半。Smith is funny, witty, very good with words, but not very deep.
评分传说中的“歇斯底里现实主义”。的确,过分庞杂、枝蔓横生的叙述语言,掩盖不了作品本质上的单薄。为什么不写成短篇小说?
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