Illusions in Motion 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Illusions in Motion

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Erkki Huhtamo 作者
The MIT Press
譯者
2013-2-22 出版日期
464 頁數
USD 53.00 價格
Hardcover
叢書系列
9780262018517 圖書編碼

Illusions in Motion 在線電子書 圖書標籤: 媒介考古學  media_archaeology  藝術史  新媒體  媒介理論及媒介考古學   


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發表於2024-11-25

Illusions in Motion 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Illusions in Motion 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Illusions in Motion 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Illusions in Motion 在線電子書 著者簡介


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Illusions in Motion 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Illusions in Motion 在線電子書 圖書描述

Beginning in the late eighteenth century, huge circular panoramas presented their audiences with resplendent representations that ranged from historic battles to exotic locations. Such panoramas were immersive but static. There were other panoramas that moved--hundreds, and probably thousands of them. Their history has been largely forgotten. In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a "window" by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country. In the first history of this phenomenon, Huhtamo analyzes the moving panorama in all its complexity, investigating its relationship to other media and its role in the culture of its time. In his telling, the panorama becomes a window for observing media in operation. Huhtamo explores such topics as cultural forms that anticipated the moving panorama; theatrical panoramas; the diorama; the "panoramania" of the 1850s and the career of Albert Smith, the most successful showman of that era; competition with magic lantern shows; the final flowering of the panorama in the late nineteenth century; and the panorama's afterlife as a topos, traced through its evocation in literature, journalism, science, philosophy, and propaganda.

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