The Witness of Poetry pdf epub mobi txt 电子书 下载 2025
Czeslaw Milosz was born June 30, 1911 in Seteiniai, Lithuania, as a son of Aleksander Milosz, a civil engineer, and Weronika, née Kunat. He made his high-school and university studies in Wilno, then belonging to Poland. A co-founder of a literary group "Zagary", he made his literary début in 1930, published in the 1930s two volumes of poetry and worked for the Polish Radio. Most of the war time he spent in Warsaw working there for the underground presses.
In the diplomatic service of the People's Poland since 1945, he broke with the government in 1951 and settled in France where he wrote several books in prose. In 1953 he received Prix Littéraire Européen.
In 1960, invited by the University of California, he moved to Berkeley where he has been, since 1961, Professor of Slavic Languages and Literatures.
Presented with an award for poetry translations from the Polish P.E.N. Club in Warsaw in 1974; a Guggenheim Fellow for poetry 1976; received a honorary degree Doctor of Letters from the University of Michigan, Ann Arbor, in 1977; won the Neustadt International Prize for Literature in 1978; received the "Berkeley Citation" (an equivalent of a honorary Ph.D.) in 1978; nominated by the Academic Senate a "Research Lecturer" of 1979/1980.
From Nobel Lectures, Literature 1968-1980, Editor-in-Charge Tore Frängsmyr, Editor Sture Allén, World Scientific Publishing Co., Singapore, 1993
- 诗学
- 诺顿演讲
- 文学批评
- 诗歌批评
- 诗歌
- 诗人随笔
- 讲演
- 英语
Czeslaw Miosz, winner of the 1980 Nobel Prize for Literature, reflects upon poetry's testimony to the events of our tumultuous time. From the special perspectives of "my corner of Europe," a classical and Catholic education, a serious encounter with Marxism, and a life marked by journeys and exiles, Milosz has developed a sensibility at once warm and detached, flooded with specific memory yet never hermetic or provincial. Milosz addresses many of the major problems of contemporary poetry, beginning with the pessimism and negativism prompted by reductionist interpretations of man's animal origins. He examines the tendency of poets since Mallarme to isolate themselves from society, and stresses the need for the poet to make himself part of the great human family. One chapter is devoted to the tension between classicism and realism; Milosz believes poetry should be "a passionate pursuit of the real." In "Ruins and Poetry" he looks at poems constructed from the wreckage of a civilization, specifically that of Poland after the horrors of World War II. Finally, he expresses optimism for the world, based on a hoped-for better understanding of the lessons of modern science, on the emerging recognition of humanity's oneness, and on mankind's growing awareness of its own history.
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透过不甚完美的翻译，我们依然可以窥见米沃什的愤怒，尽管在我们这个国度这份愤怒被视为极权并加以摒除了，米沃什说的当然不是真理，而是实实在在的大白话，但不幸的是，我们可能甚至再也听不到了。 一 从我的欧洲开始 不管是个人还是人类社会，都在不断地发现只有直接经验才...
评分从生物学课（意味着科学世界观的胜利）、诗人与人类大家庭的割裂等角度探讨了二十世纪诗歌具有阴郁、末日式音调的原因，并试图调和自波德莱尔后的现代诗与古典主义之间的争辩关系。 但米沃什也并未对战后现代文明的脆弱而感到绝望（它所呈现的诗歌面貌大多无非是一句碎语或一个...
评分虽然作者和译者都是我很尊敬和喜欢的诗人，但是这本书却似乎缺乏内容的重量。只能说开卷有益了。 p91 只有在我们的时代，人类才开始设想同时发生的现象，并因此感到一种道德焦虑。。。。那些知道而不说的人；那些说而不知道的人。 p126 小卵石的坚固与人的软弱。
评分从生物学课（意味着科学世界观的胜利）、诗人与人类大家庭的割裂等角度探讨了二十世纪诗歌具有阴郁、末日式音调的原因，并试图调和自波德莱尔后的现代诗与古典主义之间的争辩关系。 但米沃什也并未对战后现代文明的脆弱而感到绝望（它所呈现的诗歌面貌大多无非是一句碎语或一个...
评分原文地址：http://www.qh505.com/blog/post/1448.html 死亡并非是最大威胁；奴役常常才是。 其实，“那片空白”早就没有了诗歌，它在地理标注之上，仅仅如此，“里面帝国纷纷崩溃，曾经活着的人现在已经/死去”，这是欧洲呈现的没落，这是诗歌文明在现代技术世界里的没落，...
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