The Cinematic 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


The Cinematic

简体网页||繁体网页
Campany, David 编 作者
The MIT Press
译者
2007-05-31 出版日期
221 页数
USD 22.95 价格
Paperback
Documents of Contemporary Art 丛书系列
9780262532884 图书编码

The Cinematic 在线电子书 图书标签: Photography  艺术  essays  Film  Cinema  电影理论  摄影  theory   


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发表于2024-11-22


The Cinematic 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Cinematic 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Cinematic 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



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有关活动影像的(Cinematic)的一个文集,大多数都是经典文本(短小),质量过硬

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有关活动影像的(Cinematic)的一个文集,大多数都是经典文本(短小),质量过硬

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有关活动影像的(Cinematic)的一个文集,大多数都是经典文本(短小),质量过硬

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有关活动影像的(Cinematic)的一个文集,大多数都是经典文本(短小),质量过硬

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有关活动影像的(Cinematic)的一个文集,大多数都是经典文本(短小),质量过硬

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The Cinematic 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

The Cinematic 在线电子书 图书描述

The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography now has at its disposal the budgets and scale of cinema. This addition to Whitechapel's Documents of Contemporary Art series surveys the rich history of creative interaction between the moving and the still photograph, tracing their ever-changing relationship since early modernism.<br /> <br /> Still photography--cinema's ghostly parent--was eclipsed by the medium of film, but also set free. The rise of cinema obliged photography to make a virtue of its own stillness. Film, on the other hand, envied the simplicity, the lightness, and the precision of photography. Russian Constructivist filmmakers considered avant-garde cinema as a sequence of graphic "shots"; their Bauhaus, Constructivist and Futurist photographer contemporaries assembled photographs into a form of cinema on the page. In response to the rise of popular cinema, Henri Cartier-Bresson exalted the "decisive moment" of the still photograph. In the 1950s, reportage photography began to explore the possibility of snatching filmic fragments. Since the 1960s, conceptual and postconceptual artists have explored the narrative enigmas of the found film still. The Cinematic assembles key writings by artists and theorists from the 1920s on--including László Moholy-Nagy, Pier Paolo Pasolini, Victor Burgin, Jeff Wall, and Catherine David--documenting the photography-film dialogue that has enriched both media.<br /> <br /> Contributors:<br /> Roland Barthes, Jean Baudrillard, Raymond Bellour, Anton Giulio Bragaglia, Victor Burgin, Henri Cartier-Bresson, Catherine David, Thierry de Duve, Gilles Deleuze, Philip-Lorca diCorcia, Philippe Dubois, Régis Durand, Sergei Eisenstein, Mike Figgis, Hollis Frampton, Susanne Gaensheimer, Nan Goldin, Chris Marker, Christian Metz, Laura Mulvey, László Moholy-Nagy, Beaumont Newhall, Uriel Orlow, Pier Paolo Pasolini, Constance Penley, Richard Prince, Steve Reich, Carlo Rim, Raul Ruiz, Susan Sontag, Blake Stimson, Michael Tarantino, Agnès Varda, Jeff Wall, Andy Warhol, and Peter Wollen

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