宇文所安,又名斯蒂芬·歐文。1946年生於美國密蘇裏州聖路易斯市,長於美國南方小城。1959年移居巴爾的摩。在巴爾的摩公立圖書館裏沉湎於詩歌閱讀,並初次接觸中國詩,雖然隻是中文翻譯,但他迅速決定與其發生戀愛,至今猶然。1972年獲耶魯大學東亞係博士學位,隨即執教耶魯大學。二十年後應聘哈佛,任教東亞係、比較文學係,現為詹姆斯·布萊恩特·柯南德特級教授。有著作數種,論文多篇。其人也,性樂煙酒,心好詩歌。簡脫不持儀形,喜俳諧。自言其父嘗憂其業中國詩無以謀生,而後竟得自立,實屬僥幸爾。

This book explores, through a series of essays, a set of interrelated elements that define the literary culture of China in the late eighth and early ninth centuries. This period, known as the Mid-Tang, broke with many of the intellectual habits of the “middle period” of Chinese culture and adumbrated many of the characteristics of China in the Song and later periods.

The first essay examines “singularity,” representations of identity as an assertion of superiority over others and as an alienation that brings rejection by others. The second essay addresses different ways of representing landscapes, showing the ways in which the underlying order of nature had become a problem in the Mid-Tang. The third essay discusses the tendency to offer hypothetical explanations for phenomena that either run contrary to received wisdom or try to account for situations usually thought not to require explanation. When carried out at the level of pure play, such subjective acts of interpretation are wit, and the fourth essay analyzes playfully inflated interpretations of domestic spaces and leisure activities as a discourse of private valuation, articulated against commonsense values.