An introduction to Italian painting in the 15th century, and the social history behind it. The book covers the structure of the picture trade and its economic basis through contracts, letters and accounts. The author also illustrates how art history can be used to give insights into social history, by showing how the visual skills and activities of daily life can be related to the painters' style. Renaissance painting is related for instance to experience of activities such as preaching, dancing and gauging barrels. Finally, 16 concepts used by a contemporary critic, Cristoforo Landino, in his description of Masaccio, Filippo Lippi, Andrea del Castagno and Fra Angelico are described and illustrated, as a basis for looking at 15th century painting. In addition, this new edition has an appendix of the original Latin and Italian texts referred to throughout the book, providing access to the relevant, authentic sources.
具体描述
读后感
Michael Baxandall的Painting and Experience in 15th century Italy（1972，下文簡稱《繪畫與經驗》）這一小書之內容，基本上是以作者在University of London歷史系的系列演講為基礎。正如筆者在上周的劄記中所提，正是憑藉此書，Baxandall被認為是當時“新藝術史”思潮一員。...
评分Michael Baxandall的Painting and Experience in 15th century Italy（1972，下文簡稱《繪畫與經驗》）這一小書之內容，基本上是以作者在University of London歷史系的系列演講為基礎。正如筆者在上周的劄記中所提，正是憑藉此書，Baxandall被認為是當時“新藝術史”思潮一員。...
评分Michael Baxandall的这本书只有153页（英文版，不包括注释），不过还是很有内容的。有几处印象深刻的分析。一是选用Filippo Lippi,Fra Angelico, Botticelli等画的"The Annunciation"来分析Virgin Mary在画中所表现出的不同状态。"The Annunciation"很多画家都画过，但是你会发...
评分Michael Baxandall的Painting and Experience in 15th century Italy（1972，下文簡稱《繪畫與經驗》）這一小書之內容，基本上是以作者在University of London歷史系的系列演講為基礎。正如筆者在上周的劄記中所提，正是憑藉此書，Baxandall被認為是當時“新藝術史”思潮一員。...
评分Michael Baxandall的Painting and Experience in 15th century Italy（1972，下文簡稱《繪畫與經驗》）這一小書之內容，基本上是以作者在University of London歷史系的系列演講為基礎。正如筆者在上周的劄記中所提，正是憑藉此書，Baxandall被認為是當時“新藝術史”思潮一員。...
用户评价
藝術社會史之典範
评分Why/how art history is/can be relevant. 教科书一样清晰基础易读，从几个层面入手，为解答这个至关重要的问题提供了超过传统艺术史框架的引导和方向，最后也给出了作者自己的答案。相比起“社会艺术史”，我更倾向用艺术史与社会/文化史来描述书里的内容
评分好书！
评分藝術社會史之典範
评分前年看了前两章 今年干脆一起读完吧～
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