In this almost documentary account of his own experiences of penal servitude in Serbia, Dostoevsky describes the physical and mental suffering of the convicts, the squalor and the degradation, in relentless detail. The inticate procedure whereby the men strip for the bath without removing their ten-pound leg-fetters is an extraordinary tour de force, compared by Turgenev to passages from Dante's Inferno. Terror and resignation - the rampages of a pyschopath, the brief serence interlude of Christmas Day - are evoked by Dostoevsky, writing several years after his release, with a strikingly uncharacteristic detachment. For this reason, House of the Dead is certainly the least Dostoevskian of his works, yet, paradoxically, it ranks among his great masterpieces.
如果你翻看任何一本八九十年代的任何一家出版社的出版的《死屋手记》,你都会在其译者序或译后记里读到革命式话语,大都是一些:“深刻揭露了……”和“大力抨击……”之类的话语,完全把陀思妥耶夫斯基定位成一个伏契克式的作家。然而陀的这本书,恰恰没有浅薄如此。如果陀...
评分 评分 评分陀氏因言获罪,被沙俄统治者流放西伯利亚四年,期间得益于统治者的“仁慈”,记录了关押包括政治犯、军事犯在内的“特科”狱中一年星星点点的笔记。 与陀氏之前写给家人的信中对监狱生活和狱中囚犯的种种不满与诅咒不同,化身为书中冷静的讲述者之后,作者对其中的人员不管是囚...
评分我喜欢他用自嘲和讽刺描写乐趣和苦难。十年监狱的生活能磨平一个人,能建起不能逃脱的围墙,当然也有压不住自由飞翔的雄鹰的时候。但是他拥有更为不同的特质:观察,不断地观察,在封闭中看到自由,在肮脏中窥视洁净,在罪恶中一觑善良;记录,缓慢地记录,将封闭和自由、肮脏...
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