Devil Wears Prada, The

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出版者:Harper Collins Publishers
作者:劳伦·维斯贝格尔
出品人:
页数:400
译者:
出版时间:2006-6
价格:79.00元
装帧:Paperback
isbn号码:9780007241910
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图书标签:
  • 小说
  • 英文原版
  • 穿普拉达的恶魔
  • 女性
  • 外国小说
  • fashion
  • 美国
  • 听的音频
  • 时尚
  • 职场
  • 喜剧
  • 小说
  • 美国文学
  • 女性
  • 流行文化
  • 纽约
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  • 成长
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具体描述

《穿普拉达的时尚女魔头》是根据是劳伦·魏丝伯格(Lauren Weisberger)自己根据自己的经历写的一部畅销小说。这部小说在在《纽约时报》畅销书排行榜上一连高悬了15个星期。

根据这部小说拍摄的同名电影,由著名好莱坞演员梅丽尔·斯特里普(Meryl Streep)、安妮·海瑟薇(Anne Hathaway)等表演完成。同名电影同样获得高票房、高收视。

亚马逊为你带来这部原汁原味的原版小说,让你领略优雅的“女魔头”的风采!

Book Description

A delightfully dishy novel about the all-time most impossible boss in the history of impossible bosses.

Andrea Sachs, a small-town girl fresh out of college, lands the job “a million girls would die for.” Hired as the assistant to Miranda Priestly, the high-profile, fabulously successful editor of Runway magazine, Andrea finds herself in an office that shouts Prada! Armani! Versace! at every turn, a world populated by impossibly thin, heart-wrenchingly stylish women and beautiful men clad in fine-ribbed turtlenecks and tight leather pants that show off their lifelong dedication to the gym. With breathtaking ease, Miranda can turn each and every one of these hip sophisticates into a scared, whimpering child.

THE DEVIL WEARS PRADA gives a rich and hilarious new meaning to complaints about “The Boss from Hell.” Narrated in Andrea’s smart, refreshingly disarming voice, it traces a deep, dark, devilish view of life at the top only hinted at in gossip columns and over Cosmopolitans at the trendiest cocktail parties. From sending the latest, not-yet-in-stores Harry Potter to Miranda’s children in Paris by private jet, to locating an unnamed antique store where Miranda had at some point admired a vintage dresser, to serving lattes to Miranda at precisely the piping hot temperature she prefers, Andrea is sorely tested each and every day—and often late into the night with orders barked over the phone. She puts up with it all by keeping her eyes on the prize: a recommendation from Miranda that will get Andrea a top job at any magazine of her choosing. As things escalate from the merely unacceptable to the downright outrageous, however, Andrea begins to realize that the job a million girls would die for may just kill her. And even if she survives, she has to decide whether or not the job is worth the price of her soul.

The film version was released on June 30, 2006, produced by Wendy Finerman (Forrest Gump), freely adapted for the screen by Aline Brosh McKenna and directed by David Frankel. Anne Hathaway played Andrea, Meryl Streep earned critical praise and a Golden Globe as Miranda, and Emily Blunt played Emily.

Production took place during fall 2005, on location in New York and Paris. Weisberger herself made a very brief non-speaking cameo appearance as the twins' nanny.

It was very successful, taking in over $300 million worldwide, making it the highest-grossing film for both lead actresses. In September Weisberger and Frankel jointly accepted the first-ever Quill Variety Blockbuster Book to Film Award.

On October 12, 2006, Fox Television Network announced that they have acquired the rights to a sitcom version of the series based on the book, which will air in 2007.

Amazon.com

It's a killer title: The Devil Wears Prada. And it's killer material: author Lauren Weisberger did a stint as assistant to Anna Wintour, the all-powerful editor of Vogue magazine. Now she's written a book, and this is its theme: narrator Andrea Sachs goes to work for Miranda Priestly, the all-powerful editor of Runway magazine. Turns out Miranda is quite the bossyboots. That's pretty much the extent of the novel, but it's plenty. Miranda's behavior is so insanely over-the-top that it's a gas to see what she'll do next, and to try to guess which incidents were culled from the real-life antics of the woman who's been called Anna "Nuclear" Wintour. For instance, when Miranda goes to Paris for the collections, Andrea receives a call back at the New York office (where, incidentally, she's not allowed to leave her desk to eat or go to the bathroom, lest her boss should call). Miranda bellows over the line: "I am standing in the pouring rain on the rue de Rivoli and my driver has vanished. Vanished! Find him immediately!"

