The Story of Art

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Sir Ernst Gombrich, C.B.E., was, until 1976, Director of the Warburg Institute and Professor of the History of the classical Tradition of the University of London. He has been Slade Professor of Fine Art at both Oxford and Cambridge, Professor of the History of Art at University College, London, Mellon Lecturer at the National Gallery, Washington, Visiting Professor at Harvard, Wrightsman Lecturer at the Institute of Fine Art, New York, and Andrew D. White Professor-at-Large at Cornell, and has taught at many other universities and institutions. He has been elected to the membership of many learned societies and has received numerous decorations, honorary degrees and prized, including the Praemium Erasmianum of the 1975. His publications include Art and Illusion, Meditations on a Hobby Horse, Norm and Form, Symboli Images and The Heritage of Appelles.

出版者:Phaidon Press
作者:Ernst Hans J. Gombrich
出品人:
页数:512
译者:
出版时间:1979. 13th edition
价格:$5.50
装帧:Paperback
isbn号码:9780714818207
丛书系列:
图书标签:
  • 艺术 
  • 艺术史论 
  • 艺术史 
  • ART 
  • ernstgombrich 
  • Gombrich 
  • 经典 
  • 文化 
  •  
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The Story of Art is a unique book. One of the reasons why it has been so successful, and so widely admired, is the unsurpassed clarity and vividness with which the author speaks of artistic creation. By clearly showing how every artist builds upon, or sometimes reacts against, the achievements of his predecessors, Professor Gombrich makes us responsive to the values of bygone civilizations embodied in individual works of art, without having to resort to generalizations.

The author's theme is the entire history of artistic creation: the first stirrings in cave and rock paintings: the magical art of the 'primitive' tribes; the old civilizations of Egypt, Mesopotamia, Greece, and Rome; the Christian arts of the Middle Ages; the Renaissance and the immortal masterpieces created in Italy, the Netherlands and Germany; the splendor of the Baroque and the golden age of Dutch painting; the Rococo; the Age of Reason, which gave birth to the glories of English painting; the 'perpetual revolution' in the nineteenth century and the rise if Impressionism, Expressionism, Cubism and Abstract Art: and in a penetrating last chapter the manifold experiments of our own time. Indian, Chinese, Japanese and Pre-Columbian art of the Americas also form part of the story. The narrative thread running through this book takes the reader up to the present day.

The book maintains a harmonious balance between text and illustrations: the 398 reproductions include many masterpieces. The integration of word and image is made fully effective by the fine quality of reproduction. The tremendous value put on this great book throughout the world is shown by the fact that is has been translated into seventeen languages.

An important new feature of this thirteenth edition is the chronological charts, which are intended to facilitate comparison of the time intervals covered by the periods and styles discussed in the book. The bibliography has also been expanded and updated, and the number of color plates almost trebled.

具体描述

读后感

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爱好美丽的题材也爱好平淡的。 首先理解手法,然后才是感情。 逼真可美,粗略也可美。 不要随意指责画家画得不正确。 摒弃陋习和偏见,接受新画法。 艺术创作都有特定场合和目的。 美和观念曾经不是艺术家的考虑。 而是努力地追求合适的平衡。 有一颗赤子之心,捕捉每个暗示,...  

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在我到今天为止的阅读过程中,有三本书是无论如何都绝不愿意错过的,它们分别是罗素的西方哲学史,曼昆的经济学原理,和贡布里希的艺术的故事。 (虽然真的这样一本正经的把这三本没什么联系的书排列在一起让我觉得自己有点傻气)但对一个,算不上聪明,又懒,又缺乏基础知识...  

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当一件艺术品摆在我的面前时,我当如何看待它。这是作者写作此书的一个目的,同时也是我在阅读的过程中一直在思考的一个问题。 如果有人指着一幅“光怪陆离”的油画告诉我,这出自一个当代大师的手笔。我就会显得手足无措,甚至有些面红耳赤。看着那些综合交错的线条与纷繁复...

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从文艺复兴开始,简单的做了点笔记。 作者认为:“没有艺术这回事,只有艺术家而已。”所以全书尤其是到了文艺复兴时期以后基本是从单个艺术家来分析他们的作画信念和特点。我简单的笔记也是到了记载十九世纪的画家开始才用一点点文字概括了这个画家的特点或是信念。然后作者也...  

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用户评价

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深入浅出 梳理了自埃及开始到20世纪上半叶艺术的发展 着眼于每个时代艺术的任务和艺术家们所力图解决的问题

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深入浅出 梳理了自埃及开始到20世纪上半叶艺术的发展 着眼于每个时代艺术的任务和艺术家们所力图解决的问题

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深入浅出 梳理了自埃及开始到20世纪上半叶艺术的发展 着眼于每个时代艺术的任务和艺术家们所力图解决的问题

评分

深入浅出 梳理了自埃及开始到20世纪上半叶艺术的发展 着眼于每个时代艺术的任务和艺术家们所力图解决的问题

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一本不错的世界艺术史入门书。诚然gombrich关于非西方艺术和现代艺术的看法有失偏颇,但是他对于自然主义的探讨是很有价值的。

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