The acclaimed director of Mishima, American Gigolo, Hard Core, Blue Collar, Cat People also the screenwriter for Taxi Driver , Paul Schrader here analyzes the film style of three great directors—Yasajiro Ozu, Robert Bresson, Carl Dreyer—and posits a common dramatic language by these artists from divergent cultures. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state with austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This important book is an original contribution to film analysis and a key work by one of our most searching directors and writers.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
無國界的詩化電影語言
评分開會讀物
评分開會讀物
评分難以評價。三位導演的電影都沒看全，但是小津的風格和美學相對更容易理解和接受，所以前一半都還比較看得進去，後麵一半已經是一個句子看到尾巴忘記頭瞭。就小津部分來說，硬往超驗上靠，生套侘寂和物哀等概念，不得不說有點尬。
评分開會讀物
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