恩尼斯特•蓋恩斯（Ernest J. Gaines）

當代美國黑人作傢。他在40餘年的創作生涯裏，先後有8部作品問世，美國評論傢埃爾文•奧伯特認為蓋恩斯對美國南方社會的理解甚至比福剋納還深刻。他的作品被譯為多種語言。其中有4部作品改編為電影、電視連續劇。蓋恩斯的其他作品還包括《老人的聚會》、《珍•彼特曼小姐自傳》、《愛與塵》等。

《我的靈魂永不下跪》是蓋恩斯最受讀者推崇的作品，不僅在銷售上獲得肯定，更榮獲1993年美國國傢書評小說奬首奬等諸多奬項，改編HBO電影《死亡記事》，抱得兩座艾美奬。蓋恩斯獲奬無數，曾獲得諾貝爾文學奬提名，由法國政府授封為藝術與文學騎士，榮膺路州年度人文學者。

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Book Description

From the author of A Gathering of Old Men and The Autobiography of Miss Jane Pittman comes a deep and compassionate novel.

A Lesson Before Dying is set in a small Cajun community in the late 1940s. Jefferson, a young black man, is unwitting party to a liquor store shootout in which three men are killed; the only survivor, he is convicted of murder and sentenced to death. Grant Wiggins, who left his hometown for the university, has returned to the plantation school to teach. As he struggles with his decision whether to stay or escape to another state, his aunt and Jefferson's godmother persuade him to visit Jefferson in his cell and impart his learning and his pride to Jefferson before his death. In the end, the two men forge a bond as they both come to understand the simple heroism of resisting — and defying — the expected.

Ernest J. Gaines brings to this novel the same rich sense of place, the same deep understanding of the human psyche, and the same compassion for a people and their struggle that have informed his previous, highly praised works of fiction.

A Lesson Before Dying is about the ways in which people insist on declaring the value of their lives in a time and place in which those lives count for nothing. It is about the ways in which the imprisoned may find freedom even in the moment of their death. As such, Gaines's novel transcends its minutely evoked circumstances to address the basic predicament of what it is to be a human being, a creature striving for dignity in a universe that often denies it.

Amazon.com

In a small Cajun community in 1940s Louisiana, a young black man is about to go to the electric chair for murder. A white shopkeeper had died during a robbery gone bad; though the young man on trial had not been armed and had not pulled the trigger, in that time and place, there could be no doubt of the verdict or the penalty.

"I was not there, yet I was there. No, I did not go to the trial, I did not hear the verdict, because I knew all the time what it would be..." So begins Grant Wiggins, the narrator of Ernest J. Gaines's powerful exploration of race, injustice, and resistance, A Lesson Before Dying. If young Jefferson, the accused, is confined by the law to an iron-barred cell, Grant Wiggins is no less a prisoner of social convention. University educated, Grant has returned to the tiny plantation town of his youth, where the only job available to him is teaching in the small plantation church school. More than 75 years after the close of the Civil War, antebellum attitudes still prevail: African Americans go to the kitchen door when visiting whites and the two races are rigidly separated by custom and by law. Grant, trapped in a career he doesn't enjoy, eaten up by resentment at his station in life, and angered by the injustice he sees all around him, dreams of taking his girlfriend Vivian and leaving Louisiana forever. But when Jefferson is convicted and sentenced to die, his grandmother, Miss Emma, begs Grant for one last favor: to teach her grandson to die like a man.

As Grant struggles to impart a sense of pride to Jefferson before he must face his death, he learns an important lesson as well: heroism is not always expressed through action--sometimes the simple act of resisting the inevitable is enough. Populated by strong, unforgettable characters, Ernest J. Gaines's A Lesson Before Dying offers a lesson for a lifetime.

From Kirkus Reviews

Two black men (one a teacher, the other a death row inmate) struggle to live, and die, with dignity, in Gaines's most powerful and moving work since The Autobiography of Miss Jane Pittman (1971). The year is 1948. Harry Truman may have integrated the Armed Forces, but down in the small Cajun town of Bayonne, Louisiana, where the blacks still shuffle submissively for their white masters, little has changed since slavery. When a white liquor- store owner is killed during a robbery attempt, along with his two black assailants, the innocent black bystander Jefferson gets death, despite the defense plea that I would just as soon put a hog in the electric chair as this.'' Hog. The word lingers like a foul odor and weighs as heavily as the sentence on Jefferson and the woman who raised him, his nannan'' (godmother) Miss Emma. She needs an image of Jefferson going to his death like a man, and she turns to the young teacher at the plantation school for help. Meanwhile, Grant Wiggins (the narrator) has his own problems. He loves his people but hates himself for teaching on the white man's terms; visiting Jefferson in jail will just mean more kowtowing, so he goes along reluctantly, prodded by his strong-willed Tante Lou and his girlfriend Vivian. The first visits are a disaster: Jefferson refuses to speak and will not eat his nannan's cooking, which breaks the old lady's heart. But eventually Grant gets through to him (a hero does for others''); Jefferson eats Miss Emma's gumbo and astonishes himself by writing whole pages in a diary--a miracle, water from the rock. When he walks to the chair, he is the strongest man in the courthouse. By containing unbearably painful emotions within simple declarative sentences and everyday speech rhythms, Gaines has written a novel that is not only never maudlin, but approaches the spare beauty of a classic.