This kind of thing is delicious fun to read about, though not as well written as its obvious antecedent, The Nanny Diaries. And therein lies the essential problem of the book. Andrea's goal in life is to work for The New Yorker--she's only sticking it out with Miranda for a job recommendation. But author Weisberger is such an inept, ungrammatical writer, you're positively rooting for her fictional alter ego not to get anywhere near The New Yorker. Still, Weisberger has certainly one-upped Me Times Three author Alex Witchel, whose magazine-world novel never gave us the inside dope that was the book's whole raison d' etre. For the most part, The Devil Wears Prada focuses on the outrageous Miranda Priestly, and she's an irresistible spectacle.

 --Claire Dederer

From Publishers Weekly

Most recent college grads know they have to start at the bottom and work their way up. But not many picture themselves having to pick up their boss's dry cleaning, deliver them hot lattes, land them copies of the newest Harry Potter book before it hits stores and screen potential nannies for their children. Charmingly unfashionable Andrea Sachs, upon graduating from Brown, finds herself in this precarious position: she's an assistant to the most revered-and hated-woman in fashion, Runway editor-in-chief Miranda Priestly. The self-described "biggest fashion loser to ever hit the scene," Andy takes the job hoping to land at the New Yorker after a year. As the "lowest-paid-but-most-highly-perked assistant in the free world," she soon learns her Nine West loafers won't cut it-everyone wears Jimmy Choos or Manolos-and that the four years she spent memorizing poems and examining prose will not help her in her new role of "finding, fetching, or faxing" whatever the diabolical Miranda wants, immediately. Life is pretty grim for Andy, but Weisberger, whose stint as Anna Wintour's assistant at Vogue couldn't possibly have anything to do with the novel's inspiration, infuses the narrative with plenty of dead-on assessments of fashion's frivolity and realistic, funny portrayals of life as a peon. Andy's mishaps will undoubtedly elicit laughter from readers, and the story's even got a virtuous little moral at its heart. Weisberger has penned a comic novel that manages to rise to the upper echelons of the chick-lit genre.

From Booklist

In this debut novel (part of a wave of exposes about bad bosses that is sweeping the publishing world), former Vogue assistant Weisberger provides a telling account of life as an underling at the fictional Runway magazine. Here we meet Andrea Sachs, a recent Ivy League graduate hoping to break into the magazine business, with her ultimate goal being a job at the New Yorker. She accepts an entry-level position at Runway as personal assistant to the editor, Miranda Priestley (rumored to be based on Vogue 's Anna Wintour). However, her new job has nothing to do with writing or editing, and everything to do with predicting and fulfilling every outrageous whim her prima donna boss might have. While the job makes incredible demands on Sachs' personal life, the perks are undeniable: rubbing elbows with celebrities, being outfitted in designer clothes, and jetting off to Paris for fashion shows. Yet Weisberger's characters are all uniformly shallow and two-dimensional, and she seems to be worshiping this lifestyle at the same time that she is supposedly skewering it. However, the book is garnering lots of press, with a film deal also in the works, and Weisberger's dishy style will appeal to many readers.

  Kathleen Hughes

From AudioFile

Just out of college, with aspirations to be a writer, Andrealands an ill-defined job as assistant to the editor of RUNWAYmagazine--Miranda Priestly (rhymes with beastly). Soon Andrea is socaught up with Miranda's outrageous errands (pick up her dog, her car,her just-so lunch) and the world of fashion that she neglects herboyfriend and her needy roommate. Rachel Leigh Cook reads thisfirst-person nightmare at a rapid pace, capturing Andrea'sna?veté and skewering the city weirdos she encounters. But it'sher performance of the insipid and demanding "boss from hell" thatwill stick with you. Eventually Andrea tells the devil off but notbefore you've had a highly entertaining listen. J.B.G.

