The Upcycle is the eagerly awaited follow-up to Cradle to Cradle, one of the most consequential ecological manifestoes of our time. Now, drawing on the green living lessons gained from 10 years of putting the Cradle to Cradle concept into practice with businesses, governments, and ordinary people, William McDonough and Michael Braungart envision the next step in the solution to our ecological crisis: We don't just use or reuse and recycle resources with greater effectiveness, we actually improve the natural world as we live, create, and build.
For McDonough and Braungart, the questions of resource scarcity and sustainability are questions of design. They are practical-minded visionaries: They envision beneficial designs of products, buildings, and business practices―and they show us these ideas being put to use around the world as everyday objects like chairs, cars, and factories are being reimagined not just to sustain life on the planet but to grow it. It is an eye-opening, inspiring tour of our green future as it unfolds in front of us.
The Upcycle is as ambitious as such classics as Rachel Carson's Silent Spring―but its mission is very different. McDonough and Braungart want to turn on its head our very understanding of the human role on earth: Instead of protecting the planet from human impact, why not redesign our activity to improve the environment? We can have a beneficial, sustainable footprint. Abundance for all. The goal is within our reach.
From Booklist
With their landmark work on designing zero-waste merchandise, Cradle to Cradle (2002), architect McDonough and chemist Braungart launched a revolutionary program that encourages manufacturers to substitute environmentally unfriendly products with those that generate as few toxic footprints as possible. In consulting for corporations as far afield as Ford and Nike, the pair has demonstrated that nonpolluting goods, from carpets to shoes, can win consumers over without sacrificing the bottom line. Now the authors take their sustainability philosophy an inspired step further, arguing that industries can do better than simply trimming down the garbage and instead become “part of the natural cycle of regeneration on the planet.” Drawing on multiple examples from nature’s endless food chain, where one creature’s waste becomes nutrition for others, McDonough and Braungart debunk the notion that ecological measures inevitably steal profits from business and joy from life. The authors’ many reports on industry innovators give readers a peek into a future where mankind might one day stop destroying the environment and, instead, add to its abundance. --Carl Hays
Review
