Dialogues With Marcel Duchamp (Da Capo Paperback) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2025


Dialogues With Marcel Duchamp (Da Capo Paperback)

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Pierre Cabanne 作者
Da Capo Press
譯者
1987-08-21 出版日期
152 頁數
USD 16.00 價格
Paperback
叢書系列
9780306803031 圖書編碼

Dialogues With Marcel Duchamp (Da Capo Paperback) 在線電子書 圖書標籤: 傳記  MarcelDuchamp  藝術  法國  訪談  M.Duchamp  美術  duchamp   


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Dialogues With Marcel Duchamp (Da Capo Paperback) 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2025

Dialogues With Marcel Duchamp (Da Capo Paperback) 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2025

Dialogues With Marcel Duchamp (Da Capo Paperback) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2025



Dialogues With Marcel Duchamp (Da Capo Paperback) 在線電子書 用戶評價

評分

Duchamp真是很特彆的一個人。對art的看法,真是獨一無二。打破傳統和常規,art不僅可以是painting/drawing,也可以是readymade。artist也可以不被名利驅使,做真正想做的,想錶達的。

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采訪錄很短,很喜歡杜尚的臉,準確點是相,言談有趣

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讀來還蠻諷刺的。杜尚自己拒絕融入任何流派,所做readymade泉從某種程度也是為瞭被拒絕和挑戰協會,然而現在卻有一堆堆博士論文分析他的某個作品的某個細節屬於某種流派,readymade到底還能不能代錶徹底改革的方嚮。

評分

Duchamp真是很特彆的一個人。對art的看法,真是獨一無二。打破傳統和常規,art不僅可以是painting/drawing,也可以是readymade。artist也可以不被名利驅使,做真正想做的,想錶達的。

評分

An interesting and refreshing lens into the life and career of an iconic artist. Some level of background information is required to maximize the value of the read. Intended to find out about the motivation behind the scandalous ‘fountain’, but regrettably that was only very briefly discussed.

Dialogues With Marcel Duchamp (Da Capo Paperback) 在線電子書 著者簡介


Dialogues With Marcel Duchamp (Da Capo Paperback) 在線電子書 著者簡介


Dialogues With Marcel Duchamp (Da Capo Paperback) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Dialogues With Marcel Duchamp (Da Capo Paperback) 在線電子書 圖書描述

”Marcel Duchamp, one of this century’s pioneer artists, moved his work through the retinal boundaries which had been established with impressionism into t field with impressionism into t field where language, thought and vision act upon one another, There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art...In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of breaking a leg. ’You don’t mean to do it,’ he said.The Large Glass. A greenhouse for his intuition. Erotic machinery, the Bride, held in a see-through cage’a Hilarious Picture.’ Its cross references of sight and thought, the changing focus of the eyes and mind, give fresh sense to the time and space we occupy, negate any concern with art as transportation. No end is in view in this fragment of a new perspective. ’In the end you lose interest, so I didn’t feel the necessity to finish it.’He declared that he wanted to kill art (’for myself’) but his persistent attempts to destroy frames of reference altered our thinking, established new units of thought, ’a new thought for that object.’The art community feels Duchamp’s presence and his absence. He has changed the condition of being here.”-- Jasper Johns, from Marcel Duchamp: An Appreciation

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