At once daring and authoritative, this book offers a profusely illustrated history of sexual politics in ancient Athens.
The phallus was pictured everywhere in ancient Athens: painted on vases, sculpted in marble, held aloft in gigantic form in public processions, and shown in stage comedies. This obsession with the phallus dominated almost every aspect of public life, influencing law, myth, and customs, affecting family life, the status of women, even foreign policy.
This is the first book to draw together all the elements that made up the "reign of the phallus"--men's blatant claim to general dominance, the myths of rape and conquest of women, and the reduction of sex to a game of dominance and submission, both of women by men and of men by men.
In her elegant and lucid text Eva Keuls not only examines the ideology and practices that underlay the reign of the phallus, but also uncovers an intense counter-movement--the earliest expressions of feminism and antimilitarism.
Complementing the text are 345 reproductions of Athenian vase paintings. Some have been reproduced in a larger format and gathered in an appendix for easy reference and closer study. These revealing illustrations are a vivid demonstration that classical Athens was more sexually polarized and repressive of women than any other culture in Western history.
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讀後感
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用戶評價
2017年第一次接觸到本書，至今愛不釋手，每次寫論文都離不開。
评分2017年第一次接觸到本書，至今愛不釋手，每次寫論文都離不開。
评分廣為引用的希臘女性經典研究，最大的亮點大概是大量使用陶瓶畫作為史料，從陽具崇拜到妓女問題，從婦女反抗到性彆規訓。有些錶述略顯激進，但整體勾勒一幅「希臘男性因懼怕gynecocracy而從各種角度構算陽具統治」的圖景還是成功的，新版bibliography非常豐富。
评分2017年第一次接觸到本書，至今愛不釋手，每次寫論文都離不開。
评分廣為引用的希臘女性經典研究，最大的亮點大概是大量使用陶瓶畫作為史料，從陽具崇拜到妓女問題，從婦女反抗到性彆規訓。有些錶述略顯激進，但整體勾勒一幅「希臘男性因懼怕gynecocracy而從各種角度構算陽具統治」的圖景還是成功的，新版bibliography非常豐富。
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