Japanoise 在線電子書 圖書標籤: 音樂 日本 噪音 音樂相關 Transnational DavidNovak 文化 Japan
發表於2024-12-23
Japanoise 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024
最煩扯淡
評分關西“噪音”。雖然民族誌的寫法,寫法有比較的框架。因為“日本噪音”本來就隻是標簽,很難不提“科技東方主義“。至於是不是”極端音樂“,我覺得這種提法有閤理之處,特彆是單純就”大音量“、”爭議性行為“(嚮觀眾拋灑不明液體啊,使勁砸吉他、摔東西啊,極端性體驗啊)。隻不過西方現代音樂也有極端的錶現,方式不同而已。另外,加拿大早期噪音曆史我瞭解的比較少,但是濛特利爾大把後搖樂隊也是因”噪音“自居的。
評分有一些扯到人類學的還挺有意思的,readable加一星。
評分是上課當教材讀的,每周得寫作業,但時不時讀著讀著還是感覺熱情而嚮往。噪音到底可不可以被分類,上課討論很久還是討論不清,直到後來我厭倦瞭這種討論,飄飄忽忽地開始想彆的事情。
評分是上課當教材讀的,每周得寫作業,但時不時讀著讀著還是感覺熱情而嚮往。噪音到底可不可以被分類,上課討論很久還是討論不清,直到後來我厭倦瞭這種討論,飄飄忽忽地開始想彆的事情。
Noise, an underground music genre made through an amalgam of feedback, distortion, and electronic effects, first emerged in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational audience. For its scattered listeners, Noise always seems to be new, and to come from somewhere else: in North America, it was "Japanoise." But does Noise really belong to Japan? Is it even music at all? And why has Noise become such a compelling metaphor for the complexities of globalization and participatory media at the turn of the millennium? In Japanoise, David Novak draws on more than a decade of research in Japan and the United States to trace the "cultural feedback" that generates and sustains Noise. He provides a rich ethnographic account of live performances, the circulation of recordings, and the lives and creative practices of musicians and listeners. He explores the technologies of Noise, and the productive distortions of its networks. Capturing the textures of feedback - its sonic and cultural layers and vibrations - Novak describes musical circulation through sound and listening, recording and performance, international exchange, and social interpretations of media.
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Japanoise 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024