From School Library Journal/i>

No breathless courtroom triumphs or dramatic reprieves alleviate the sad progress toward execution in this latest novel by the author of The Autobiography of Miss Jane Pittman (Bantam, 1982). The condemned man is Jefferson, a poorly educated man/child whose only crimes are a dim intelligence, being in the wrong place at the wrong time, and being black in rural Louisiana in the late 1940s. To everyone, even his own defense attorney, he's an animal, too dumb to understand what is happening to him. But his godmother, Miss Emma, decides that Jefferson will die a man. To accomplish just that, she brings Grant Wiggins, the teacher at the plantation's one-room school and narrator of the novel, into the story. Emotionally blackmailed by two strong-willed old ladies, Grant reluctantly begins visiting Jefferson, committing both men to the painful task of self-discovery. As in his earlier novels, Gaines evokes a sense of reality through rich detail and believable characters in this simple, moving story. YAs who seek thought-provoking reading will enjoy this glimpse of life in the rural South just before the civil rights movement.

　- Carolyn E. Gecan, Thomas Jefferson Sci-Tech, Fairfax County, VA

Midwest Book Review

Set in a small Cajun community in the late 1940's, A Lesson Before Dying is the heartbreaking and inspiring new audio about the friendship to two black men. One wrongly condemned to die and one who's persuaded to impart something of himself -- his learning and pride. Jefferson is an unwitting and innocent party to a liquor store shoot-out in which three men are killed; the only survivor, hi is convicted of murder and sentenced to death. Grant Wiggins, who left his hometown for the university has reluctantly returned to the plantation school to teach. As he struggles with his decision whether to stay or escape to another state, his aunt and Jefferson's godmother persuade him to visit Jefferson in his cell. In the end, the two men forge a bond as they both come to understand the simple heroism of resisting (and defying) the expected. Superb narration by Lionel Mark Smith and Toger Guenveur Smith.

From Library Journal

What do you tell an innocent youth who was at the wrong place at the wrong time and now faces death in the electric chair? What do you say to restore his self-esteem when his lawyer has publicly described him as a dumb animal? What do you tell a youth humiliated by a lifetime of racism so that he can face death with dignity? The task belongs to Grant Wiggins, the teacher of the Negro plantation school who narrates the story. Grant grew up on the Louisiana plantation but broke away to go to the university. He returns to help his people but struggles over "whether I should act like the teacher that I was, or like the nigger that I was supposed to be." The powerful message Grant tells the youth transforms him from a "hog" to a hero, and the reader is not likely to forget it, either. Gaines's earlier works include A Gathering of Old Men ( LJ 9/83) and The Autobiography of Miss Jane Pittman (Bantam, 1982). BOMC and Quality Paperback Book Club alternate selections; previewed in Prepub Alert, LJ 12/92.

　　　　　　　　- Joanne Snapp, Randolph-Macon Coll. , Ashland, Va.

From AudioFile

In the segregated rural Louisiana of the 1940's a retarded African-American youth is wrongly convicted of murder. Another African-American, a teacher, is persuaded to visit the condemned man in his cell and convince him that he "ain't no hawg." The relationship that grows between them and its effect on the teacher's worldview are the heart of this bittersweet, humane novel by the author of The Autobiography of Miss Jane Pittman. The audio abridgment isn't particularly well-produced or narrated, yet--whether because of the strong writing, the fascinating Creole milieu, the subtle quality of the acting or another elusive quality--it's somehow riveting. Well worth the listen! Y.R.

About Author

Born in Philadelphia in 1931, Romulus Linney has written more than twenty-five plays including The Sorrows of Frederick, Holy Ghosts, Childe Byron, A Woman Without a Name, Sand Mountain. He has also written for film and television, including the teleplays The Thirty-Fourth Star fro CBS, Feeling Good for PBS, and a film version of his play Holy Ghosts. He received the National Critics Award for his play 2, and for his adaptation for his 1962 novel Heathen Valley, several Obie Awards, Mishima Prize of Fiction, and many more.

Book Dimension :

length: (cm)21 　　　 　　　　　 　 width:(cm)13.3