Dialogues With Marcel Duchamp (Da Capo Paperback) 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2025


Dialogues With Marcel Duchamp (Da Capo Paperback)

简体网页||繁体网页
Pierre Cabanne 作者
Da Capo Press
译者
1987-08-21 出版日期
152 页数
USD 16.00 价格
Paperback
丛书系列
9780306803031 图书编码

Dialogues With Marcel Duchamp (Da Capo Paperback) 在线电子书 图书标签: 传记  MarcelDuchamp  艺术  法国  訪談  M.Duchamp  美術  duchamp   


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发表于2025-01-07


Dialogues With Marcel Duchamp (Da Capo Paperback) 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2025

Dialogues With Marcel Duchamp (Da Capo Paperback) 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2025

Dialogues With Marcel Duchamp (Da Capo Paperback) 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2025



Dialogues With Marcel Duchamp (Da Capo Paperback) 在线电子书 用户评价

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在艺术这桩生意中,艺术家本人是最不重要的。杜尚深切了解这一点,因此他把艺术从二维拖拽成三维,而把自己从立体活成透明平面。所以这书没什么可看的,不如多去看几张画。

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生活才是艺术。

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An interesting and refreshing lens into the life and career of an iconic artist. Some level of background information is required to maximize the value of the read. Intended to find out about the motivation behind the scandalous ‘fountain’, but regrettably that was only very briefly discussed.

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Duchamp真是很特别的一个人。对art的看法,真是独一无二。打破传统和常规,art不仅可以是painting/drawing,也可以是readymade。artist也可以不被名利驱使,做真正想做的,想表达的。

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杜尚好可愛www

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Dialogues With Marcel Duchamp (Da Capo Paperback) 在线电子书 图书目录


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Dialogues With Marcel Duchamp (Da Capo Paperback) 在线电子书 图书描述

”Marcel Duchamp, one of this century’s pioneer artists, moved his work through the retinal boundaries which had been established with impressionism into t field with impressionism into t field where language, thought and vision act upon one another, There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art...In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. ’You don’t mean to do it,’ he said.The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage’a Hilarious Picture.’ Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. ’In the end you lose interest, so I didn’t feel the necessity to finish it.’He declared that he wanted to kill art (’for myself’) but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, ’a new thought for that object.’The art community feels Duchamp’s presence and his absence. He has changed the condition of being here.”-- Jasper Johns, from Marcel Duchamp: An Appreciation

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