Book Dimension

length: (cm)17.8                 width:(cm)11.1

《迷雾之城的回响》 一部关于身份认同、都市生存与自我救赎的深刻寓言 作者:艾琳·麦肯纳 字数:约1500字 --- 第一部分:冰封的黎明 故事的序幕拉开于冰冷而光洁的纽约曼哈顿,空气中弥漫着咖啡的苦涩和未竟雄心的味道。主角薇拉·林德,一个从美国中西部小镇走出来的文学系毕业生,怀揣着对“高雅文化”的懵懂憧憬和亟待证明自己的决心,登上了这片被钢筋和玻璃构筑的云端。 薇拉的世界,初来乍到时,是剧烈失焦的。她获得的不是她在想象中投身于严肃文学编辑部的那种“启蒙”,而是进入了那个在城市边缘闪烁着令人目眩光芒、却又寒意彻骨的行业——《穹顶》杂志,一本垄断了时尚界话语权,以“不可侵犯的品味”著称的月刊。 她应聘的职位是“执行助理”,一个听起来光鲜亮丽,实则意味着无休止的奔波、电话、预定,以及在深夜里为团队清洗溅到昂贵羊绒大衣上的红酒渍。她的直属上司是伊芙琳·哈珀,一位以其精准的判断力、对细节近乎病态的掌控欲以及从不浪费一个多余表情而闻名的艺术总监。伊芙琳如同这座摩天大楼的冰雕女王,她的每一次呼吸似乎都在衡量着周围空气的价值。 薇拉很快发现,《穹顶》杂志内部运作的逻辑,与她想象中的严肃文学讨论截然不同。这里没有关于康德哲学的辩论,取而代之的是对季度色卡、面料纹理、以及谁的私人飞机晚点了五分钟的焦虑。杂志的编辑们似乎都活在一种永恒的、自我构建的“美”的幻觉中,他们的话语权直接转化为市场的风向标,而薇拉,作为最底层的螺丝钉,感受到的只是这种权力的重量和压迫。 她住在布鲁克林一间狭小、漏风的公寓里,每天通勤要花费两个小时。在她的第一个月里,她唯一的“成就”是成功地记住了伊芙琳早上九点准时出现的咖啡订单中,牛奶的精确温度——零下三度,不是零度,不是负五度,是零下三度,温度的微小偏差足以引发一场无声的地震。 薇拉的私人生活被迅速压缩至几乎不存在。她的男友,一个在社区大学教授创意写作的理想主义者,开始抱怨他们之间隔着一个“品味与实用性的黑洞”。薇拉想解释,她所做的一切是为了“观察”,为了理解这个她曾轻蔑地称之为“肤浅”的权力结构如何运作,但她疲惫不堪,只能用“快了,我很快就能脱身”这样空洞的承诺来敷衍。 第二部分:表象下的裂痕 随着时间的推移,薇拉开始展现出她那被压抑已久的观察力和适应力。她学会了如何在伊芙琳开口之前,就将她需要的资料摊开;她学会了辨认出那些即将在社交媒体上引发病毒式传播的“未来趋势”的蛛丝马迹。她不再是那个惊慌失措的乡下女孩,而是一个披上了精致盔甲的都市生存者。 然而,这种转变也带来了代价。为了更好地融入这个世界,她开始模仿,穿着打扮变得更大胆、更“符合预期”,她学会了如何用一种略带嘲讽的语气讨论那些她内心深处并不真正关心的奢侈品。每当她在镜子里看到那个眼神中带着精明算计的自己时,她都会感到一阵寒意。 她注意到《穹顶》杂志内部的派系斗争远比外部世界展示的更为残酷。伊芙琳的强势地位并非稳固,她与杂志主编维克多·斯特恩之间有着一种充满张力的合作关系——维克多代表着更深层次的资本和传统影响力,而伊芙琳则是新的、不可预测的潮流的化身。两人之间的权力角逐,常常以牺牲下属的职业生涯和精神健康为代价。 薇拉无意中卷入了一场关于杂志年度“未来之星”评选的暗流涌动。她发现,原本被内定的一位年轻摄影师,因为得罪了维克多的某个重要投资人,其作品突然被压制,而另一个背景深厚的新人则被迅速推上了风口浪尖。薇拉掌握着一份关键的内部邮件,这份邮件足以揭露评选过程中的不公和裙带关系。 这是她人生中第一次面临真正的道德抉择:是利用这份信息为自己谋得晋升的机会,比如向上级告密以换取伊芙琳的青睐,还是选择保持沉默,继续做那个高效的、不惹麻烦的影子? 第三部分:光影的交界线 薇拉的挣扎被她的同事——一个名叫马克斯的资深时尚编辑所察觉。马克斯是少数几个能和薇拉进行非工作相关交流的人。他曾经也充满抱负,但在《穹顶》的熔炉里被磨平了棱角,变成了一个愤世嫉俗但又精通生存哲学的观察者。 