Naoto Fukasawa

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出版者:Phaidon Press
作者:Naoto Fukasawa
出品人:
頁數:240
译者:
出版時間:2007-4-1
價格:USD 69.95
裝幀:Hardcover
isbn號碼:9780714845869
叢書系列:
圖書標籤:
  • 設計 
  • 深澤直人 
  • NaotoFukasawa 
  • 日本設計 
  • 日本 
  • 工業設計 
  • Design 
  • Fukasawa 
  •  
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Naoto Fukasawa (b.1956) is one of the best-known Japanese product designers working today. After graduating from Tama Art University in 1980, he moved to the United States and worked at IDEO, one of the world's most innovative design companies. In 1997, Fukasawa moved back to Japan to set up the IDEO Tokyo office. During his time at IDEO, he developed his sense for how people perceive and use objects. In 2003, Fukasawa left IDEO to form his own design company Naoto Fukasawa Design. Besides being a consultant for major companies, especially MUJI, he has also set up a new product brand called PLUS MINUS ZERO, a collection of minimal home appliances and products that has achieved worldwide acknowledgement for its user-friendly aesthetics. Moreover, Fukasawa's designs for companies such as Driade and B&B Italia attracted attention in Europe at the 2005 Milan Furniture Fair, and have continued to do so since. Fukasawa's design philosophy relies on carefully observing what people do and feel in their everyday lives in order to find simple solutions that touch the senses and link to shared memories. By working with the 'iconic' value of a product, be it a watch or a sofa, Fukasawa is able to come up with designs that address the common knowledge about things that people have. His groundbreaking wall-mounted CD player for MUJI in 1999 was based on the image of a kitchen fan and moved away from all the conventions of hi-fi equipment manufacture. It was a simple appliance, restrained in appearance and function, and very different from the numerous black boxes that had become the standard in the market. Interestingly, as Fukasawa's products are based on people's common and not always conscious view of things, his design solutions sometimes swim against the current of received opinions to achieve popularity and success. The LCD TV monitor he designed for PLUS MINUS ZERO reinstates the shape of the cathodic-tube TV set instead of becoming even thinner; his mobile telephone Infobar for KDDI/au has large keypads, referring back to the first models of the 1980s. The book is the first monograph published in English of the work of this innovative designer. Edited by Fukasawa himself and with contributions by writers from East and West, it includes a selection of his products to date, ranging from umbrellas and vases to sofas and telephones. Illustrated with never-before-seen photographs and drawings, Fukasawa's text elucidates the ideas behind each of his projects. Essays by artists, designers, and lecturers, notably Antony Gormley, Jasper Morrison and Bill Moggridge from IDEO, complete the book by giving an account of Fukasawa's design philosophy and of the significance of his work for the contemporary design world.

具體描述

讀後感

評分

部分内容和《不为设计而设计=最好的设计》重叠,但装帧印刷精美,少部分作品第一次看到。网络图片和画册的最大差别是网络图片是快餐,画册是大餐,而且是每晚临睡前能享受的大餐。 深泽为每个加上了简短的说明,通俗易懂但引人深思,从启发设计的层次上,深泽是一位禅宗大师。  

評分

部分内容和《不为设计而设计=最好的设计》重叠,但装帧印刷精美,少部分作品第一次看到。网络图片和画册的最大差别是网络图片是快餐,画册是大餐,而且是每晚临睡前能享受的大餐。 深泽为每个加上了简短的说明,通俗易懂但引人深思,从启发设计的层次上,深泽是一位禅宗大师。  

評分

空是一个无法翻译的概念,在英文里面无论,empty,void或者hollow都无法正确的表达期中的含义。就像般若波罗蜜一样,只能用音译。 深泽的设计,有很多都表达出这种空的包涵性。 个人感受深泽多数的产品,还是有那种空的包含性。但也有些东西空的过度了,以致空至虚无,没有更多...  

評分

空是一个无法翻译的概念,在英文里面无论,empty,void或者hollow都无法正确的表达期中的含义。就像般若波罗蜜一样,只能用音译。 深泽的设计,有很多都表达出这种空的包涵性。 个人感受深泽多数的产品,还是有那种空的包含性。但也有些东西空的过度了,以致空至虚无,没有更多...  

評分

部分内容和《不为设计而设计=最好的设计》重叠,但装帧印刷精美,少部分作品第一次看到。网络图片和画册的最大差别是网络图片是快餐,画册是大餐,而且是每晚临睡前能享受的大餐。 深泽为每个加上了简短的说明,通俗易懂但引人深思,从启发设计的层次上,深泽是一位禅宗大师。  

用戶評價

评分

太棒瞭 學過的設計理念都在這裏得到總結

评分

建議工業設計的童鞋都看看這本書,很多人瞭解的深澤先生,都是他在無印良品的那一部分。這本書告訴你們,深澤不僅是那部排氣扇CD機。感慨,幸運指的,究竟是深澤遇見瞭無印,還是無印遇見瞭深澤。

评分

在圖書館裏讀的,日版書,不能看字,隻是看圖。當時因為聽過無印的講座,特彆有感.

评分

太棒瞭 學過的設計理念都在這裏得到總結

评分

在圖書館裏讀的,日版書,不能看字,隻是看圖。當時因為聽過無印的講座,特彆有感.

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