The first comprehensive study of Chinese popular music in a Western language. Drawing on extensive interviews with singers, songwriters and critics, as well as cultural, sociological, musical, and textual analysis, the book portrays the disparate ways in which China's state-run popular music industry and burgeoning underground rock music subculture represented by Cui Jian have been instrumental to the cultural and political struggles that culminated in the Tienanmen democracy movement of 1989. It also examines the links between popular music and contemporary debates about cultural identity and modernization, as well as the close connections between rock music, youth culture, and student protest.
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不管是音乐系、文学系、人类学、民俗学，写音乐的路数都喜欢政治挂帅。流派只是意识形态？通俗与流行的区别，通俗有更多意识形态的渗透？
评分skimmed through briefly.
评分The writing style, a epidemic swept in mainstream 90s academic monographs, is unbelievably ugly and unreadable--full of those egocentric rhetorics like "I try to argue.."t . But it does have some shining moments when the author could calmly describe and narrate a story instead of lucratively selling his ideologies.
评分从意识形态分析早期中国摇滚的佳作
评分从意识形态分析早期中国摇滚的佳作
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