This comprehensive examination of eighteenth and nineteenth-century architecture explores its extreme diversity within the context of tremendous social, economic and political upheaval. Bergdolls offers a penetrating analysis of the very ways issues of style functioned to make architecture one of the most vitally experimental of art forms in a period of sweeping political, social, and economic change. Never before had the functional requirements and expressive capacities of architecture been tested so thoroughly and with such diversity of invention. Bergdoll traces this experimentation in a broad range of contexts, focusing in particular on the relation of architectural design to new theories of history, new categories of scientific inquiry, and the broadening audience for architecture in this period of transformation. Unlike traditional surveys with long lists of buildings and architects, the themes are elucidated by in-depth coverage of key buildings which in turn are situated in both their local and European context.
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The book is laid out in a way that is difficult to follow
评分第三章experimental architecture很好讀。Boullee的墳墓和Bentham的監獄在探討sublime, sensation的理論背景下被聯係在一起。
评分雖然有著愉快把它讀完的美好願望 但真是一毛錢興趣也提不起來 自願放棄知識:/
评分關於形式、設計哲學、實際構建的三個潮流:文藝復興之後古典、希臘、埃及、東方等元素的傳入及北方各國哥特傳統造成的風格融閤創新與摺衷趨勢(Soufflot, Chambers, Jefferson, Schinkel, etc.);由洛剋、盧梭等的“自然”哲學主導促成的對於(視覺)結構(Laugier)、語匯(Durand)、體量與感受(Boullee)的反思以及實踐;通過對材料性質的考量發展齣的文學性(Ruskin)或結構(Viollet-le-Duc)理論,現代主義大潮的先驅。此外工業社會背景下都市化轉型的部分簡潔。詳細筆記待齣。
评分不錯的survey book
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