Letters on Cezanne

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出版者:North Point Press
作者:Rainer Maria Rilke
出品人:
頁數:112
译者:Joel Agee
出版時間:2002-09-15
價格:GBP 9.13
裝幀:Paperback
isbn號碼:9780865476394
叢書系列:
圖書標籤:
  • 藝術 
  • 塞尚 
  • 裏爾剋 
  • Rilke 
  • 美學 
  • cezanne 
  • 文化 
  • 思維 
  •  
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Rilke's prayerful responses to the french master's beseeching art

For a long time nothing, and then suddenly one has the right eyes.

Virtually every day in the fall of 1907, Rainer Maria Rilke returned to a Paris gallery to view a Cezanne exhibition. Nearly as frequently, he wrote dense and joyful letters to his wife, Clara Westhoff, expressing his dismay before the paintings and his ensuing revelations about art and life.

Rilke was knowledgeable about art and had even published monographs, including a famous study of Rodin that inspired his New Poems. But Cezanne's impact on him could not be conveyed in a traditional essay. Rilke's sense of kinship with Cezanne provides a powerful and prescient undercurrent in these letters -- passages from them appear verbatim in Rilke's great modernist novel, The Notebooks of Malte Laurids Brigge. Letters on Cezanne is a collection of meaningfully private responses to a radically new art.

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讀後感

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通勤地鐵上看完,裏麵有一句話印象很深刻:He knew how to swallow back his love for every apple and put it rest in the painted apple forever. Rilke真是讀懂瞭Cezanne,這兩位都是謙遜而偉大的靈魂啊!信中也涉及到Rilke對Van Gogh和Rodin的理解,Cezanne畫作中用色的品評,及畫作對其寫作的影響。而我也通過Rilke的信件從另一些角度思考Cezanne的畫作。P.S. 日常羨慕Clara Rilke.

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"Somehow I too must find a way of making things; not plastic, written things, but realities that arise/from the craft itself. Somehow I too must discover the/smallest constituent element, the cell of my art,/the tangible immaterial means of/expressing everything . . . " To Lou Andreas-Salomé, August 10, 1903

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通勤地鐵上看完,裏麵有一句話印象很深刻:He knew how to swallow back his love for every apple and put it rest in the painted apple forever. Rilke真是讀懂瞭Cezanne,這兩位都是謙遜而偉大的靈魂啊!信中也涉及到Rilke對Van Gogh和Rodin的理解,Cezanne畫作中用色的品評,及畫作對其寫作的影響。而我也通過Rilke的信件從另一些角度思考Cezanne的畫作。P.S. 日常羨慕Clara Rilke.

评分

"Somehow I too must find a way of making things; not plastic, written things, but realities that arise/from the craft itself. Somehow I too must discover the/smallest constituent element, the cell of my art,/the tangible immaterial means of/expressing everything . . . " To Lou Andreas-Salomé, August 10, 1903

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