“Asking how a cherry tree would design an energy-efficient building is only one of the creative ‘practices' that McDonough and Braungart spread before their readers. This book will give you renewed hope that, indeed, ‘it is darkest before the dawn.'” ―Carl Pope, executive director of the Sierra Club on Cradle to Cradle
“[McDonough and Braungart are] masters of holistic environmentalism . . . [They] have a knack for combining big ideas with commonsense practicality, which leaves readers feeling excited about the future.” ―Bruce Barcott, Outside Magazine on Cradle to Cradle
William McDonough is an American architect and founding principal of William McDonough + Partners. Michael Braungart is a German chemist. Together they cofounded McDonough Braungart Design Chemistry, and in 2002 they coauthored Cradle to Cradle.
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讀完後,一股久違的清爽感充盈心頭,感覺就像剛從一場冗長而壓抑的夢中醒來,呼吸都變得順暢瞭。這本書的結構處理非常大膽,它似乎故意打破瞭傳統的綫性敘事框架,將一係列看似不相關的片段、思想火花和觀察記錄拼貼在一起,形成瞭一種迷人的、碎片化的整體美感。這種處理方式考驗瞭讀者的耐心,但一旦適應瞭它的節奏,你會發現這種“非連續性”恰恰是其魅力所在——它更貼近真實生活的隨機性和偶然性。書中充滿瞭作者個人強烈的視角和毫不掩飾的情感投射,這種真誠是極其打動人的。它沒有試圖去說教或者強加觀點,而是提供瞭一係列精妙的觀察點,邀請讀者自行去構建意義。特彆是那些關於“創造性破壞”的論述,觀點尖銳而獨到,讓我對我們習以為常的“新舊更迭”産生瞭深深的懷疑與反思。這本書就像是一把銳利的解剖刀,精準地剖開瞭當代社會中關於“消耗”和“價值”的僞裝,留下的思考餘味悠長,讓人迴味無窮。
评分這本書的行文風格非常具有實驗性,它似乎在不斷地挑戰語言的邊界,用詞遣句充滿瞭令人耳目一新的衝擊力。我必須承認,初讀時感到一絲睏惑,因為它大量運用瞭非傳統的句法結構和晦澀的意象組閤,讀起來更像是在解讀一幅復雜的超現實主義畫作,而不是閱讀一本傳統意義上的書籍。但堅持下去,那種“穿透迷霧”的豁然開朗感,卻是其他作品難以比擬的。作者似乎對美學有著近乎偏執的追求,每一個段落都經過瞭精心的打磨,字裏行間流淌著一種冷峻而又迷人的、後現代主義的疏離感。它不像是在講述一個故事,而更像是在構建一個概念性的裝置藝術,邀請讀者走進去,用自己的經驗去填補那些留白的、模棱兩可的部分。這本書的優點在於它拒絕迎閤大眾,堅持走自己的路,盡管這使得閱讀門檻提高,但對於追求智力挑戰和審美深度的讀者來說,絕對是一次酣暢淋灕的精神冒險。
评分這本書的敘事核心帶著一種令人不安的、卻又無比真實的“殘缺之美”。它沒有提供任何圓滿的結局或者簡單的解決方案,反而聚焦於那些被社會視為“廢棄物”或“失敗品”的存在。作者的筆觸細膩而富有同情心,卻又保持著一種科學傢的客觀冷靜,這種矛盾的結閤反而産生瞭一種強大的張力。我特彆留意到他對“物質記憶”的描述,那種仿佛能從觸摸中讀取曆史的超能力,被描繪得極其可信。這種對“不再有用之物”的關注,深刻地觸及瞭我們這個崇尚效率和完美的世界觀的底層邏輯。它迫使我們去思考,價值是否真的隻與功能性掛鈎?那些不再高效運行的係統、不再流行的風格、那些被時間磨損的物件,它們是否擁有另一種形式的、更持久的生命力?閱讀體驗是持續性的、漸進式的,每次翻開新的一頁,都像是在探索一片新發現的廢墟,每一塊磚石都講述著被遺忘的輝煌。
评分我拿到這本書時,以為它會是那種乾燥的、充滿理論的學術著作,結果完全齣乎意料——它充滿瞭蓬勃的生命力和旺盛的生命熱情。雖然探討的主題可能涉及深奧的概念,但作者采用瞭極其接地氣、甚至有些粗糲的語言風格來錶達,使得那些復雜的思想變得觸手可及。它有一種強烈的“動手做”的衝動感,仿佛讀完之後,你必須立刻起身,去改造身邊的某個角落,去重新審視傢中的某個舊物。這本書的邏輯鏈條非常緊密,雖然錶麵上看起來跳躍,但實際上每一個看似隨意的聯想背後,都隱藏著嚴密的因果關係和深刻的哲學基礎。它教會我的最重要一課是,創造力並非憑空産生,它往往棲息於我們對現有事物的重新組閤和顛覆之中。這本書的能量是外放的,它像一個強力的磁場,將讀者的注意力從屏幕和喧囂中拉迴,聚焦於手中能夠感知和改變的實體世界。
评分這本書的文字就像是走進瞭一座被時間遺忘的古老圖書館,空氣中彌漫著陳舊紙張和皮革裝訂的香氣,雖然我手中的是電子版,但那種沉浸感是無與倫比的。作者對細節的捕捉能力簡直令人咋舌,書中描繪的那些日常物件,那些被我們習慣性忽略的角落,在他筆下突然煥發齣一種近乎神性的光芒。我尤其喜歡其中關於“時間痕跡”的探討,他不僅僅是在描述一個物品的外觀變化,而是在追溯其背後的曆史脈絡和無數次被觸碰、被使用的記憶碎片。閱讀過程中,我時常需要停下來,不是因為情節復雜,而是因為那些優美的、近乎詩歌的句子,讓我不得不細細品味,感受文字的韻律和它所承載的厚重感。這本書的敘事節奏是緩慢而舒展的,就像一位技藝精湛的製錶匠,不急不躁地打磨每一個齒輪,最終呈現齣一個精準而又充滿哲思的機械裝置。它強迫你放慢腳步,去重新審視那些被我們快速劃過的事物,這種體驗是極其珍貴和令人滿足的。它不僅僅是一部作品,更像是一次心靈的漫遊,引導我探索物質世界背後更深層次的意義。
评分第一名。比起c2c,這本比較烏托邦。
评分第一名。比起c2c,這本比較烏托邦。
评分better have read Cradle to Cradle prior to read this book.
评分第一名。比起c2c,這本比較烏托邦。
评分第一名。比起c2c,這本比較烏托邦。
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