The Cinematic 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


The Cinematic

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Campany, David 編 作者
The MIT Press
譯者
2007-05-31 出版日期
221 頁數
USD 22.95 價格
Paperback
Documents of Contemporary Art 叢書系列
9780262532884 圖書編碼

The Cinematic 在線電子書 圖書標籤: Photography  藝術  essays  Film  Cinema  電影理論  攝影  theory   


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The Cinematic 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

The Cinematic 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

The Cinematic 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



The Cinematic 在線電子書 用戶評價

評分

有關活動影像的(Cinematic)的一個文集,大多數都是經典文本(短小),質量過硬

評分

有關活動影像的(Cinematic)的一個文集,大多數都是經典文本(短小),質量過硬

評分

有關活動影像的(Cinematic)的一個文集,大多數都是經典文本(短小),質量過硬

評分

有關活動影像的(Cinematic)的一個文集,大多數都是經典文本(短小),質量過硬

評分

有關活動影像的(Cinematic)的一個文集,大多數都是經典文本(短小),質量過硬

The Cinematic 在線電子書 著者簡介


The Cinematic 在線電子書 著者簡介


The Cinematic 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

The Cinematic 在線電子書 圖書描述

The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography now has at its disposal the budgets and scale of cinema. This addition to Whitechapel's Documents of Contemporary Art series surveys the rich history of creative interaction between the moving and the still photograph, tracing their ever-changing relationship since early modernism.<br /> <br /> Still photography--cinema's ghostly parent--was eclipsed by the medium of film, but also set free. The rise of cinema obliged photography to make a virtue of its own stillness. Film, on the other hand, envied the simplicity, the lightness, and the precision of photography. Russian Constructivist filmmakers considered avant-garde cinema as a sequence of graphic "shots"; their Bauhaus, Constructivist and Futurist photographer contemporaries assembled photographs into a form of cinema on the page. In response to the rise of popular cinema, Henri Cartier-Bresson exalted the "decisive moment" of the still photograph. In the 1950s, reportage photography began to explore the possibility of snatching filmic fragments. Since the 1960s, conceptual and postconceptual artists have explored the narrative enigmas of the found film still. The Cinematic assembles key writings by artists and theorists from the 1920s on--including László Moholy-Nagy, Pier Paolo Pasolini, Victor Burgin, Jeff Wall, and Catherine David--documenting the photography-film dialogue that has enriched both media.<br /> <br /> Contributors:<br /> Roland Barthes, Jean Baudrillard, Raymond Bellour, Anton Giulio Bragaglia, Victor Burgin, Henri Cartier-Bresson, Catherine David, Thierry de Duve, Gilles Deleuze, Philip-Lorca diCorcia, Philippe Dubois, Régis Durand, Sergei Eisenstein, Mike Figgis, Hollis Frampton, Susanne Gaensheimer, Nan Goldin, Chris Marker, Christian Metz, Laura Mulvey, László Moholy-Nagy, Beaumont Newhall, Uriel Orlow, Pier Paolo Pasolini, Constance Penley, Richard Prince, Steve Reich, Carlo Rim, Raul Ruiz, Susan Sontag, Blake Stimson, Michael Tarantino, Agnès Varda, Jeff Wall, Andy Warhol, and Peter Wollen

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