马克斯告诉薇拉:“你以为你在学习这个世界的规则,但你只是在被这个世界重新塑形。规则本身就是为了保护那些制定规则的人而存在的,而你,薇拉,你正在成为他们想要你成为的样子,而不是你本来的样子。” 在一次重要的时装周后台,薇拉亲眼目睹了伊芙琳在压力下近乎崩溃的瞬间。在聚光灯熄灭后,这位冰雪女王摘下她的高跟鞋,她的手指紧紧攥着,眼中充满了疲惫和迷茫。薇拉意识到,即便是站在权力顶端的人,也同样被困在自己建立的华丽牢笼之中。他们承受的压力,是薇拉目前所承受压力的放大版。 最终,薇拉决定不再扮演任何人的延伸。她没有将那份揭露不公的邮件公之于众,因为她明白,在这个体系内,真相的曝光只会带来混乱,而受益的永远是下一个更擅长操纵混乱的人。 她选择了一种更微妙的反抗。她开始在私下里,利用她对《穹顶》杂志运作模式的深刻理解,悄悄地引导一些边缘的、被忽视的、但真正有才华的新锐设计师和艺术家进入聚光灯的视野——不是通过正式的渠道,而是通过她的人脉和影响力,避开高层的审查。她不再是那个被动地执行命令的助理,而是一个懂得如何利用系统漏洞进行“精准干预”的地下推手。 终章:重新定义的胜利 六个月后,薇拉向伊芙琳递交了辞呈。伊芙琳出乎意料地平静。她没有挽留,只是递给薇拉一张名片,上面印着一家新兴的、专注于数字媒体和文化孵化的独立机构的联系方式。 “你学到了比任何文学学位都更重要的东西,”伊芙琳说,语气中带着一丝近乎骄傲的认可,“你学会了如何阅读无声的语言。去吧,林德小姐。别把自己淹死在水里,试着去引导水流的方向。” 薇拉离开了《穹顶》杂志,她没有带着一份轰轰烈烈的辞职信,也没有揭露任何黑暗的秘密。她带着她对权力运作的深刻理解,以及对自我价值的重新定义。她选择了一条与她最初设想的截然不同的道路——她没有成为被精英文化定义的人,而是成为了一个能够在精英文化夹缝中寻找并培育真实价值的建设者。 《迷雾之城的回响》讲述的不是一个“麻雀变凤凰”的故事,而是一个关于如何穿过华丽的迷雾,找到属于自己的真实频率的成人寓言。薇拉最终没有选择成为规则的牺牲品,也没有选择成为规则的捍卫者,她选择了成为规则的“解构者”和“重塑者”。她的征途,才刚刚开始。

作者简介

Lauren Weisberger grew up in Pennsylvania and, after graduating from an Ivy League college, moved to New York to work as an assistant at a fashion magazine. It was there that she drew inspiration for her bestseller, The Devil Wears Prada. Her second novel, Everyone Worth Knowing, was also an international bestseller. Lauren lives in New York.

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“我梦想有这么一个世界,人们可以因为一个逗号而去死”

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不错,电影也很好看

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上下班路上开车听的,生词挺多但是感觉全文很流畅。但是有点虎头蛇尾,据说这是根据作者的真事写的,真好奇那是个什么样的世界呀!

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“我梦想有这么一个世界,人们可以因为一个逗号而去死”

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看完电影看的原著 原著通篇抱怨 毫无看点 人物扁平

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